This week on the blog I've interviewed Monika Younger. Monika designed the book covers for all three of the Dreamslippers Series novels and the poetry collection Broom of Anger. She's a joy to work with, and I've loved every single one of her designs. A professional book-cover designer with more than ten years of experience designing for the major North American publisher Harlequin, she also designs covers for indie authors.
Lisa: You've designed covers for Harlequin, including their mystery line. How did you get started with that, and what's it like to design for that publisher in particular? Also, please share one of your favorite cover designs for Harlequin.
Monika: The mystery line I design for is called Worldwide Mystery. Worldwide Mystery is an imprint owned by Harlequin (now Harlequin/Harper Collins). I started with the publisher in 2003 when I was hired as a full-time designer in their art department. I worked for Harlequin in-house for two years designing covers for their series books (Harlequin Romance, Harlequin Presents, Intrigue, etc.) and single-title books (MIRA, HQN). In 2005 I started freelancing and retained Harlequin as my client. I work with several art directors there, and they are all amazing people to work with. Freelancing work with Harlequin is now mainly focused on Carina Press (their digital line, which covers several genres) and Worldwide Mystery.
One of my favorite recent mysteries (which I designed) is Brooklyn Bones. For this title, I was given more flexibility to experiment with a new look for the author. It was a fun project to work on, which took me away from the usual photographic style.
Lisa: Tell me how you approach working with authors. You send us a questionnaire before you begin designing our covers. Why is that an important step?
Monika: To represent a story meaningfully and accurately on the cover, I need to be very familiar with it. And since I cannot read all the books I design covers for (I would be reading more than designing), I have to get as much information from the author as possible--a summary of the novel, character descriptions, setting descriptions, important visual elements, themes and meanings, etc. All this helps me to figure out what is the best approach for the cover design. Once I get as much information as I feel I need, I come up with two or three cover layout options to present to the author. Usually one of the selections is approved with or without further revisions. After the front cover is approved, I design the back cover and spine to complete the book jacket.
Lisa: I get compliments on the covers you designed for the Dreamslippers Series all the time. What was your goal in designing these covers? Do you have a favorite of the three? Or is Broom of Anger your favorite? How was that project different for you?
Monika: Thank you. I think Bound to the Truth is my favorite. The symbolism on that cover is very powerful to me. I absolutely love it.
Broom of Anger was one of my all-time favorite projects. It was my first non-fiction (poetry) cover, and I had a lot of fun with it. As you know, there were many versions considered before the final was selected, and they were all fun to do. I don’t know how else to describe it but “fun.” I enjoy designing covers--playing around with graphic elements, photography, typography--and having it all come together on the screen is sometimes still magic to me.
Lisa: What other work do you do? What's your background?
Monika: In the last couple of years, I have been focusing on book-cover design, as it is my favorite area of design, but my training/education is in graphic design, so I can design anything from business cards to billboards and logos. I studied Graphic Design at Conestoga College. Previous to Harlequin, I worked full-time for a greeting card company and a full-service marketing firm in Mississauga.
Lisa: What do you enjoy about book cover design? What makes it special?
Monika: Books/novels/stories are interesting, compelling, and inspiring--and the cover has to reflect those elements. I love coming up with ideas and answering the question, "How can this story be represented visually so it will compel the audience to select it/engage with it?" It's a fun puzzle to solve. I love combing through stock photography web sites, font web sites, dissecting and altering images in Photoshop--I enjoy everything about it.