Today we released the 'game novel' I wrote and designed with Daily Magic, and the game is now featured on the App Store! Here we are in the top running under 'New Games We Love' ~
If you're following me as a fan of the Dreamslippers Series, you've probably noticed I've been slipping more and more of my game writing and designing work into this here blog content. I love writing stories across the two mediums of books and games, and I think writing in both spaces makes me stronger in each.
I promise you that if you enjoyed the Dreamslippers, you'll love my writing in games, too. Case in point, Sender Unknown: The Woods, an interactive novel in the mystery/thriller genre, which releases this summer.
Now, onto the next game-related bit of news: I'm excited to announce I'll be speaking at Casual Connect Seattle at the end of this month as part of the 21st Century Leadership & Power in Diversity Symposium, which kicks off the conference on July 31. The symposium was organized by Women in Games and Contagious Creativity in conjunction with the Casual Games Association's United in Diversity Initiative. It's a full day to explore topics in diversity, leadership, and professional growth in the video game and digital media industries.
My talk focuses on "Indie Pioneers! The Path Less Traveled." I will discuss the ins and outs of transitioning from leadership at a major game publisher to fending for myself as an indie writer and game designer. Lindsay Peck from Imagos Softworks and Robin Hunicke of Funomena will join me on the panel. (Lindsay might be a ghost, though):
Casual Connect is the major industry conference for casual games, offering "inspiration from the most respected thought leaders in the games industry." I'm one of 250 speakers over 9 tracks representing the leaders in the next generation of games. Studios represented include makers of your favorite casual games: Candy Crush, Cooking Dash, Kim Kardashian Hollywood, Wheel of Fortune, Bejeweled, any of the HOPA titles you've played from Big Fish, and more. That means people will be there from Playtika, Glu, King, Scopely, FlowPlay, GSN Games, Viveport, Resolution Games, ConveneVR, SkyDance Interactive, Against Gravity, and of course, my one-person studio, Sky Harbor. Here's my speaker bio, by the way.
If you're attending the con, please stop by the panel, or feel free to reach out to me by email using this handy link. I'd love to meet up with you. Otherwise, wish me luck!
On a recent trip to Seattle, I asked my husband to ask me a question, any question. This is a good way to keep things interesting in a long relationship, as you learn something new every time, even if you've been together for years and think you've heard each other's stories already. He asked, "Of all your journalistic articles, which one do you think is your best?" Funny thing, I didn't even have to think about it.
It's been almost a decade now since I wrote for the new media web site Crosscut. A for-profit startup back then, the skeleton crew of publishers and editors had high ambition that we were going to save journalism. Of course, that was a tall order during a time of massive newsroom layoffs, many papers across the country swallowed up by larger entities or simply folding. But Crosscut is a thriving non-profit now, and I moved on to writing games and books.
During those heady years of '07 to '09, I served as deputy editor and wrote more than 60 articles for Crosscut. Two of them stand out as my best, or at least my favorite, as it's hard to be objective about one's own writing. They're both travel pieces, which surprises me, as I'm not particularly well-traveled, although I've certainly lived in a lot of places. Both express a joy for local travel in and around Seattle. I share them with you now to help inspire your own travel to the Emerald City, my beloved home for a decade. Both excursions are still do-able today; Agua Verde is alive and well, as is Kalaloch, though I suspect they've since swanked the place up.
A newcomer goes kayaking
Six years in the Northwest and I’d never set butt in a kayak. Not that this should be that surprising. I know people who’ve been here for 20 years and haven’t so much as touched a kayak’s plastic skin. A friend of mine in her 30s who’s lived here all her life hasn’t been on a floating vessel of any kind except for the bridges and ferries.
But I used to edit Fishermen’s News, a gig that gave me access to 100-year-old halibut schooners and 100-foot ocean trawlers. I live in Ballard, where one sees intrepid kayakers come through the locks on a regular basis. There was no excuse.
On the kind of freakishly warm, sunny day in late September that makes Seattleites feel as if they’re getting away with something illicit, the hub and I went down to Agua Verde Paddle Club to brave the waters of Portage Bay.
| Kayakers look free, but they look awfully vulnerable, too.
At the check-in counter, they make you sign a release form. There’s nothing like a release form to up the anxiety meter. Not that I was feeling anxious. OK, a little. The kayaks are small and sit atop the surface of the water, and the ships passing by are very large in comparison. Kayakers look free, but they look awfully vulnerable, too. My kayaking experience thus far in 36 years of existence was limited to the waters off Miami, which were warm as a bath, and a basin in the Florida Keys where the water was actually hot. This Puget Sound water is so cold, I can’t stand to be in it further up than my knees, during the hottest part of the summer — you know, that one week in August when you partially break a sweat.
To say that I had a healthy regard for the realities of the situation would be euphemistically accurate. To say that I had a perhaps paranoiac fear of the water wouldn’t be inaccurate...
[Continue reading at Crosscut.]
It's stormy, and the Pacific coast beckons
Seventy-three miles long but just a few miles wide, the ocean beaches of Olympic National Park in Washington have been — miraculously — left wild. There are no fried fish stands, no motels; no one beckons you to parasail or buy a hot dog. You are not to drive your car along the beach as is done with scandalous complacency just 20 miles or so to the south. To get to most of Olympic’s beaches, you must be willing to work, to walk in sturdy shoes for some time, and to climb a bluff or two, perhaps pulling yourself along by the fixed ropes provided for your safety. You must pay attention to the changing tides, as the beach may be for hundreds of feet decidedly walkable when you wake up in the morning, the sand seeming to stretch with flat, mirror-like grace to the far retreating surf, only to, by afternoon, disappear under the swirl and toss of water against the base of a bluff. The beach is there, and then it’s not.
| The beach is there, and then it’s not.
Visitors flock to Olympic National Park in ever increasing numbers — visitation grew 10 percent this past year over last – but a trip during off-season is a good way to avoid crowds and experience the beach in its wildest state. The hub and I stayed at Kalaloch Lodge over a three-day weekend in late fall, when the lodge had ample vacancy, and we nearly had the beach to ourselves, especially after sunset.
The Quinault word “kalaloch” means “a good place to land,” and that utilitarian mindset still characterizes it. Kalaloch Lodge is no high-end resort; nor is it a gem in the national park lodge tradition. Disabuse yourself of any vision that includes a massage, stone fireplace, 300-thread-count sheets, or complimentary cotton robe. The accommodations are old-school and basic. Not rustic – you’ll find showers, alarm clocks, and coffee makers in most rooms. But you won’t find a TV, phone, or wi-fi. The furnishings and decor are several decades out of date, and that’s not such a bad thing...
[Continue reading at Crosscut.]
I hope your travels are full of wonder and discovery. Happy Memorial Day!
All photos by me, with the driftwood image appearing previously on Crosscut. Want to read more of my articles for Crosscut? Visit the author page.
This week I'll be in D.C. presenting at the Associated Writing Programs Conference, now celebrating its fiftieth anniversary. AWP provides support, advocacy, resources, and community to nearly 50,000 writers, 550 college and university creative writing programs, and 150 writers’ conferences and centers. I've wanted to attend this conference since I was a creative writing student working toward my Master of Fine Arts degree back in 2000. But the demands and focus of my full-time career have always been higher priorities. So I'm thrilled to finally get the chance, 17 years later.
I'm honored to be included on a panel with four women whose bios will knock your socks off. Our topic: "The Reporter and the Story: How Journalism Can Inform, and Fund, a Literary Career."
While most days it seems I'm heavier on the inform part of this equation than the fund, I'm excited to share my experiences as a freelance journalist for twenty-plus years, from writing on the arts and literature back in my home town of St. Louis, to the bootstrap days with a big-time Seattle startup, to the regular feature articles I now write for a small-town newspaper. These real-life stories have always fed my fictional storytelling.
Here's the full panel description, followed by bios for each presenter. Check out their web sites--you're bound to discover a new favorite author on this list.
Hemingway, Orwell, Dickens—all worked as journalists before becoming celebrated novelists. In addition to building your platform and paying the bills, working as a reporter can make you a better poet, novelist, or memoirist. Five journalists talk about how reporting on others drives them to create better fictional characters, how radio reporting has helped them develop their authorial voice, and how daily deadline gigs can lead to a career as a narrative nonfiction author.
Jessica Langlois is a Los Angeles-based journalist, essayist, and educator. She writes about race, class and gender equity; grassroots arts and political movements; and California histories.
A frequent contributor to LA Weekly, she has also written news, features, and reviews for The Washington Post, Bitch: Feminist Response to Pop Culture, East Bay Express, KCET's Artbound, and Oakland Tribune. Her literary nonfiction has appeared in The Los Angeles Times, Los Angeles Review of Books, California Northern, American Literary Review, Travelers' Tales, and The Rumpus. More at www.jessicalanglois.com.
Jeneé Darden has reported for National Public Radio, Time magazine, Los Angeles Times, Ebony, Marketplace, Huffington Post, KQED, KPCC and the Southern Poverty Law Center's Teaching Tolerance magazine. In 2005, she contributed reporting on the London 7/7 transit bombings for Time magazine’s Europe edition.
Jeneé has been interviewed/featured by BBC, Access Hollywood, Inside Edition, NPR, Marie Claire, Daily Mail, Daily Beast, KTVU, BlackGirlNerd.com, BeyondBlackWhite.com, the book Swirling. She was mentioned in the hit FX miniseries The People v. O.J. Simpson. The daughter of former O.J. Simpson prosecutor Christopher Darden, Jeneé holds a BA in ethnic studies from UC San Diego and a master’s degree in journalism from the University of Southern California. More at www.cocoafly.com.
Jenny J. Chen is an award-winning science journalist and multimedia producer. Her work has appeared in The Atlantic, NYTimes.com, NPR, Washington Post, Reader’s Digest, Vice, and many more.
In 2014 and 2015, she was awarded a PRX STEM grant to produce stories for NPR member stations across the country. In 2014, she received a grant from the D.C. Humanities Council to produce a radio documentary series on growing up mixed race in Washington, D.C. Jenny has also received numerous fellowships and awards to cover health, aging, minority issues, and climate change. She has spoken about journalism and the role of ethnic media at the Smithsonian Folklife festival. In another life, she has also had a play produced at Arena Stage and the Kennedy Center. More at www.jennychen.com.
Elizabeth Flock is a journalist based in Washington D.C., where she works as a reporter and producer at PBS NewsHour. She is currently working on a book, The Heart is a Shifting Sea: Love and Marriage in Mumbai, for Harper Collins (January 2018). Her reporting focuses on social issues, with a focus on the criminal justice system, protest movements and marriage and sexuality.
Elizabeth was a breaking news reporter at the Washington Post and staff writer at U.S. News and World Report. She has also written for the New York Times, the Village Voice, the Atlantic, New York Magazine, and the Chicago Tribune. More at www.lizflock.com.
If you're attending AWP, feel free to get in touch. I'd love to meet up with you! And please come to our panel. It's on Friday, Feb. 10, from 3-4:15 pm.
Readers of my Dreamslippers Series will undoubtedly recognize kindred spirits of Amazing Grace in Fling! Author Lily Iona Mackenzie talks about the real-life inspiration for her eccentric characters in today's What's the Motive post.
Lily Iona Mackenzie:
I began writing Fling! because I was curious about my mother’s mother, someone I had never met. Early in the 20th century, my grandfather, a former schoolmaster in Scotland’s highlands, immigrated to Calgary, Canada, hoping to find a better life there for himself and his family. Meanwhile, WWI broke out. A passenger ship was torpedoed, preventing his wife and five kids from joining him for seven years. When they did, my grandmother couldn’t adjust to the brutal winters or to her husband’s behavior.
After being in Calgary for a year, my grandmother moved out, refusing to put up with my grandfather’s verbal and physical abuse. She found work as a housekeeper for a wealthy family. Soon, she and her boss became lovers, and he took her to Mexico City with him. When he returned, she didn’t. Some time later, my grandfather received a letter from a Mexican priest that she had died there.
Though I never met my grandmother, she was a strong, ghostly presence throughout my childhood. Who was this woman whose genes I shared? How had she found the courage in the early ‘20s to flee a difficult situation? And what did she do during those years in Mexico City? What motivated her to leave her kids and travel to Mexico, a country very different from what she had experienced in largely protestant Canada and Scotland? And what effect did her behavior have on those left behind, in particular her daughter and granddaughter?
These were the questions that sent me off on my quest to uncover this mysterious woman. I wanted to recreate what life might have been like for her once she left Canada. That impulse brought in a number of other characters that inhabit the novel. So while 90-year-old Bubbles and 57-year-old Feather are the main focus initially, very loosely based on my mother and myself, it’s Heather, my imagined grandmother, who is at the novel’s heart.
When I started out, I planned to write a lyrical family saga. But Feather, an aging hippie, and her fun-loving mother Bubbles soon took over the narrative and brought their own distinctive humor with them, with plenty of hilarious moments as members of this family reunite in Mexico.
Feather and Bubbles’ journey begins when Bubbles receives mail from the dead letter office in Mexico City, asking her to pick up her mother’s ashes, left there seventy years earlier and only now surfacing. A woman with a mission, and still vigorous, Bubbles convinces a reluctant Feather to take her to Mexico so she can recover the ashes and give her mother a proper burial. Both women have recently shed husbands and have a secondary agenda: they’d like a little action. And they get it.
But they also make unexpected discoveries in Mexico, the land where reality and magic co-exist. Feather gains a sense of who her mother really was. The Indian villagers mistake Bubbles for a well-known, ancient rain goddess, praying for her to bring rain so their land will thrive again. Feather, who’s been seeking “The Goddess” for years, eventually realizes what she’s overlooked.
Unlike most women her age, fun-loving Bubbles takes risks, believing she’s immortal. She doesn’t hold back in any way, eating heartily, lusting after strangers, her youthful spirit and innocence convincing readers that they’ve found the fountain of youth themselves in her. At ninety, she comes into her own, coming to age, proving it’s never too late to fulfill one’s dreams, one of the things I discovered from writing this novel.
For me, Fling! turned out to be a meditation on mothers, daughters, and art. It suggests that the fountain of youth is the imagination, and this is what all the characters discover in Mexico. It’s what Bubbles wants to bottle, but she doesn’t need to. She embodies it. The whole family does. And I’m hoping that my actual grandmother partook of it, too.
Lily Iona MacKenzie has published poetry, short fiction, and essays in over 150 Canadian and American publications. Her poetry collection All This was published in October 2011. Her novel Fling! was published in July 2015. Bone Songs, another novel, will be published in 2017. Freefall: A Divine Comedy, will be released in 2018.
My big, fat book tour for Bound to the Truth had both an in-person leg and a virtual one, with guest posts, reviews, and spotlights on numerous blogs. Here's a rundown of the blog tour.
Four bloggers so far have reviewed the book, rating it highly.
The Book Adventures of Emily gave it five stars and raves: "Bound to the Truth is pretty fantastic! People with psychic abilities plus the fact they're investigators, um that's great! I'm really fascinated by this story, it's filled with action, suspense and a ton of mystery!"
Over at Book Fidelity, the reviewer praised the characters specifically: "I found myself completely submerged in this story of intrigue and, honestly? apprehension. It is every bit a mystery, but with a twist. And, dear reader, you know how much I love 'my characters' in books, and this work is no different. they are an array of unique and as equally mysterious as the world around them." (4 stars)
Another 5-star review came in from J Bronder Book Reviews, who wrote: "This is a great mystery with lots of action. Robin and Nina seem to have a perfect marriage from the outside, but inside there are cracks. I loved Cat, she is a strong woman and I loved following along as they had to dig deep to find the killer."
Sage Adderley, my tour host, took time out of her busy schedule to review the book as well and had this to say: "The plot runs deep and the characters are both quirky and interesting. This is a total whodunit mystery that will keep you on edge until the very end!"
For this tour, I decided to offer guest posts as a way to give back to the awesome book bloggers who take time to read and promote indie books, almost always as a side gig or hobby on their own time. I know how exciting it is to host other writers on my own blog, so I wanted to share the love for that reason, too.
One thing I noticed across the series, beginning with that great Kirkus review for Cat in the Flock and continuing through Bound to the Truth, is that people often use the word "quirky" to describe the characters and scenarios. So I analyzed my obsession with quirk for The Editing Pen. Apparently the seeds for it were sown during my childhood.
Regular readers of this blog know about my other obsessions: yoga and Nia. I talk about how and why I snuck these holistic practices into the Dreamslippers Series in this post for The Wordy Nerd.
I launched Bound to the Truth on the Friday after the presidential election. For The Attic Ghost, I wrote some thoughts related to all that.
For fellow author Freda Hansburg's blog, I decided to focus on social media, since it's something people in just about every profession should know how to do well. While I have much room for improvement, I've seen enough success in this area to be able to offer advice to others. It comes down to three simple rules.
A couple of bloggers put Bound to the Truth in their spotlight sections. Mello & June, It's a Book Thang! had shown their love for the book earlier in the year for the cover reveal, and they came through again here at launch. Another spotlight came from Book, Dreams, Life.
Many thanks to the book bloggers who give generously of their time, space, and opinion, and especially to Sage's Blog Tours for hosting.
It's rare that authors are treated to headlining book tours these days, if there ever was a day when that happened. Especially as an indie, my marketing budget comes out of my own (very small) pocket. So there was no book tour for the first installment in the Dreamslippers Series, and for the second book, the tour was almost entirely virtual, meaning online-only.
While this is all well and good economically speaking, I craved the opportunity to connect with readers in-person. We writers live a solitary existence, going through our days mainly alone, talking only to the cat. So when it's time to turn our book babies out into the world, it's only natural we'd want to interact with others.
By the time I was ready to release the third book in the series, I'd built up enough momentum that in-person opportunities just showed up. Here's a run-down of what became my big, fat book tour for the release of Bound to the Truth.
Nia Jam to Benefit Standing Rock
I dance at a local studio, Embody, which has not only given me a beautiful new practice in Nia but a supportive community as well. Nia features prominently in Bound to the Truth, so when I found out there would be a Nia Jam and fundraiser, I donated five copies of the book, which were awarded at the event by raffle. Separate from the studio itself and hosted entirely by Nia teachers who gave generously of their time and talent, the jam raised more than $1300 for Standing Rock. We danced for two hours straight that night. I couldn't imagine a better way to celebrate the book's release date. It's exactly what Granny Grace would do.
Book 'n' Brush Author Event
Honestly, I can't say enough about how terrifically supportive the community here in Lewis County is. As an indie, I completely struck out trying to get my books into Seattle bookstores, even ones in my own neighborhood I'd frequented for a decade. But the owner and manager at Book 'n' Brush here in Chehalis have been enthusiastic supporters. They carry the whole Dreamslippers Series as well as the poetry collection, and in turn, I drive customers to the store whenever possible. It's a win-win. I felt honored to be included in their recent author event, along with others I've come to know, some of whom also have new books out.
Authors Julie McDonald Zander, Texie Gregory, Kyle Pratt (who wasn't part of the event but stopped in to buy books), and me.
Book 'n' Brush is a gem of a store, anchoring downtown Chehalis. As the name suggests, they sell both art supplies and books, for a perfect mashup of creative pursuits. We had a great write-up in the local paper about the event, and The Chronicle also covered my book's release.
Human Response Network Masquerade Ball
My husband and I, incognito for a cause.
A good amount of what you might call spiritual, humanitarian intention went into the Dreamslippers Series. I've written female-centered narratives peopled with a diverse spectrum of characters. I've tackled homophobia and tried to explore organized religion with humanity and compassion. I shed light on corruption in the art world and illuminated a corner of darkness that is the illegal child pornography industry. And finally, I celebrated sexual liberation and told the stories of those harmed by sexual abuse and repression. All while honoring the importance of plot and pacing, and I hope, without ever coming across as preachy. Everything I write is in service to the story.
I always want to do more than this. I tied sales of Cat in the Flock to a donation to Jubilee Women's Center, a highly effective organization in Seattle that helps women transition out of homelessness and into independence. Here in Chehalis, I support the Human Response Network, which provides advocates for victims of domestic violence and sexual assault. The Masquerade Ball was the organization's first major fundraiser, done in an attempt to ramp up service in response to an overwhelming increase in requests for help.
Copies of the books on auction.
Seattle University Talk
I've presented at Seattle University twice before, and it's always a pleasure to meet creative writing students there. This time, I discussed what it takes to get credits and bylines in three different arenas: books, games, and journalism. I related tales from the trenches in all three and managed not to bore them. While it feels odd to call myself a master of anything, the below slide did garner a few smiles.
The students asked great questions and seemed encouraged by my career transitions from one arena to another, AKA the survivor mentality that has kept me consistently employed. Props to the university bookstore for carrying the Dreamslippers Series in connection with the event, and to the creative writing program for their incredible hospitality.
Seattle U souvenirs: Reflections picked up for free in the campus chapel, and the student lit mag, Fragments.
An Evening with the Authors at the Lewis County Historical Museum
The last in-person event on my schedule for this book launch was the only repeat for me, as I'd attended the same last year. Located in a former train depot, the museum features local history displays and a gift shop. The authors event is a great party and opportunity to meet other writers as well as new readers. Poetry seems to resonate best with this crowd.
So there you have it: This is how we do things in indie land. My family and I hosted Thanksgiving at our house in the midst of this, so I'm hoping December is a bit less eventful? Or not. I really did enjoy myself. Welcome to all the new readers who stopped by my tables, came to the talk, or danced by my side. I'd love to hear from you in the comments below.
Sometimes I like to break from the long-form novel writing and try my hand at shorter pieces. It's also gratifying to see your work published in other venues, and to hopefully pick up new readers. It's been a busy fall, with the launch of Bound to the Truth coinciding with three short publications:
This Action Cannot Be Undone
I had an idea in mind for a while to capture the drama of online connection and disconnection as told solely through Facebook notifications. I finally crafted a short piece, the work taking me longer than you'd think, given the length (poets, I know your struggle). I found a great home for "This Action Cannot Be Undone" at Argot Magazine--check out the cool layout. Since I'm involved in game design, and so many people are annoyed by game requests on FB, I made up a fictitious game called Crash Monkey Bonanza. Hence, the sparklenuts. One of my readers said "The monkeys have gone sparklenuts!" is like the best line ever. (Angel investors, if you'd like to see a proposal for this as a real game, let me know.)
I felt inspired to write about my first seven jobs when the meme swept the Internets a couple of months ago, and Tues/Night was happy to oblige, including me in a roundup of posts on the subject. This one is 100 percent autobiographical, which felt strange and risky to me after writing fiction for so many years, both the novels and all that game writing, but there it is. Believe me, you can't make this @$%& up.
Regular readers of the blog know I'm not a huge fan of National Novel Writing Month. For me, what's needed much more is a National Novel Reading Month. You can see why in the stats I included in my article on NaNo for The Chronicle: In the nearly 20-year history of NaNo, only around 250 novels have been picked up by publishers and made it into print; whereas, last year alone, close to half a million writers participated. But! Wait! I challenged myself to find the validity and goodness in NaNo, and I'm proud of how that comes through in the piece. See for yourself.
Please support these supporters of writing by clicking on the links and commenting on the pieces. Thanks, and have a great day!
Image courtesy of Pixabay. No sparklenuts were harmed in the creation of this post.
It's tempting, when you're freelancing or otherwise working from a home office, to become a hermit. You're finally free of the crowded bus; you no longer have to endure the cutthroat competition for the microwave at lunchtime. Even pants are optional.
But after you've soaked up scrumptious solitude for a good while, you start to crave communication. Someone to bounce ideas off of. Alternative answers to the questions you ponder silently every day.
That's where writing conferences come in. As a writer, editor, and teacher with 25 years' experience, I've attended many conferences over my career, and I always learn something new at each one. At this year's Southwest Washington Writers Conference, there was plenty to absorb, from the art of cover design to the craft of villainy.
Author Kyle Pratt, who presented at the conference, with his mug on a cookie.
Having recently completed a cover vote-a-thon, I found Gorham Printing rep Kathy Campbell's presentation on cover design very interesting. I hadn't realized that male readers prefer blue covers or that Millennials have a thing for vintage photos from the 60s and 70s. (Hmm... wonder what that's all about... ).
Memoirist Jennifer Lauck's presentation served for me as the perfect follow-up to Annie Dillard's The Writing Life, which I'd re-read right before the conference. Both Lauck and Dillard present a vision of the writing life that requires strong commitment, a dedication to the work, and an active reading practice. I loved Lauck's advice to read a book looking specifically for a particular aspect of structure, such as where and how to turn a scene or develop a character.
Author Carolyn McCray, me, and Kyle.
I felt more in the mood for craft discussions over business talk, but when I read Carolyn McCray's bio, I realized I couldn't miss her showdown with Kyle Pratt over whether or not to publish exclusively with Amazon. The two presented equally compelling models for how to make it as an indie writer. They've both achieved great success but with radically different approaches.
Which brings me to this: There are so many different ways to be a writer. Sure, you can get advice and take a lot of rules to heart, but the writing life is as wide open as the sky. For example, there's writer Terri Read, who's published more than 40 books with Harlequin since 1993. She thinks of writing in terms of layers of cake, and her process is very structured, to the point of adhering to a set formula. Another conference presenter, Jill Williamson, takes a less structured approach with her self-described "weird books." She devoted her whole talk to villains, pointing out cliches and arguing that "the best villains are the ones readers actually like."
Speaking of villains, get a load of these two. Just kidding - Kyle* and Pat are my fellow members of the Lewis County Writers Guild.
The most rewarding aspect of attending conferences is the opportunity to meet other writers. While there are always plenty of published and veteran authors in attendance, most of the people I meet are noobs just dipping a toe into the writing waters for the first time. So if you're holding back because you don't think you're experienced enough, let go of that right now. I hope to see you at the next one.
*I realize from the pics here it looks like I'm stalking Kyle Pratt. But I'm not. At least I don't think so. I think it's just that we're both becoming less camera-shy. ;)
by Andrea Dunlop
LB: Today on the blog I have Seattle-based author and social media consultant Andrea Dunlop. I asked her to critique my social media activity because I get a lot of compliments, but I honestly feel like I'm bumbling around most of the time. Here's Andrea.
As a social media consultant, I often work with clients who have either a small presence on social or are starting from scratch. So when Lisa reached out to me to give her social media a critique for a guest post, I was excited. She’s already done some of the hard work of cultivating an audience, so there’s something to build on.
There are a million ways big and small to improve your social media reach, and what’s more, new tools, platforms, and hacks pop up every day. I don’t pretend to know all of them (no one does), but the depth of the practice is what makes it so much fun to be a constant student of social media. It’s never going to be the same every day.
Below I’ve included some notes on what’s working well for Lisa on her blog, Twitter, and Instagram, as well as some recommendations for each.
Consistency: Lisa posts an average of at least once a week, which is my gold standard for author blogs. If you want to make your blog your main thing and a possible revenue generator, you’d want to blog more frequently (read a great series about that here from Ramshackle Glam’s Jordan Reid). But for most authors, your main goal is to bring some extra traffic to your site and keep readers engaged between projects. Once a week is great for that.
High-quality content: In addition to posting regularly, Lisa mixes in short posts with guest posts and longer, more in-depths posts on writing and publishing, such as this essay. Lisa has learned a lot of helpful information from her work, and she shares it with readers in a digestible way.
Reader Engagement: Many of Lisa’s posts about her writing involve a call to action for her readers, asking for feedback on a new prologue, or posting a call for beta readers, for example. Involving your readers in the process is an excellent way to galvanize your most passionate fans.
What to Work On
Focus: I love that Lisa mixes up her content, but it can also make the blog feel a little scattered. Lisa is doing a variety of interesting things (writing, indie publishing, game design) and this unique mix is part of what makes her worth following. This also means that she can hit a number of disparate audiences, which is great. The challenge here is making the content cohesive. Always think about what your core blog readership would be the most interested in.
Too Lisa-centric: Before you think I’m being critical here, this is a problem with most author blogs I see. Of course your fans want to hear about you and your books, but it’s easy for that to become monotonous for any reader who isn’t one’s husband or mother. Now of course there are exceptions and plenty of lifestyle bloggers who build platforms based almost solely on their own experiences, but again, that’s not going to work as well for an author blog. I would suggest to Lisa to add a bit more about what else she’s reading and content that focuses on fellow authors in her genre. Featuring others is also a great way to build community, which is one of the best long-term marketing strategies out there.
Consistency: Lisa tweets several times each day, which is a good bar for this platform (and why some people find it so intimidating!). The shelf life of a tweet is short, so if you don’t want to be on Twitter every day, you can always schedule tweets using a tool like Tweetdeck, but you also might consider whether this quick-moving, conversational platform is right for you.
Art: Lisa is taking full advantage of the banner space on Twitter by using it as ad space. You don’t get much space for text on Twitter so the more you can use the visuals, the better. Twitter has really upped its game with its visual components to keep up with competitors like Snapchat and Instagram.
What to Work On:
Avatar: I really recommend using a photo, rather than a painting or other drawing for your Avatar. There are exceptions, of course, like Grammar Girl, but she’s a persona, so it works. One of the things Twitter is the most useful for is networking; therefore, I prefer a clean, clear headshot (no hats and glasses please).
Too Lisa-centric: My biggest critique of Lisa’s Twitter is that it's almost exclusively about Lisa. This doesn’t mean that Lisa is a narcissist; it just means she’s not using the platform to its full effect. Twitter is one of the easiest platforms to use to share work by fellow authors and writers by tweeting about books you’re reading, links to essays, pictures from events, the list goes on. A good ratio is: for every tweet that’s about you/ your book, you should have about four that acknowledge someone else. Cheryl Strayed is an absolute all-star at this.
Selfies: There are lots of smiley photos of Lisa and shots from her everyday life. Super cute! Lisa’s Instagram makes me want to go hang out with her, maybe swing by her house for dinner. Her account gives me a sense of her personality.
What to Work On:
If Lisa just wanted to use her Instagram for fun, her approach would be fine, but right now it’s underutilized as a marketing tool. As an author, Instagram doesn’t always seem the most obvious choice for social media, but it’s one of the most powerful tools out there if used well. Don’t take my word for it; take Vogue’s.
Some tips for Lisa:
Consistency: Three times a week is a good minimum; every day is better. Do this by…
Mixing it up: Instagram is not only a great place to share selfies and other in-the-moment photos but also stylized images about your book (a few examples over on my page), inspirational quotes, videos, and more. Lisa has a ton of great images collected on her Pinterest page that would repurpose well for Instagram.
Books, books, books: If you are an author, you should be reading constantly and you should also be snapping photos of what you’re reading and uploading them to #bookstagram. Especially if you’re hoping to reach a younger audience, #bookstagram is where it’s at. Check out my favorite Bookgrammer @BookBaristas to see how it’s done.
*For more tips on Instagram, read here.
Andrea Dunlop is a social media consultant based out of Seattle, WA with over a decade of experience in book publishing. She is also the author of Losing the Light (out now) and the forthcoming novel She Regrets Nothing, both from Atria Books (Simon & Schuster). You can read more about Andrea’s consultant services here. You can also connect with her on Facebook, Twitter, Instagram, and LinkedIn. She is currently running an introductory special for new clients, so book before August 1st to receive ten percent off your consultation fee.
Lead image courtesy of Pixabay.
Sometimes I like a good film noir classic, as in the 1944 movie "Laura," named one of the 10 best mystery films of all time by the American Film Institute. This one was just right for a Saturday night movie binge because it features a young Vincent Price as a pretty boy gigolo, if you can imagine that, and a victim who's made a life for herself as a successful advertising exec, a rare career woman for her time.
What I didn't expect in this strange but clever whodunit is that one of the main characters and ongoing suspects is an eccentric writer, a dandy who pens columns while sitting at his bathtub desk. From his posh penthouse apartment in New York, he brags about making fifty cents a word on his writing.
Hold up, I thought. Fifty cents a word? In 1944?
Those of you who've never tried to make a living with your words probably don't know this, but fifty cents a word is considered a good rate today. Yeah, in 2016. I'm part of several online freelancer forums, and there I regularly see rates of $150-300 for a 700-word article, which works out to about 20-40 cents per word. The top echelon magazines reportedly pay their freelancers $1-$2 dollars per word, and there are a rare handful of freelance writers making bank, but the vast majority of words that get written in America today sell for far less. Disturbingly, there are plenty of publishers who expect writers to work for "exposure," or for mere cents per word.
Here's what writers today should be making per word, if we take 50 cents in 1944 and adjust it for inflation: $6.82.
That would be almost $5K for a 700-word piece, which is a far cry from reality. And you wonder why so much of what's out there is written in listicle format and laden with gifs! Even if the 50-cents-per word bit were a dramatic embellishment, and let's say the actual writer pay at the time was half that, at 25 cents per word, or a quarter, at 12 cents per word, which is about what I make today on stories for my local paper, we're still looking at serious stagnation, or even devolution. Depending on whom you ask, the publishing industry is either experiencing a glorious renaissance or is in its death throes. If it's the former, writers on the whole aren't experiencing the golden part of this age, and if it's the latter, then I suppose things will only get worse from here on out.
In my overly long, SEO-designed headline above, I promised I'd mention how this relates to the overall brokenness of the economy. This writer wage stagnation/devolution is another example of how we've been shafted in the last generation as productivity has actually gone up but salaries haven't kept pace, pay for CEOs and others at the top soared while most other pay stagnated, and benefits such as pensions and employer-paid health care became a thing of the past. I'm no economist, though, so let me refer you to these nine sobering wage stagnation charts put out by the Economic Policy Institute.
Sure, EPI is considered by some to skew liberal and/or is tainted by its labor backing. But you know what? It's hard to argue with the data. For example, since 1979, middle-class wages rose only 6% and low-wage workers' salaries actually fell by 5% while those with the highest salaries saw a 41% increase. Here's another: In the 1960s, CEOs typically earned 20 times what a typical worker earned, but today they rake in 296 times what a typical worker makes.
So writers in this analysis are low-wage workers whose salaries have fallen over time. Our economy is one big film noir movie, but the villain is greed and the policies that support and enable greed. Spoiler alert: The mystery of who killed Laura, the advertising exec, is far more fitting and poignant than anyone in 1944 could have imagined. Yep. You guessed it. The writer did it.*
* Or at least, he thought he did (plot twist!).
I've been a writer and narrative designer in the digital game industry for going on nine years now. For the past five years, this has meant helping developers create strong storylines and integrate them with the "play" part of the game. But this spring I had the opportunity to shift gears and concentrate on just the writing itself, and in a very different type of game than the hidden-object puzzle adventure fare that was my focus at Big Fish.
The game, which just released on iOS, is called "Smash Squad," and it's an incredibly fun, addictive, fast-paced, top-down physics battler. While definitely focused on a pinball-style battle mechanic, it also has a role-playing and collectible element as well. The creative team obviously had a blast coming up with characters like Broomhilda Sweeps and Lumber Jacques.
My task was to write the core narrative text, given a villain named Klon, a guide character, Trixie, and a set sequence of worlds the player would move through as the game progressed. This involved guidance from and discussion with the developers at WG Cells, with initial feedback on a trial sample to get the tone and story beats in line with the overall vision for the game. It was a great opportunity for me to stretch into more of a sit-com, one-liner writing style after years of working on mostly super-serious mystery games.
The team generously gave me leeway in developing a story arc to fit the game's mechanics. I decided it would be fun to have Klon try to recruit the player over to the, ah, Klon side, and they gave me the green light.
Writing for games means making use of the world-building in the game's environmental art, as in this sequence below, which highlights the statues in the second level, Sooper City. This way the characters, though only onscreen for a short time and in 2D, are tied to the world, and the player can fill in the rest with her imagination. Here's how it looks in the context of the map world. While this dialogue string references the statues in the world, the previous one played on the giant octopus.
Let me know after playing Smash Squad what you think of the story - I'm always looking for ways to improve my craft. If you haven't played it yet, check it out! The game is available now in the App Store.
Lately I've heard from people who assume I'm earning piles of money from my books. They tell me I make the whole publishing thing look easy, and that it makes them want to jump in.
This is a really good example of why I try never to make assumptions.
It's funny, because I've been pretty up-front about the whole thing from the beginning, as you can read in this post on my decision to self-publish as well as this post about what it took to hit the bestseller spot in two categories on Amazon. If you don't want to read those two posts, here they are in a nutshell: 1) My decision to self-publish was borne from a cold-eyed practicality that showed me getting an agent and a solid traditional publishing contract would be as likely as winning the lottery and 2) Hitting the bestseller lists on Amazon came after 25 years of toil, and I still had to make the book free.
But I guess my previous posts weren't enough. People see "bestseller" and the fact that I'm up for a couple of major awards, and they automatically assume I'm making piles of money. And maybe it's my own fault for trumpeting the bestseller achievement, which is a big win, don't get me wrong. But because publishing today is totally broken, it doesn't mean I'm making piles of money, or even enough to call this my new day job, neither of which I have actually claimed, but people seem to assume. There's a lot of hope and fantasy-making when it comes to the life of a writer. We still want to believe we can all be J.K. Rowling, and that getting there is easy.
Here it is for the record: My husband/business partner and I are still in the red on these books.
And here's why:
- Discoverability. By at least one estimate, there's a new book posted to Amazon every five minutes. Simply getting eyes on your product remains the biggest obstacle in all of entertainment. At the video-game company were I used to work, it was of chief consideration. We did the best when we had our own portal to funnel new games to players who'd played our previous games, but the Apple store made this more of a challenge. So if I could design a Lisa Brunette portal within Amazon that sent my book promos to readers who'd purchased my books before, or similar books, I'd be in business. But that's not possible.
- Have you bought my books? If you did, thank you. I hope you enjoyed them. But was it the print or audiobook version (which earn me just a few cents to a few dollars in royalties), the ebook version (which earns me even fewer cents to a couple of dollars in royalties), or the free version (which earns me next to nothing in royalties)?
- Sales of Cat in the Flock to-date are clocking in at just under 5,000 copies, most of those free, and sales of Framed and Burning are lower because it's been $3.99 since launch with no promos and no KDP enrollment (what this is). As for my other books, there's a reason I continually refer to poetry as a "labor of love." Ditto short stories.
- Most of the people who downloaded the free copy during the promotion that catapulted Cat in the Flock to bestseller status haven't yet read the book, which affects my royalties via Amazon's "normalized pages read" count, and they did not buy the second book in the series. This is a well-known result for bestsellers on Amazon these days, so writers and marketers generally hope the lift will boost sales a few times as others see the book in the ranking, which did happen for a time...or I don't know what else, and neither do they.
- I am no pro at promotion. It's funny because I keep getting notes of admiration/offers to hire me from other authors who think I do it well, and I tell them I'm just bumbling around here, but since authors on the whole tend to be really terrible at this, I guess I look good by comparison. I am still learning how to do the book sales and promo thing, so stay tuned. Hopefully I'll get even better!
- Most of the friends and family to whom I've given free copies of my books haven't read them. I try not to get too tripped up about this, as it seems to be a writer phenomenon: Those closest to us tend to be the least likely to read and discuss the book (with the exclusion of my husband/business partner, who's my biggest fan; he also has a stake in the game). But it's probably because reading the words of someone you know very well can be jarring. As my sister (who is actually very supportive) said, "I hear your voice in my head as I'm reading, and it's weird." This recently happened to me with an old friend who wrote a thriller set in a fundamentalist religious sect after she blurbed my thriller set in a fundamentalist religious sect. I freaked out reading the first chapter and haven't been able to pick it up since. It wasn't just the voice; it was the inevitable comparison in subject matter. People you know look for themselves in your books; they can't help it.
- I've been very fortunate to have amazing supporters and fans who share my content, but I haven't had the time to grow my list the way I should. It's a business that is definitely more-than-full-time, like a start-up or your new local restaurant, but I have not yet had the luxury to focus on it 24/7 because I have to attend to my other sources of income. We spent this entire last weekend working on republishing both Dreamslippers books, for example, so we feel like we now need a weekend to recover from our working weekend.
We're not yet in the black, but we partners of Sky Harbor LLC invested more into the business than most indie authors, so we have more to make back. We saw this as a long-term strategy, and it's way too early to call since I've only published two books so far. The models I have for how this works didn't begin to make a living until they were into books three or four, and this goes for both the indies and the traditionally published authors. One traditional author tells me the only way he lives off his writing is through his foreign sales. His foreign publishers are also the ones who pay for his few book tours, as his U.S. publisher won't pay for any.
My approach is to be much more diversified, too. I'm currently working as a game writer, speaker, and journalist in addition to the fiction I write. I believe this is a healthier mix for these volatile economic times. But that means I'm trying to keep up with four different industry spaces, growing my contacts and experience in all of them at once. Some days, it feels like managing four different start-ups.
Overall, I'm flattered that people think I'm making a living at this, and I am thrilled with the success I've had with my fiction. With just two books under my belt, I've won one book award and am a finalist for two others. My first book hit the no. 1 spot not in some quirky niche but in two major categories on Amazon: paranormal mystery and private investigators, which, if you think about a book being published every five minutes, is a huge achievement. It's trending at 4.5 stars on 52 reviews, and the second book is close behind. I've been approached by a Hollywood director about TV rights (but don't get too excited--Hollywood is notoriously fickle). Enough readers and influencers have given their independent, non-paid praise of the books such that I know if I can surmount the hefty obstacles, I will begin to see some financial success. I've proved I am a serious career author with the speaking, marketing, and most of all, writing chops to go the distance. It's only a matter of time before the right people--and/or an army of readers--take notice.
And if they never do, I will at least know that I gave it my all, heart and soul. Plus, look at the enviable experience I'll have to offer in my next day job...
by Alexis Donkin
LB: Writing for the blog today is Alexis Donkin, blogger, speaker, and author of what she describes as "a library of books," from fantasy and sci-fi to memoir and journal guides. I asked her to discuss how she meshes a spiritual path with her development as a fiction writer, or how the two intersect. Here's Alexis.
I think I wrote 10 different posts about this topic only to abandon them. How can I talk about spirituality and my writing? How can I not? How can I talk about my spiritual practice and not freak people out?
I grew up with two ordained ministers as parents, so religion has always been a topic discussed at dinner. Faith was linked to every aspect of our lives. Pastors are like politicians in that everyone has expectations for them, and their families. There were parts of our lives that never saw the light of day...well...until I wrote about them in my memoir.
Because of my upbringing, I've had an unusual relationship with spirituality. I started out being very Christian. My faith led me to study other traditions as a path to addressing the world's needs (the product of this education is my world religion curriculum and associated interfaith devotional). In that study, I questioned my allegiance. I never identified with those publicly identifying as Christians. Somehow they managed to insert Jesus into every other sentence. They talked about prayer as if it was this transformative experience, and for me, being progressive, I couldn't decide if they were genuine – or lying. It didn't connect with my own experience.
So as I researched other traditions, I questioned my own. In the end, I discovered all faiths have parts I like and parts I hate. It just so happens, I like Christianity best. It speaks my cultural language. I like the story of Jesus.
This seems like a round-about way to talk about spirituality in writing, but it's important to know my perspective to understand why I write what I do – what drives everything in my life.
I am, by all accounts, a very spiritual person. I meditate daily. I go to church every week and even lead the worship band. I pray before meals. I express gratitude for the beauty of every moment – whatever that beauty is. When I submit a piece, I pray the outcome achieves the highest good of all. I meditate before I write my blog posts – checking in with my gut to confirm the topic is right.
I do that even for social media posts.
As I write this out, I wonder if this is an unusual thing. I expect it is rare for people to do these things, but for me, I have to interact in the world this way. Everything I do is centered around my personal purpose – to spread compassion and empathy through my writing and speaking.
I tried to write commercially. I tried to write solely to entertain. Instead, I wrote about gender dynamics, equality, and climate change. I tried to write freelance articles about tourist things and the like – I can't do it. My head starts to ache and I grow restless. I have the urge to throw my computer.
My call is too strong to ignore. When I try to avoid it, something always brings me back. So I embraced it. Once I did, things started falling into place for me. I embraced the fact that I am a deeply spiritual human, and became open about it. I found myself supported in this, even from unexpected sources (like staunch Humanists).
My spirituality is generally implicit in my blog posts. It's implicit in my fiction pieces. While I can't separate my faith and practices from my work, I'm not interested in converting people to my particular way of being. That doesn't serve anyone. I just want people to love themselves and love others. I think that makes the world a better place, and ultimately, that's the highest good.
Alexis Donkin lives in Southern California with her family. She is a classically trained artist, with a BA in Peace and Conflict Studies and an MA in Global and International Studies. Between writing, speaking, and chasing her kid, she paints, sings, and dances. Sometimes Alexis does it all at once.
I covered a local fitness guru's master class for our local paper.
Over the past year I've really been drawn to unique stories in my newly adopted small-town, rural community. I've published pieces with both LewisTalk and The Chronicle, on topics ranging from a 65-year-old yogi to the story of how two guys took their family inheritance and used it to open... a bong shop.
I found through this process that it's generally good to be friendly and invite conversation, especially if you're a writer, as you never know where a good story is hiding. My thing has always been to ask a lot of questions, no matter where I am or with whom I'm talking. Not many people do this anymore--sometimes I think conversation is a dying art--so when you do, it really stands out. And you uncover stories.
Like this one about a mom-and-pop organic, grass-fed cattle ranch. If my husband and I hadn't asked around about local sources of protein, we'd have missed out on their story--and their beef.
The bong shop story grew out of another one I wrote, about a yarn-and-cheese shop. I noticed a sign that said, "Coming Soon: The Jackal," so I asked the yarn-and-cheese shop owners about it, since they're across-the-street neighbors. They of course had heard the rumors, and in the polite way people have here, they said it would be "interesting" to see how that experiment worked out. I was intrigued. When I interviewed the owners, I kept asking questions in my non-threatening way to get into how they came up with the funds for the bong shop, which turned out to be the story's lede.
Some writers might turn their noses up at this kind of work, but I have nothing to prove. I wrote regularly for the Seattle Post-Intelligencer when it still published a print version (interviewing celebrities, even), and I've been told my bio is impressive. Both outlets paid me for the work, I enjoyed writing the stories, and I'll likely use that experience and material in another way sometime, too.
What stories have you uncovered lately?
Nancy Slavin, Author of Oregon Pacific
Today I'm thrilled to have a guest poet on the blog, Nancy Slavin, who indie-published her collection last year under the Bay City Books label. She's detailed her decision on this, including the costs to print the books herself, in the post "What You Love Has Value." It's a story that resonated with me since my own poetry publication is 100% a labor of love. Reading the exquisite poems in Oregon Pacific, I can't help but wonder at the voices we lose with so few opportunities for poets like Nancy. Working with traditional forms such as the sonnet, sestina, and ode, she calls to mind both the subtle and dramatic rhythms of the Northwest coast, a place where "the foghorn alone has discipline."
Here's a sample poem from the collection.
– for Angela
You are a new soul
sprouted like a seedling
that for eons wind has blown
on white fluffy wings.
Abandoned on earth
bereft of your home,
left only the hurt
of blood-red rhizomes
rooting in plots
of industrial waste.
You wonder if this lot
is a perennial mistake.
For the ache of your body
stretched toward the sun
with primroses budding
But all around, each hour,
more are being captured.
Bright pink flowers
swell into capsules
which, in spite of fear,
by the light on which they feed
open to the air
millions of angelic seeds.
You can purchase a print copy of Oregon Pacific through Nancy's Web site, and she will send you a signed book if you do.
Nancy and I met in an online writing community and have been each other's editing coaches for the past few months. I value her feedback on my early drafts and pitches. In addition to Oregon Pacific, she's also authored a novel, Moorings, which won the first place prize for the Nina Mae Kellogg Award for Graduate Fiction at Portland State University. She is an English teacher and violence prevention educator who lived on the Oregon coast for twenty-plus years.
I was invited to participate in this summit on digital entrepreneurship, which is pretty damn cool. That week I'll be a guest lecturer in a digital design class (I've done this once before, remotely), a speaker at the summit itself, and a judge of student work at the salon. Here are the summit details:
International Digital Entrepreneurship Association Summit (IDEAS)
Presented at the University of Florida Digital Worlds Institute’s Research, Education and Visualization Environment (REVE) - March 25th, 2016, 9:30AM-5:00PM
Come join us for an amazing day of exploration & innovation with premiere guest speakers from around the world.
IDEAS is an inspirational event offering a day of learning how to succeed in the digital media business landscape. This one-day summit promotes the confluence of traditional entrepreneurship and new technologies, with an emphasis on new business forms and the opportunities created by these technologies. Guest panelists — academic and real-world practitioners — will link theory and practice, in a dialogue with participants, as they share their innovative stories, techniques, and ideas that have established them as leaders in their respective fields and industries.
Event page: https://www.facebook.com/events/973184246099902/
Contact info: email@example.com
The event is free but RSVP’s are required: firstname.lastname@example.org
Event schedule, March 25th:
- 9:30AM to 10:00AM – Coffee and registration
- 10:00AM to 10:50AM – Key note (Ofer Zinger)
- 11:00AM to 11:50AM – Panel discussion
- 12:00PM to 12:50PM - Guest speaker presentation (Nestor Gil)
- 1:00PM to 2:00PM – Lunch
- 2:00PM to 2:50PM – Guest speaker presentation (Lisa Brunette)
- 3:00PM to 3:50PM - Guest speaker presentation (D.A. Jackson)
- 4:00PM to 4:50PM- Guest speaker presentation (Taqi Shaheen)
Ofer Zinger, Entrepreneurship - Hands-On
Being an entrepreneur is exciting, however, extremely risky; more than 90% of the startups fail. As a serial entrepreneur in the digital space, Mr. Zinger will cover the common pitfalls as well as the shortcuts to startup success that are often missing from standard textbooks, using real life hands-on examples.
Ofer Zinger has founded several companies in the digital space such as TLV Media, Dynamic Yield, Cedato, Ilivid (Acquired), Bundlore (Acquired) and others. Consultative to the Israeli Intelligence (8200), IAF, Iron dome project, and various companies in homeland security and medical devices sectors. Ofer Zinger is currently the Chairman of Feature Forward, a programmatic video advertising platform. (https://www.linkedin.com/in/oferzinger)
Lisa Brunette, Crafting Games for a Mainstream Audience
The current market is flooded with mid-core games targeted toward a male audience aged 18-35, while the audiences outside that demographic remain underserved. Learn how to craft game stories for women, older players of all gender identifications, and children in this talk from a recognized expert in premium casual storytelling.
Lisa Brunette has story design and writing credits in hundreds of bestselling video games, including the Mystery Case Files, Mystery Trackers, and Dark Tales series for Big Fish and AAA games for Nintendo and Microsoft platforms. She is featured in Boy’s Toys, a documentary about women in games. She earned an MFA in Fiction from University of Miami, and she is the past recipient of the AWP Intro Journals Project Award, a grant from the Tacoma Arts Commission, and the William Stafford Award. (www.catintheflock.com)
Nestor Armando Gil, Labor Under Alternative Economies
Social practice art takes as its starting point relationships and dialogue, two elements crucial to a successful entrepreneurial enterprise. By producing research, commodities, and performances in a social context, Nestor Gil addresses memory as a series of negotiations that are personal, cultural, and political.
Nestor Armando Gil was born in Florida in 1971. He received the Masters in Fine Art degree in 2009 from The University of North Carolina at Chapel Hill. His performances and visual work have been exhibited throughout the United States and internationally in Spain, and the United Kingdom.
D. A. Jackson, Making Something Out of Nothing: Independent Filmmaking in the Digital Age
Award winning director D.A. Jackson discusses the ins and outs of film production in the 21st Century. Topics covered will be, how to use available resources, budgeting, directing, writing scripts, producing, VFX, and distribution.
D.A. Jackson has been working in the film industry for the past 18 years. During his career, he has worked as a director, stuntman, fight choreographer, actor, and producer. He has directed commercials, music videos, television shows for SPIKE, and won numerous awards for his independent feature films and shorts . His passion for storytelling and unique approach to filmmaking has led him to be an often requested speaker at colleges and film festivals.
Taqi Shaheen, Being Digital: The Chinese Way
Born in Pakistan, and currently lecturing in Shanghai, China, Taqi is uniquely positioned to present the complex system of entrepreneurship as it exists in Asia today. From art works, to information technology and video games, Asia has been a hotbed of production and innovation.
Taqi Shaheen is a filmmaker, visual artist and art educator whose work crosses mediums and defies genre distinctions to fashion witty and curious observations of contemporary Asian cultures and their urban landscapes. He graduated from the National College of Arts, Lahore, and uses hybrid digital video and film formats to research and construct non-fictional narratives collaborating with various visual artists, musicians and performers.) (http://www.taqishaheen.com/)
IDEAS is sponsored by UF Center for Entrepreneurship and Innovation in the Warrington College of Business Administration, supported by the UF Division of Sponsored Research, presented by the UF Digital Worlds Institute, and organized by Prof. Marko Suvajdzic.
Prof. Suvajdzic is a diverse thinker with 17+ years of achievement in academia and the creative digital research and production space. Marko’s experience includes a wide range of digital startups and educational projects. He has lectured internationally at schools and conferences in: U.S.A., U.K., India, Serbia, Norway, and China.
The chariot that awaited me: An early 90s-era limo that once served the White House.
While in D.C. this past week, I was the featured guest at a book event. Looking for my ride to the event that night, I stepped out of the hotel and scanned the drive-up for a vehicle befitting a middle-aged guy like my friend Brewster, the host. A fuel-efficient compact, perhaps. After all, I'd met Brewster when we were both interns in the arms control community back in '92. I completely ignored the stretch limo in front of me until a black-capped attendant popped out and said, "Lisa Brunette! Your ride is here!"
For the record, this has never happened to me before. I've never even been inside a limo. Seriously, not even for prom. In case you're wondering, my mode of conveyance then was an '80 Pontiac Grand Prix, fuzzy dice hanging from the rear-view mirror.
But there was Brewster, ensconced with his fiancee Kate in one of the limo's rear-facing seats. It turned out the limo was his. The story goes that one day he went out looking for hub caps and came back with a limo instead. He'd taken Kate along to dissuade him from frivolous purchases, but she had encouraged this one.
Here's a rather blurry photo of me peeking out of it. My husband apologizes for his picture-taking skills, and since he has tremendous qualities in every other aspect of existence, we don't fault him for it. Unfortunately, though, this shot cost him his phone, which he dropped, shattering the screen.
(I know, right? My hair is SO BLONDE. And if one more person says, "Your hair doesn't match your name," or something equally inane, I am going to dye it PINK. OK, not really.)
Another capped driver, Roger, squired us to the venue: A sort of compound of houses and garages on an acre of land just inside the Beltway. Several people live there in a community that frequently hosts events like my book reading. Brewster, whose last name really is "Thackeray," dubbed it 'Makepeace Manor.' The name has been printed on posters and pens.
It was a lovely crowd of about 20 all gathered around the Manor fireplace. I read from my poetry collection and both Dreamslippers novels and had a blast doing so. Because I like to make things interactive, I tapped into the group's energy, which was extraordinary and vibrant. We got into some really interesting discussions about dreams, lucid dreaming, and the edge between reality and dreaming. There was an epically long Q&A. I think I'm still there, in fact. These people asked great questions.
Many of them are self-identified "burners," which is not a reference to Bernie Sanders (although a good number of them support him). It's from the "Burning Man" desert festival, which has apparently spawned smaller "burns" and burner communities all over the country. I have never actually been to Burning Man, but it's great to see people coming together for artistic collaboration and togetherness.
Incidentally, Brewster, who with five project cars filling the Makepeace Manor garage is just a bit of a gearhead, helped inspire Granny Grace's car Siddhartha from my Dreamslippers Series. Back when we stomped around D.C. together in '92, he took me for a spin in this little beaut:
Of course, the above is a hardtop (sunroof), and Granny Grace's is a convertible. I loved the impracticality aspect of a convertible in a city that rains nine months out of the year, and I also have vivid memories of my father's convertible Fiat Spider, a car I'd hoped to inherit when I turned 16. But Dad traded it in for a Ford Escort just as I was taking my driving test. I could tell you that to add insult to injury the Escort was white, but I think a Ford Escort is enough injury, regardless of color. What is it that hippie folksinger Melanie used to sing? "White should be beautiful, but mostly it's not."
I'm grateful for the opportunity to introduce my work to the burners and share in their company for an evening. There's nothing better than old friends with old cars in an old town like D.C.!
The view from my home office is not exactly the ocean vista I always imagined. Think of it as 'American Gothic.'
On Friday, I said good-bye to my crew at the day job in Seattle and turned in all my equipment and official access cards. It had been five years, my longest stint at any one company. I shed a tear as I pulled out of the parking lot for the last time.
Or maybe not last time. I'll still have a contract relationship to work with Big Fish on games. Who knows what will happen with that as the industry continues to evolve?
I pretty much hit the ground running this first week of independence. I had a two-hour meeting on Monday with a new client and then an interview with a real 'Rosie the Riveter' that evening. Sara Bowles was a shipyard worker who got laid off during the big recession. A single mom, she went back to school, earned a degree in the energy conservation and now holds her dream job at Tacoma Power. It's one of many stories I've got on the docket for The Center of Excellence for Clean Energy.
After that, it was back up to Seattle on Tuesday to give a presentation on how marketing is all about storytelling.
My other two interviews this week? A tribal belly dance teacher, on the subject of female adornment, and her daughter, a Nia teacher, on the subject of dancing before, after, and during pregnancy. Nia, for those of you who don't know, is a joy-centered barefoot dance practice that incorporates martial arts and the healing aspects of yoga, Feldenkrais, and others, as well as established dance styles like jazz and modern. I've been practicing Nia myself since last spring and love it. And for the past month, I've been writing a weekly wellness newsletter for Embody Studio, where I dance. It's a fantastic community, and I really feel 'in the zone' on this new work.
I also submitted an application for a writing residency at Mineral School (wish me luck) and wrote articles about healthy ways to celebrate and how to cultivate a wellness practice that carries you throughout life's stages.
This all happened in the midst of continuing to battle a cough that's plagued me for weeks. And then I got some upsetting news, something personal I'm not ready to write about yet. I am focusing on the best possible outcome, though, and I have mobilized my support system.
Then, because life is a roller coaster, I found out this morning that my first novel has made me a #1 best-selling author. Read more about that here.
Next week I'm in D.C. for a book event, as well as to conduct some research for a secret project and meet up with a few old friends.
Week one of freelancing, no regrets yet! Thanks for caring.
*My So-Called Freelance Life is a book by my friend Michelle Goodman. I've reviewed it here and recommend it to anyone considering the life.