Women's Issues Feed

That Reaction We Have to Our Bodies in Photos

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So here I am, for the first time my body used in an ad.

The dance studio I belong to draws on its members for depictions to help celebrate—and yes, advertise—its offerings. The owner only uses images of members who have given permission to do so. 

Over the past six months, I have given and then rescinded and then given my permission again, struggling with the power of seeing photos of myself in motion. Not controlled. Not posed. Not sucking my belly in but breathing fully.

I’ve seen many images like this in my Facebook feed. I even have a calendar on my kitchen wall, each month a photo not of Photoshopped models but of the women I see every week on the dance floor, in all their sweaty, smiling glory.

Without exception, I’ve viewed these photos as beautiful and inspiring. But when my own image, the one above, graced the top of an email banner one day, and a slew of other photos followed close behind on Facebook, I felt mortified with embarrassment.

And this surprised me.

It still does.

You see, I’m someone who’s done all the work. I long ago tossed aside Hollywood beauty standards, have never wanted to be New York thin, and have always praised myself on my body-positive attitude. More than a decade ago, I brought the multimedia production bodyBODY to the college where I taught so that students could participate in a show that celebrated the diversity and health of real women’s bodies.

Apparently seeing what women really look like is great as long as I’m not one of the women in the photos.

I can keep doing the work. That’s why I’m sharing this post.

But you have to do it, too. 

When I lose weight, even if it’s from illness, I am praised, mostly by other women. But if I gain even within a healthy range, no matter what amazing feat I’m achieving on my yoga mat, there’s no praise.

I’ve been asked if I’m pregnant when I was merely bloated. By the way, “Are you pregnant?” is a question that should never be asked.

When dating in my late thirties, one man told me flat-out that he preferred “skinny Asians.” Another said a weight-loss and exercise plan would be “such a great trend” for me.

The very photographer who took the picture above told me the only way to photograph “curvy” women like me in a flattering way is from above. I was criticizing her, and she was being defensive, but this still came out. 

Once, my own mother went through every one of our family photo albums, cutting herself out of all of the pictures.

Why wouldn’t I react to seeing myself in photos?

How did you react?

Did you think I was being brave?

Consider that for a moment.

To paraphrase comedian Amy Schumer, no woman wants to be told “you’re brave” in response to sharing a picture of herself.

Because here I am, dancing my dance, working every breath on loving myself. And I could use a little help.

 


Work of Light: A Dreamslippers Series Prequel

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Since publishing the first book in the Dreamslippers Series in 2014, I've heard from many readers who are curious about Amazing Grace's back story. So with the release of the entire trilogy as a boxed set this February, I included a novella titled Work of Light. It answers these questions and more: How did Grace get her name? What happened when her daughter Mercy was born? And did Grace really go undercover inside a cult?

Here are the first few scenes from the novella. If you're hungry for more, I've made the entire story available for free to Wattpad members. You can also take advantage of the current sale on the ebook boxed set, which gives you all three novels plus the novella for only $6.99.

 Work of Light

Sun Rising presided over a flock of one hundred and twenty-eight followers, with about one-third more women than men, a ratio he preferred. He believed women worked harder than men, and besides, Sun Rising really loved women.

Particularly Grace. “The strength in you flows to your loins,” he’d said once, in all seriousness, though thinking back on the comment brought an involuntary smile to Grace’s lips. She looked down at her lean, muscular loins now, swaddled in bedsheets she’d washed herself and then hung to dry on the ashram’s extensive clotheslines. They dried quickly in the blasting Arizona heat. In the cracked mirror on the opposite wall, she caught a glimpse of her tousled hair, bleached blonde in the desert sun. Like most women in the ashram, Grace was still young enough to contribute physical labor to the cause. But that didn’t mean it hadn’t taken its toll on her. She’d spent the previous day digging a trench for the new septic tank. Her hands were cracked and calloused. Her knees and back hurt. It looked as if she’d clawed dirt.

But the hard work had its benefits, too. Grace had awakened that morning from a deep sleep, blissfully free of dreams—her own or anyone else’s she might pick up with her psychic gift. 

Blessed be exhaustion, she thought. All praise the dreamless night.

In the bunk beneath hers, Mercy slept soundly. A little bubble had formed on her lips, and the girl’s straw-straight hair splayed over the pillow. Grace felt a mixture of pride and something else—anxiety—well up in her. What a good helper Mercy had been yesterday, hauling away rocks as the crew worked. Grace made her stop once and chase lizards with the other kids in the cactus garden. She didn’t want the twelve-year-old to work too hard. To miss what was left of her girlhood. 

The way Grace had missed hers.

She catapulted herself out of the bunk and gently woke Mercy. Once dressed in scratchy tunics, and both heads of hair wet-combed, they padded barefoot together, hand in hand, down the stone walkway to the kitchen to start breakfast.

>>>

Sun Rising was neither attractive nor unattractive. A bit bland, really. He shaved his head for effect, but also because if he let it grow, it would cover only a crescent of his dome. She could see his head’s five-o’clock shadow every evening, when he removed the turban.

That morning at breakfast, he and the other men arrived at their usual time, just as the women were laying out the meal on all the tables. 

“Blessed be the bounty of our Great Spirit,” he intoned. Hands clasped hands all around the table. “All praise the work of Light.”

How devious that he consistently attributed the women’s work to that of the Spirit, Grace thought. As if some ghostly being had slaved in the kitchen for the past hour, spooning preserves into little bowls and stirring the rice cereal so it wouldn’t lump. Though she’d come to the ashram full of hope that it would live up to its promise of total egalitarianism, the ways in which it reflected the flaws of the outside world had started to rankle her.

“Amazing Grace,” he suddenly called out. It was the name she’d chosen to use in the ashram, as it was the custom to shed one’s birth name and adopt a new one. She’d never liked her birth name, anyway. Priscilla didn’t seem to fit her at all. 

“Yes, Sun Rising?”

“I’ve seen how well you organized the kitchen.” He paused a moment, as if to allow her to bask in his praise. “Before you arrived, it was very inefficient, and the women working there did not enjoy it.”

This was true enough, from what Grace had heard, and looking around the room now, she caught a few nods. The women had warmed to her since she treated them with respect and allowed them to share in the decision-making. Her strong but gentle leadership had been well received. The place ran as smoothly as the grandfather clock in her parents’ house.

“I would like to engage you in a special project. Please come to my private quarters during this afternoon’s leisure time.”

This was posed not as a question but as a directive. She nodded assent.

But as she helped the other women clean up after breakfast, Grace worried that Sun Rising’s interest in her went beyond her organizational talents. It was pretty much guaranteed, since she was a woman. So how would she finagle her way out of this one?

She cast a glance at Mercy, playing now with the other preteens in a corner of the kitchen. The girl had a dish towel wrapped around her head, mimicking the style worn by Sun Rising and the upper tier of the ashram’s male leadership. Mercy placed her hand on top of another girl’s head, and the girl bowed beneath her as Mercy intoned, “All praise the work of Light.”

Grace allowed herself a sigh of relief. At least Sun Rising’s interest in the female sex did not include anyone under the age of eighteen. In fact, he seemed to prefer the more seasoned members of the ashram, which is likely why, coming up on her thirtieth birthday, she’d piqued his interest. Mercy would be safe here, safer than in the outside world. That’s partly why Grace had come...

Read on through Wattpad, or get the ebook boxed set.


'Girl' Books, Revisited

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A lot has been written about the current 'girl' book phenomenon (see here, here, and here for starters), but I thought it would be fun to imagine what those titles might be in a better world. Here we go...(slight NSFW warning)...

Girl, Uninterrupted

The Girl With the Fuck You Tattoo

Girl on the Luxury Train

Girl Flicking a Razor

Girls, But We Really Mean Women

The Woman Who Flew Into Space

A Woman's Story, Told by Herself

for women of color who committed murder when the rainbow was more than enuf

The Girl Who Spoke Her Mind

The Loudest Girl in the Room

The Girl Who Was Nobody's Slave

Such a Smart Girl

Shopowner

Girl with a Pearl Earring She Bought for Herself

The Woman's Guide to Being Your Own Damn Guide

The Girl Who Wore Whatever She Wanted That Day 

The Neither Good Nor Bad Girl

...and of course...

Here and Now Girl 

 ... Now add your own to the list in the comments below. Need help? Goodreads has a list of every 'girl'-titled book published.


Lisa Brunette Named 'Author of the Month'

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I'm honored to be named Author of the Month by book blogger CMash Reads, joining the company of Michael Baron, James Lepore, Charles Salzberg, and other award-winning, bestselling authors.

Today kicks off a month of features, interviews, and guest posts, not to mention giveaways and prizes, both as part of the Author of the Month feature and a Partners in Crime tour running concurrently. It all starts now with this review of Cat in the Flock, Book One in the Dreamslippers Series.

"The suspense in this book had me turning the pages," writes CMash. "The plot contains spirituality, betrayals, truths, lies, murder, and a rekindled love. The thought of the dreamslipping was intriguing. And a shocking ending."

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Tomorrow morning at 7 am PST, I'll be interviewed on Fran Lewis' BlogTalkRadio. Tune in to hear behind-the-book-cover info on the Dreamslippers Series and more.

The prize potential this month is through the roof, with two Amazon gift certificates and a number of audiobooks, ebooks, and paperbacks free to the winners. I hope you'll take advantage of the giveaways and join the conversations on the blogs. Good luck!

 


What's the Motive? Martha Crites

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Debut author Martha Crites is a fellow finalist for the Nancy Pearl Book Award. She handles the tricky topic of mental illness with great care and intelligence in her mystery novel Grave Disturbance. Here she discusses how motive can shift and change over the course of the writing project.

Martha Crites:

Lisa asks, “What’s the Motive?”

I can only answer, “Motives change.” 

Did I intend to take on the stigma of mental illness when I wrote my first mystery, Grave Disturbance? Not at all. I just wanted to see if I could write a novel. So, in the time-honored tradition of write what you know, I gave my sleuth a job in the mental health field, like me. Not my exact job, but one a little more exciting. Grace Vaccaro is a mental health evaluator who sees people in the field to determine if they need to be hospitalized as a danger to self or others. I now know that writing a novel is a big project, and my motives have changed over time. 

Here’s what happened: When Grave Disturbance was first published, I found myself, like all new authors, needing a little elevator speech to tell about my book. Something like: After a filmmaker working on a documentary about native land rights is murdered, mental health professional Grace Vaccaro realizes that a woman she evaluated may have been a witness. Grace and Liz must sift truth from delusion to unmask the murderer before he kills again.

I had no idea that I would observe the stigma of mental illness first hand when I began to mention my protagonist’s career as a mental health evaluator. People became quiet and uncomfortable at the topic. So, I gave a lot of thought to how to talk about it and decided to mention the issue of stigma up front, at the beginning. Somehow, it helped my listeners find a new lens through which to view the story. 

Since Grave Disturbance came out, I often give presentations at libraries. We talk about how I wanted to portray Liz, the character with mental illness, as fully human, a person with talents and hopes, dreams and disappointments. But more than that, I tell them about my current novel-in-progress, which is now taking the stigma head on. I tell stories about the inspiration for a character in my work-in-progress: Marsha Linehan, the University of Washington therapist who bravely faced stigma by telling the story of her own illness to the New York Times after years of silence.

The result? Now instead of silence, audience members ask questions about psychosis, Post-Traumatic Stress Disorder, and more. They tell me about their experiences with family members. We have a conversation I never anticipated, a conversation that is helping me form my second Grace Vaccaro novel with a much clearer idea of my motive.

What I love about the mystery genre is that it can combine entertainment with important issues like mental health, homelessness, and the history of treatment of Native Americans in our region–all in a fast-paced novel that keeps the reader turning pages. And afterward we can talk about it.

Review Grave Disturbance on Amazon or Goodreads

Follow Martha Crites on Facebook or Twitter

  Marthacrites

Martha Crites has worked in community and inpatient mental health field for twenty years and taught at the Quileute Tribal School on the Washington coast. Grave Disturbance was a finalist for the 2016 Nancy Pearl Award. 


New Release! Blog Tour! The Dreamslippers Series Boxed Set

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It's happened. The entire Dreamslippers Series is out in the world as one tome.

That's all three novels in one fat ebook.* PLUS a bonus novella "prequel" that explores Amazing Grace's past.

The series centers on the question, "What if you could slip into the dreams of a killer?" This family of PIs can, but that isn't easy.

In Cat in the Flock, the first book, readers meet apprentice dreamslipper Cat McCormick, who moves to Seattle from the Midwest so she can train with her Grandmother Grace. The septuagenarian trailblazer is a dreamslipping pro, having used it to solve crimes as a PI. But Cat gets more than she bargained for as Grace puts her through her New Age paces, with yoga and meditation on the agenda. However, Cat gets drawn back to the Midwest when she discovers a prominent church leader stalking a woman and girl on the run.                                     

In book two, Framed and Burning, Grace pops for a trip to Miami to visit her brother Mick for Art Basel, which should also lift Cat's spirits. But when Mick's studio goes up in flames, and he won't give an alibi, the dreamslippers must defend one of their own.

The third book, Bound to the Truth, takes place in Seattle, with all three dreamslippers under one roof. An up-and-coming architect is found dead, and her wife Robin thinks she knows who did it. But Cat and Grace aren't sure they can trust the grieving widow's claims.

Included in the ebook boxed set is a bonus novella that answers key questions readers have asked about Amazing Grace: How did she get her name? What happened when her daughter Mercy was born? And did Grace really go undercover inside a cult?
 
The first two books won the indieBRAG medallion, and the second book was a finalist for the Nancy Pearl Book Award and a RONE Award nominee.
 
All three novels are for sale in print locally (near me) at Book ’n’ Brush in Chehalis, and the ebooks are available everywhere ebooks are sold, for any device. 

Buy Links:

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Look for giveaways, guest posts, and more all this week for the blog tour! Free ebooks, audiobooks, and paperbacks to the winners. Here's the first tour stop.

And here's the full tour schedule.

*The ebook clocks in at 262,920 words.  


Upcoming Appearance: 'The Reporter and the Story' at AWP

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This week I'll be in D.C. presenting at the Associated Writing Programs Conference, now celebrating its fiftieth anniversary. AWP provides support, advocacy, resources, and community to nearly 50,000 writers, 550 college and university creative writing programs, and 150 writers’ conferences and centers. I've wanted to attend this conference since I was a creative writing student working toward my Master of Fine Arts degree back in 2000. But the demands and focus of my full-time career have always been higher priorities. So I'm thrilled to finally get the chance, 17 years later.

I'm honored to be included on a panel with four women whose bios will knock your socks off. Our topic: "The Reporter and the Story: How Journalism Can Inform, and Fund, a Literary Career."

While most days it seems I'm heavier on the inform part of this equation than the fund, I'm excited to share my experiences as a freelance journalist for twenty-plus years, from writing on the arts and literature back in my home town of St. Louis, to the bootstrap days with a big-time Seattle startup, to the regular feature articles I now write for a small-town newspaper. These real-life stories have always fed my fictional storytelling.

Here's the full panel description, followed by bios for each presenter. Check out their web sites--you're bound to discover a new favorite author on this list.

Description

Hemingway, Orwell, Dickens—all worked as journalists before becoming celebrated novelists. In addition to building your platform and paying the bills, working as a reporter can make you a better poet, novelist, or memoirist. Five journalists talk about how reporting on others drives them to create better fictional characters, how radio reporting has helped them develop their authorial voice, and how daily deadline gigs can lead to a career as a narrative nonfiction author.

Bios

Jessica Langlois

Jessica Langlois is a Los Angeles-based journalist, essayist, and educator. She writes about race, class and gender equity; grassroots arts and political movements; and California histories.

A frequent contributor to LA Weekly, she has also written news, features, and reviews for The Washington PostBitch: Feminist Response to Pop Culture, East Bay Express, KCET's Artbound, and Oakland Tribune. Her literary nonfiction has appeared in The Los Angeles TimesLos Angeles Review of Books, California Northern, American Literary Review, Travelers' Tales, and The Rumpus. More at www.jessicalanglois.com.

  Jenee PEERS Pix

Jeneé Darden has reported for National Public RadioTime magazineLos Angeles TimesEbonyMarketplaceHuffington Post, KQED, KPCC and the Southern Poverty Law Center's Teaching Tolerance magazine.  In 2005, she contributed reporting on the London 7/7 transit bombings for Time magazine’s Europe edition.

Jeneé has been interviewed/featured by BBCAccess HollywoodInside EditionNPRMarie ClaireDaily MailDaily BeastKTVUBlackGirlNerd.comBeyondBlackWhite.com, the book Swirling. She was mentioned in the hit FX miniseries The People v. O.J. Simpson. The daughter of former O.J. Simpson prosecutor Christopher Darden, Jeneé holds a BA in ethnic studies from UC San Diego and a master’s degree in journalism from the University of Southern California. More at www.cocoafly.com.

  Jenny Chen

Jenny J. Chen is an award-winning science journalist and multimedia producer. Her work has appeared in The Atlantic, NYTimes.com, NPR, Washington Post, Reader’s Digest, Vice, and many more.

In 2014 and 2015, she was awarded a PRX STEM grant to produce stories for NPR member stations across the country. In 2014, she received a grant from the D.C. Humanities Council to produce a radio documentary series on growing up mixed race in Washington, D.C. Jenny has also received numerous fellowships and awards to cover health, aging, minority issues, and climate change. She has spoken about journalism and the role of ethnic media at the Smithsonian Folklife festival. In another life, she has also had a play produced at Arena Stage and the Kennedy Center. More at www.jennychen.com.

Elizabeth Flock

Elizabeth Flock is a journalist based in Washington D.C., where she works as a reporter and producer at PBS NewsHour. She is currently working on a book, The Heart is a Shifting Sea: Love and Marriage in Mumbai, for Harper Collins (January 2018). Her reporting focuses on social issues, with a focus on the criminal justice system, protest movements and marriage and sexuality.

Elizabeth was a breaking news reporter at the Washington Post and staff writer at U.S. News and World Report. She has also written for the New York Times, the Village Voice, the AtlanticNew York Magazine, and the Chicago Tribune. More at www.lizflock.com.

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If you're attending AWP, feel free to get in touch. I'd love to meet up with you! And please come to our panel. It's on Friday, Feb. 10, from 3-4:15 pm


What's the Motive? Lily Iona Mackenzie

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Readers of my Dreamslippers Series will undoubtedly recognize kindred spirits of Amazing Grace in Fling! Author Lily Iona Mackenzie talks about the real-life inspiration for her eccentric characters in today's What's the Motive post.

Lily Iona Mackenzie:

I began writing Fling! because I was curious about my mother’s mother, someone I had never met. Early in the 20th century, my grandfather, a former schoolmaster in Scotland’s highlands, immigrated to Calgary, Canada, hoping to find a better life there for himself and his family. Meanwhile, WWI broke out. A passenger ship was torpedoed, preventing his wife and five kids from joining him for seven years. When they did, my grandmother couldn’t adjust to the brutal winters or to her husband’s behavior. 

After being in Calgary for a year, my grandmother moved out, refusing to put up with my grandfather’s verbal and physical abuse. She found work as a housekeeper for a wealthy family. Soon, she and her boss became lovers, and he took her to Mexico City with him. When he returned, she didn’t. Some time later, my grandfather received a letter from a Mexican priest that she had died there.

Though I never met my grandmother, she was a strong, ghostly presence throughout my childhood. Who was this woman whose genes I shared? How had she found the courage in the early ‘20s to flee a difficult situation? And what did she do during those years in Mexico City? What motivated her to leave her kids and travel to Mexico, a country very different from what she had experienced in largely protestant Canada and Scotland? And what effect did her behavior have on those left behind, in particular her daughter and granddaughter?

These were the questions that sent me off on my quest to uncover this mysterious woman. I wanted to recreate what life might have been like for her once she left Canada. That impulse brought in a number of other characters that inhabit the novel. So while 90-year-old Bubbles and 57-year-old Feather are the main focus initially, very loosely based on my mother and myself, it’s Heather, my imagined grandmother, who is at the novel’s heart. 

When I started out, I planned to write a lyrical family saga. But Feather, an aging hippie, and her fun-loving mother Bubbles soon took over the narrative and brought their own distinctive humor with them, with plenty of hilarious moments as members of this family reunite in Mexico. 

Feather and Bubbles’ journey begins when Bubbles receives mail from the dead letter office in Mexico City, asking her to pick up her mother’s ashes, left there seventy years earlier and only now surfacing. A woman with a mission, and still vigorous, Bubbles convinces a reluctant Feather to take her to Mexico so she can recover the ashes and give her mother a proper burial. Both women have recently shed husbands and have a secondary agenda: they’d like a little action. And they get it.

But they also make unexpected discoveries in Mexico, the land where reality and magic co-exist. Feather gains a sense of who her mother really was. The Indian villagers mistake Bubbles for a well-known, ancient rain goddess, praying for her to bring rain so their land will thrive again. Feather, who’s been seeking “The Goddess” for years, eventually realizes what she’s overlooked.

Unlike most women her age, fun-loving Bubbles takes risks, believing she’s immortal. She doesn’t hold back in any way, eating heartily, lusting after strangers, her youthful spirit and innocence convincing readers that they’ve found the fountain of youth themselves in her. At ninety, she comes into her own, coming to age, proving it’s never too late to fulfill one’s dreams, one of the things I discovered from writing this novel.

For me, Fling! turned out to be a meditation on mothers, daughters, and art. It suggests that the fountain of youth is the imagination, and this is what all the characters discover in Mexico. It’s what Bubbles wants to bottle, but she doesn’t need to. She embodies it. The whole family does. And I’m hoping that my actual grandmother partook of it, too.

Review Fling! on Amazon and Goodreads.

Follow Lily Iona Mackenzie on Facebook or through her blog.

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Lily Iona MacKenzie has published poetry, short fiction, and essays in over 150 Canadian and American publications. Her poetry collection All This was published in October 2011. Her novel Fling! was published in July 2015. Bone Songs, another novel, will be published in 2017. Freefall: A Divine Comedy, will be released in 2018.


What's the Motive? Ellen King Rice

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Debut author Ellen King Rice explores the mysterious world of mushrooms in this "What's the Motive?" post. A former wildlife biologist, Rice discusses epigenetics and the genesis of her character Edna Morton, who one day begins to sprout feathers.

Ellen King Rice:

Proteins. That was my motive. Thank goodness for you, dear reader, I wasn’t interested in high fiber at all (your inner life of fiber is, please, Dear God, your business). For years I’ve been curious: why don’t we see people breaking out in feathers? Feathers, after all, are made of the protein keratin. We produce one type of keratin in our fingernails and hair, so why, oh why, couldn’t a ‘mature' lady break out in angelic feathers instead of coarse chin hairs?

From my years as a biologist, I knew that all life is in a state of constant experimentation. We also know that there are ancient pictographs showing people with wings. Is it possible that there have already been people with feathers? Could that be the origin of our angel stories? 

As I mulled over the idea of modern bodies changing to produce a new protein, I realized I would need a trigger for this new pathway. Peter Parker was bitten by a radioactive spider before changing into Spiderman. What could I use? 

One day I was making my tortuously slow ambulation out to the mailbox when I saw a flush of mushrooms peeking out from the undergrowth. Hmm. Could mushrooms trigger anything in a person? I went inside, mulling this idea. A few minutes of Internet searching and . . .  Holy Mother of God! Fungi are everywhere! (There are molds in the shower with you when you are naked and alone. Very creepy.) Not only are there millions of species of molds, yeasts, and mushrooms lurking everywhere, but some of the species absolutely have the ability to unspool dormant portions of human DNA. I had my trigger. 

I began writing The EvoAngel in 2011. It was a stop-and-go process because a very new science was unfolding daily in the news: epigenetics. All DNA for all species has the ability to respond to environmental changes--and the really gobsmacking amazing thing? Once a DNA section is activated or stored, that change can be passed down to subsequent generations. I was writing a gallop through the woods of the Pacific Northwest as a fun thing to do. The more I learned about epigenetics, the more I realized how important it is for everyone to understand this new science. 

Ever beat yourself up? Ever struggled to lose weight, be happy, quit drinking soda pop, or be less anxious? There can be a genetic aspect of each of these struggles--and, even more powerful to know, is that the responsible genetic switches can be jiggled from “on” to “off.” This is huge for mankind. It means that many things that have been regarded as “moral failings” are, instead, part of our cell structure. Furthermore, we don’t have to surrender to the situation. We can take charge and change--and we can do so in ways that will make our descendants healthier and stronger. 

Alas, some of the science is more than a little tedious (Go ahead. Try murmuring “DNA methylation at the Cytosine juncture” into the ears of your beloved and see if you garner anything more than snores.) If I was going to keep readers interest on the science of feathers, mushrooms and epigenetics I clearly needed...lots of sex. Oh, dear. Could I really manage that? Hmm. Villains could help. So might a large adorable dog. 

Buoyed by the reality that barnacles really do have an inflatable penis that is fifty times longer than the average barnacle body, I did my best to add in enough sex, villainy and puppy charm to keep the pages turning.

The end result is a story about an elderly mushroom hunter, Edna Morton, who has sprouted a feather. A trip to the local health clinic exposes her to an ambitious and aggressive physician who wants to take control of Edna and research this new biological oddity. The EvoAngel is a good gallop through the woods of the Pacific Northwest. It is part adventure, part science class, and totally fungi-friendly. My motive is to change the way you see your body and your world while making you laugh, gasp, and blink. All these things go well with a glass of wine and a slice of cheese, so prepare yourself and let’s begin...

Review The EvoAngel on Amazon.

Follow Ellen King Rice on Facebook.

Ellen King Rice photo

Ellen King Rice is a former wildlife biologist whose fieldwork was ended by a back injury. She has reinvented herself as a writer, artist, and chocolate tester. Besides Amazon, her book can be found in Olympia-area retailers Orca Books, Island Market, and Bay Mercantile. She hosts Mushroom Tuesdays on Facebook. See www.ellenkingrice.com for more.

 


The 'Bound to the Truth' Blog Tour

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 My big, fat book tour for Bound to the Truth had both an in-person leg and a virtual one, with guest posts, reviews, and spotlights on numerous blogs. Here's a rundown of the blog tour.

Reviews

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 Four bloggers so far have reviewed the book, rating it highly.

 The Book Adventures of Emily gave it five stars and raves: "Bound to the Truth is pretty fantastic! People with psychic abilities plus the fact they're investigators, um that's great! I'm really fascinated by this story, it's filled with action, suspense and a ton of mystery!"

 Over at Book Fidelity, the reviewer praised the characters specifically: "I found myself completely submerged in this story of intrigue and, honestly? apprehension. It is every bit a mystery, but with a twist. And, dear reader, you know how much I love 'my characters' in books, and this work is no different. they are an array of unique and as equally mysterious as the world around them." (4 stars)

 Another 5-star review came in from J Bronder Book Reviews, who wrote: "This is a great mystery with lots of action. Robin and Nina seem to have a perfect marriage from the outside, but inside there are cracks. I loved Cat, she is a strong woman and I loved following along as they had to dig deep to find the killer."

 Sage Adderley, my tour host, took time out of her busy schedule to review the book as well and had this to say: "The plot runs deep and the characters are both quirky and interesting. This is a total whodunit mystery that will keep you on edge until the very end!" 

Guest Posts

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 For this tour, I decided to offer guest posts as a way to give back to the awesome book bloggers who take time to read and promote indie books, almost always as a side gig or hobby on their own time. I know how exciting it is to host other writers on my own blog, so I wanted to share the love for that reason, too. 

 One thing I noticed across the series, beginning with that great Kirkus review for Cat in the Flock and continuing through Bound to the Truth, is that people often use the word "quirky" to describe the characters and scenarios. So I analyzed my obsession with quirk for The Editing Pen. Apparently the seeds for it were sown during my childhood.

  Regular readers of this blog know about my other obsessions: yoga and Nia. I talk about how and why I snuck these holistic practices into the Dreamslippers Series in this post for The Wordy Nerd

 I launched Bound to the Truth on the Friday after the presidential election. For The Attic Ghost, I wrote some thoughts related to all that.

 For fellow author Freda Hansburg's blog, I decided to focus on social media, since it's something people in just about every profession should know how to do well. While I have much room for improvement, I've seen enough success in this area to be able to offer advice to others. It comes down to three simple rules.

Spotlights

  Mello-June-Banner

 A couple of bloggers put Bound to the Truth in their spotlight sections. Mello & June, It's a Book Thang! had shown their love for the book earlier in the year for the cover reveal, and they came through again here at launch. Another spotlight came from Book, Dreams, Life

 Many thanks to the book bloggers who give generously of their time, space, and opinion, and especially to Sage's Blog Tours for hosting.

 


The Big, Fat Book Tour!

  Booknbrushlisa

 It's rare that authors are treated to headlining book tours these days, if there ever was a day when that happened. Especially as an indie, my marketing budget comes out of my own (very small) pocket. So there was no book tour for the first installment in the Dreamslippers Series, and for the second book, the tour was almost entirely virtual, meaning online-only.

 While this is all well and good economically speaking, I craved the opportunity to connect with readers in-person. We writers live a solitary existence, going through our days mainly alone, talking only to the cat. So when it's time to turn our book babies out into the world, it's only natural we'd want to interact with others.  

By the time I was ready to release the third book in the series, I'd built up enough momentum that in-person opportunities just showed up. Here's a run-down of what became my big, fat book tour for the release of Bound to the Truth.

Nia Jam to Benefit Standing Rock

Nia_jam

 I dance at a local studio, Embody, which has not only given me a beautiful new practice in Nia but a supportive community as well. Nia features prominently in Bound to the Truth, so when I found out there would be a Nia Jam and fundraiser, I donated five copies of the book, which were awarded at the event by raffle. Separate from the studio itself and hosted entirely by Nia teachers who gave generously of their time and talent, the jam raised more than $1300 for Standing Rock. We danced for two hours straight that night. I couldn't imagine a better way to celebrate the book's release date. It's exactly what Granny Grace would do.

Book 'n' Brush Author Event

Booknbrush_poster

 Honestly, I can't say enough about how terrifically supportive the community here in Lewis County is. As an indie, I completely struck out trying to get my books into Seattle bookstores, even ones in my own neighborhood I'd frequented for a decade. But the owner and manager at Book 'n' Brush here in Chehalis have been enthusiastic supporters. They carry the whole Dreamslippers Series as well as the poetry collection, and in turn, I drive customers to the store whenever possible. It's a win-win. I felt honored to be included in their recent author event, along with others I've come to know, some of whom also have new books out.

   Booknbrushgroup1

 Authors Julie McDonald Zander, Texie Gregory, Kyle Pratt (who wasn't part of the event but stopped in to buy books), and me.

 Book 'n' Brush is a gem of a store, anchoring downtown Chehalis. As the name suggests, they sell both art supplies and books, for a perfect mashup of creative pursuits. We had a great write-up in the local paper about the event, and The Chronicle also covered my book's release.

Human Response Network Masquerade Ball

  Masksjpg

 My husband and I, incognito for a cause.

 A good amount of what you might call spiritual, humanitarian intention went into the Dreamslippers Series. I've written female-centered narratives peopled with a diverse spectrum of characters. I've tackled homophobia and tried to explore organized religion with humanity and compassion. I shed light on corruption in the art world and illuminated a corner of darkness that is the illegal child pornography industry. And finally, I celebrated sexual liberation and told the stories of those harmed by sexual abuse and repression. All while honoring the importance of plot and pacing, and I hope, without ever coming across as preachy. Everything I write is in service to the story.

 I always want to do more than this. I tied sales of Cat in the Flock to a donation to Jubilee Women's Center, a highly effective organization in Seattle that helps women transition out of homelessness and into independence. Here in Chehalis, I support the Human Response Network, which provides advocates for victims of domestic violence and sexual assault. The Masquerade Ball was the organization's first major fundraiser, done in an attempt to ramp up service in response to an overwhelming increase in requests for help.

Auction_table

Copies of the books on auction.

Seattle University Talk 

 I've presented at Seattle University twice before, and it's always a pleasure to meet creative writing students there. This time, I discussed what it takes to get credits and bylines in three different arenas: books, games, and journalism. I related tales from the trenches in all three and managed not to bore them. While it feels odd to call myself a master of anything, the below slide did garner a few smiles.

Seattleu_ppt

 The students asked great questions and seemed encouraged by my career transitions from one arena to another, AKA the survivor mentality that has kept me consistently employed. Props to the university bookstore for carrying the Dreamslippers Series in connection with the event, and to the creative writing program for their incredible hospitality.

Seattleu_mag

 Seattle U souvenirs: Reflections picked up for free in the campus chapel, and the student lit mag, Fragments.

 An Evening with the Authors at the Lewis County Historical Museum

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 The last in-person event on my schedule for this book launch was the only repeat for me, as I'd attended the same last year. Located in a former train depot, the museum features local history displays and a gift shop. The authors event is a great party and opportunity to meet other writers as well as new readers. Poetry seems to resonate best with this crowd.

 So there you have it: This is how we do things in indie land. My family and I hosted Thanksgiving at our house in the midst of this, so I'm hoping December is a bit less eventful? Or not. I really did enjoy myself. Welcome to all the new readers who stopped by my tables, came to the talk, or danced by my side. I'd love to hear from you in the comments below.


Sparklenuts, First Jobs, and NaNo

Sparklenut

 Sometimes I like to break from the long-form novel writing and try my hand at shorter pieces. It's also gratifying to see your work published in other venues, and to hopefully pick up new readers. It's been a busy fall, with the launch of Bound to the Truth coinciding with three short publications:

This Action Cannot Be Undone

 I had an idea in mind for a while to capture the drama of online connection and disconnection as told solely through Facebook notifications. I finally crafted a short piece, the work taking me longer than you'd think, given the length (poets, I know your struggle). I found a great home for "This Action Cannot Be Undone" at Argot Magazine--check out the cool layout. Since I'm involved in game design, and so many people are annoyed by game requests on FB, I made up a fictitious game called Crash Monkey Bonanza. Hence, the sparklenuts. One of my readers said "The monkeys have gone sparklenuts!" is like the best line ever. (Angel investors, if you'd like to see a proposal for this as a real game, let me know.)

 #MyFirstSevenJobs

 I felt inspired to write about my first seven jobs when the meme swept the Internets a couple of months ago, and Tues/Night was happy to oblige, including me in a roundup of posts on the subject. This one is 100 percent autobiographical, which felt strange and risky to me after writing fiction for so many years, both the novels and all that game writing, but there it is. Believe me, you can't make this @$%& up.

NaNoWriMo

 Regular readers of the blog know I'm not a huge fan of National Novel Writing Month. For me, what's needed much more is a National Novel Reading Month. You can see why in the stats I included in my article on NaNo for The Chronicle: In the nearly 20-year history of NaNo, only around 250 novels have been picked up by publishers and made it into print; whereas, last year alone, close to half a million writers participated. But! Wait! I challenged myself to find the validity and goodness in NaNo, and I'm proud of how that comes through in the piece. See for yourself.

 Please support these supporters of writing by clicking on the links and commenting on the pieces. Thanks, and have a great day!

 Image courtesy of Pixabay. No sparklenuts were harmed in the creation of this post.


What's the Motive? Chris Patchell

IntheDark

For this installment of "What's the Motive?" suspense author Chris Patchell argues that motivation isn't enough when it comes to developing a sympathetic but compelling character. She's developed a formula to illustrate her writing approach.

Chris Patchell:

People are fascinating puzzles to solve. Why do people do the things they do? What motivates them? A dash of this, and you have a local hero. A dash of that, and you have a serial killer. The darker side of human nature has always sparked my curiosity, and maybe that’s why I write suspense.

Understanding a person’s motivations is a huge part of figuring out who they are. Having spent the majority of my professional life managing teams, I was always amazed to find that some of my top performers were driven by fear—the fear of rejection, the fear of failure. Fear can be a healthy motivator—it can compel us to be more prepared and work harder toward our goals, but fear can also inhibit or prevent us from getting what we want in life.

As an author, I’ve never liked my heroes bright and shiny, so in my latest suspense novel, In the Dark, I created an unlikely hero in Marissa Rooney. A single mother of two teenage girls with three failed marriages behind her, Marissa has a checkered past filled with menial jobs that allowed her just enough money to scrape by. When her daughter goes missing, Marissa’s motivation is clear. As parents, we’re instinctively hard-wired to want to protect our kids.

In crafting Marissa, though, I dug deeper into her character to expose not just her motivations, but her past experiences, her fears, and how they factored into her behavior. Motivation on its own is not enough. Two people may want the same thing, but they may go about getting it in very different ways. Let’s say two people want a new car. It’s expensive, and neither of these folks have the money. One person works hard and saves enough for a down payment while another person steals the car. Why?

Motivation + Experiences = Expected Behavior

Past experiences are the secret sauce in defining behavior. Some people have been taught that through hard work they can achieve their goals. Some people are taught to find short cuts. Others quit because their past failures have taught them that they can’t win. Some people don’t try at all.

As many of us do, Marissa equates the events of her life with who she is. Her past failures have instilled her with a whole host of fears. She’s afraid that she’s not good enough, smart enough, that all of her relationships are doomed. But most of all, she’s afraid that she will lose the only two good things she has in her life. Her daughters.

These fears drive Marissa throughout the story and cause her to make some interesting, and in some cases, awful choices. But the need to find her daughter is so powerful, it imbues her with an iron-clad will and the ability to withstand an enormous amount of pain in overcoming hellish obstacles to get what she wants.

In the end, Marissa finds what many of us find in our own lives when we face difficult, sometimes crippling circumstances: that she is stronger than she ever believed. 

If motivation is the engine that drives your characters through the heart of your story, crafting a set of powerful formative experiences is the chassis that sets the reader up for a deliciously bumpy ride.

Review In the Dark on Amazon.

Follow Chris Patchell on Twitter and Facebook.

AdobeBio 
Chris Patchell is the bestselling author of In the Dark and the Indie Reader Discovery Award-winning novel Deadly Lies. A tech worker by day and a writer by night, she pens gritty suspense novels set in the Pacific Northwest.


3 Books for 3 Bucks

Dreamslippers Tryptych - with covers

UPDATE: This sale has been extended through the weekend!

 On November 11, we release the third book in the Dreamslippers Series, Bound to the Truth. In celebration of the completed trilogy, EVERY BOOK IN THE SERIES is now available for only 99 cents on ebook. Buy and read the first two books now, and pre-order the third to lock in the 99-cent deal. It will be magically delivered to your device on the day of publication. Pricing lasts only until that date - Nov 11.

 What readers are saying about the series…

 "Clearly author Lisa Brunette has a genuine flair for deftly crafting a superbly entertaining mystery/suspense thriller.”
Midwest Book Review

 "The launch of an intriguing female detective series... A mystery with an unusual twist and quirky settings; an enjoyable surprise for fans of the genre." 
Kirkus Reviews

 More 5 out of 5-star reviews…

 "Lisa Brunette’s FRAMED AND BURNING is a brilliant, suspenseful whodunit in its own merit, full of twists and turns, pursued by a unique pair of private investigators—Cat and her grandmother Grace, in a character-as-well-as-plot-driven ride pulsating with the crisis not only in the murder investigation, but also in their own lives.” 
Qiu Xiaolong, Author of Shanghai Redemption, a Wall Street Journal Best Book of 2015

 "Gripping, sexy and profound, CAT IN THE FLOCK is an excellent first novel. Lisa Brunette is an author to enjoy now and watch for the future.”
Jon Talton, author of the David Mapstone Mysteries, the Cincinnati Casebooks and the thriller Deadline Man

 Overview of BOUND TO THE TRUTH…

 What if you could ‘slip’ into the dreams of a killer?
This family of PIs can. They use their psychic dream ability to solve crimes, and that isn’t easy.
Especially when your client thinks she knows who the killer is, but you don’t believe her.

 Did Nina Howell really fall under the spell of a domineering, conservative talk show host--as her wife claims?'

 More praise for the series…

 "A little Sue Grafton and a dose of Janet Evanovich… is just the right recipe for a promising new series.”
Rev. Eric O'del

 "Already hooked, this reader intends further sojourns in Cat's dreamslipping world. Highly recommended." 
Frances Carden, Readers Lane

 For readers who enjoy strong female leads, quirky, well-developed characters, and a dash of dating drama with their mystery. Fans of J.A. Jance, Mary Daheim, and Jayne Ann Krentz will love Cat and “Amazing” Grace!

 An award-winning novelist…

WINNER of the indieBRAG medallion
Finalist for the Nancy Pearl Book Award
Nominated for a RONE Award
Finalist for the Faulkner-Wisdom Award

BUY/PRE-ORDER NOW

 Smashwords_buttonBnn_buttonAmazon_button

BUT I'M A LUDDITE...

Ebooks not your thing? Never fear. The first two books are available in print through Amazon and Barnes & Noble and audiobook through iTunes and Amazon. The third novel is also available in print NOW, with an audiobook version coming soon. Complete buy links here

 


Sex-Positive Research for Sexy Mystery 'Bound to the Truth'

The armory
The Armory. 

 In case you missed it, the third book in the Dreamslippers Series has a sexy theme. Cat and Granny Grace must find out who killed up-and-coming architect Nina Howell. Her wife is convinced a libertarian talk show host is the murderer. Following the clues takes the dreamslippers into what in another novel might be labeled Seattle's "perverted dungeon" or "dark underbelly."

 But not in Bound to the Truth. After a decade in Seattle and a lifetime studying human behavior, my position is that there isn't anything inherently dark or perverted about sex. And by sex, I mean the activity engaged in between two consenting adults that may or may not have anything to do with procreation but could include any number of "kinky" behaviors. Spoiler alert: Through the course of the novel, Cat explores a shop selling bondage gear, she and her grandmother go undercover in a sex club, and several characters confer on lingerie and sex toys.

 Readers of the series will know this is not shocking new territory for me. As I've said on social media, book one was about religion and sex, book two art and sex, and book three politics and sex. Septuagenarian heroine Amazing Grace is sexually active and forthright about her trysts; twentysomething Cat is exploring her sexuality as a new adult. These women own their desires and act on them, apologizing to exactly no one.

 HUGE CAVEAT: The sex scenes happen mostly off-screen. This is NOT erotica. This is NOT porn. Sorry to disappoint you. Now, continuing on with the discussion...

 Readers of the blog know I've been highly critical of Fifty Shades of Grey, which utterly fails because rather than challenging its audience in any way, it allows readers/viewers to preserve their judgmental prejudices against the kink world and the presumed "broken" people who inhabit it. They can naughtily dip a toe into the world but then ultimately reject it, just as the vanilla protagonist does. With Bound to the Truth, I wanted to treat kinky people with the respect they deserve, rendering a realism that I hope not only transcends cliché and judgment but results in fully developed characters and concerns. 

 While Fifty Shades served as a sort of negative inspiration, and my writing on this book started as a reaction against it, here's a peep show of my research sources for this book, all positive inspirations.

 News flash to any Emerald City resident who hasn't discovered this yet, but when Cat observes in Bound to the Truth that "Seattleites as a population must quietly be getting their freak on in the bedroom 24/7," that comes from first-hand experience. Enter the city's decidedly online dating scene for two seconds, yes, even as a middle-aged divorcée as I was, and you're immediately barraged with a cornucopia of kinky come-ons. After thirteen years straight of committed monogamy, it was eye-opening, to say the least. If you have single friends who are also dating, you compare notes and see the same. 

 I owe a debt of gratitude to Savage Love syndicated columnist Dan Savage, who not only writes intelligently, compassionately, and wittily on the subject of sex but also launched a brilliantly curated alternative porn film fest. I've attended a couple of Hump Fests, which seemed to both sell out, and I highly recommend them.

 When I wrote as a freelancer for several Seattle publications, I had the opportunity to interview University of Washington sex expert Dr. Pepper Schwartz. A well-respected academic with a long list of accomplishments, the occasion for my interview with her was the publication of her tell-all memoir, which chronicled her experiences entering the dating pool post-50. As you can see from my choice of subject matter and character, Dr. Pepper had an influence. The piece was one of my most popular, too. Originally published in Seattle Woman magazine, it was linked to by Crosscut, where it was in the top ten for traffic that year.

 While I never joined a sex club, I did talk with people who have, and I also toured The Armory in San Francisco. You might recognize the signature building in the image at the top of this post. The Armory is a sort of castle of kink. Tours are open to the public, and knowledgeable guides wearing nothing sexier than street clothes will lead you through many a porn set. The building itself is worth the price of admission even if you profess a distaste for porn; the Moorish castle was completed in 1914, with much of the stone staircases, wainscoting, and impressive corridors intact, not to mention access to an underground cave, Mission Creek running below the structure.

 I also toured the Erotic Museum of Barcelona, but who wouldn't do that on her honeymoon?

 The drag and burlesque communities deserve credit for shaping my thinking on sex. In Seattle, Portland, and San Francisco, you can catch first-rate live shows in which respectful, supportive audiences embrace a diverse spectrum of lovely people on stage in various states of dress, dancing in a variety of suggestive ways. Most notably for me is Seattle's Nerdlesque. In fact, I'm still pondering my affection for and confusion over "burlesque Carl Sagan." Affection because he was one of my childhood nerd crushes. Confusion because I'm not attracted to women, but this gal was a dead ringer for my beloved astronomer, so...

 I'd be remiss if I didn't mention Laura Antoniou's mystery set in the middle of a kink convention, The Killer Wore Leather. And Seattle's sex-positive culture in general for its art shows, film screenings, articles, workshops, and overall work toward making sex something that can be talked about without stigma, shame, and danger. If we could free ourselves from those chains, then the ones some people put on just for fun become simply that.

 I hope you enjoy Bound to the Truth. You can pre-order it, and Amazon will magically deliver it to your Kindle on the day of release. Or Barnes & Noble will mystically transport it to your Nook. Or, or, or...

 Now tell me what you think of all this in the comments! What turns you on? I mean in terms of literature, people.

 


An Interview with New York Times-Bestselling Author Robert Dugoni

Bob_Dugoni_hres

Robert Dugoni is the New York Times, Wall Street Journal and #1 Amazon bestselling author of the Tracy Crosswhite Series: My Sister's Grave, Her Final Breath, and A Clearing in the Woods. He is also the author of the critically acclaimed David Sloane series: The Jury Master, Wrongful Death, Bodily Harm, Murder One, and The Conviction. Dugoni has twice been nominated for the Harper Lee Award for Legal Fiction, was a 2015 International Thriller Writer's finalist for thriller of the year, and the 2015 winner of the Nancy Pearl Award for Fiction.

After I accosted approached him at a recent PNWA conference, he agreed to participate in this back-and-forth interview, which unfolded over several weeks, suspended briefly as we both took vacations. A fan of his Tracy Crosswhite series, I'm thrilled to bring Dugoni to my readers.

Lisa: I just finished reading My Sister’s Grave, and wow. You took a tremendous risk with your twist at the end. What compelled you to go that route? At what point in your process did you know that’s how it would end?

Bob: With this book I knew at the beginning. I really was playing with an old legal maxim which is at the start of the novel. I wanted to point out that a maxim is never 100 percent accurate. There’s a key moment in the book, after the reveal, where this is spelled out.

Lisa: The legal maxim first appears in the quote you use to open the book, right? From Sir William Blackstone, “Better that ten guilty persons escape than that one innocent suffer.” Tracy Crosswhite upholds this maxim, though, not to stop the suffering of an innocent man but out of a driven quest to find the truth. You portray her sharp instincts so well—that scientific truth-seeking is my favorite aspect of her character. Do you think of her as the hero of the novel? Or is someone else? I don’t want to give the ending away, but she has a counterpoint in the story, like yin and yang. Are there two heroes in your mind?

Bob: No, I really see her as the hero. She’s lived with this case for 10 years and had the courage to follow through on it when most others would have given up. She’s heroic in many ways. 

Lisa: Fair enough. Another risky aspect is writing in a different gender than your own. Tell me about the challenges of pulling this off.

Bob: First, I decided not to try to write from the perspective of a woman. I thought that would be a huge mistake. Instead, I wrote from the perspective of a person who has been wounded, trying to survive, day to day, with that wound. That’s a universal existence not dependent on gender. On the other hand, I have four sisters and a strong-willed mother. I’ve worked in a profession with a lot of strong-willed female attorneys.  I tried to draw from those experiences.

Lisa: What tipped you over to creating Tracy? She’s pretty badass all the way through, so kudos to you for the portrayal. At what point did you move from “that would be a huge mistake” to “this is the way I have to write this story”?

Bob: I never worried that it would be a mistake. Years ago I wrote the story Damage Control with the protagonist Dana Hill. I did the same thing. I never tried to write like a woman, just a person going through a difficult time in their life. Men and women are not the same, I recognize that, but I think in many ways we’re similar when it comes to the basic things in life we want and how hard we will fight to achieve those things.

Lisa: You mention in the acknowledgments section conversations with two researchers who gave you insights into the minds of sociopaths and psychopaths, but I note that your general idea for the novel preceded these conversations. Where did the idea come from, initially? Did knowing you were going to use that twist to show the maxim isn’t absolute mean you had in mind there would be a psychopath in the book from the beginning?

Bob: Actually, Tracy Crosswhite is a character in Murder One, a David Sloane novel. She has a very small part. When I was deciding to start a new series, I went through my old novels searching for a new lead character. She was really an unlikely choice, but she made me curious. I wanted to find out more about who she was and how she went from being a high school chemistry teacher to a homicide cop. I know that sounds odd, since I created her, but I really had to stop and explore who she was at her core. I do a lot of research, and it often comes up in a different book than intended, or in more than one book. Unlike some books, I knew in this book I wanted a psychopath because of the nature of the crime and the location and setting.

Lisa: I enjoyed the town as a sort of character in its own right in the story. Why is that important, both in terms of and separate from Sarah’s murder?

Bob: Because of what the police told me about a murder. They said a murder is rarely about one person. A murder impacts an entire family. When I mentioned she lived in a small town, they said the murder would impact the entire town. Everyone would know Sarah, and everyone would live life a bit differently after she disappeared. It’s a scary thought.

Lisa: What are your future plans for Tracy Crosswhite? How long will you keep the series going?

Bob: I’m just going to follow ideas that come to me. I’ll write Tracy stories until I feel as though I’ve exhausted her and I’m no longer excited to get up in the morning and continue on with her journey.  I’ve written four, and I’m a long way into book five. I really enjoy the people I’ve created to surrounded Tracy and my intent is to explore each of them.

 Check out Robert Dugoni's web site for videos, book links, and more.

Dugoni book stack


Why I Write What I Write: Going Against Violence Porn and Magic Mush

  Cruel_shoes

 One of the aspects of the mystery genre I appreciate least is the trope of violence against women. It's most obvious in the standard formula opening: A woman found dead, usually in an alley, maybe even a Dumpster. Sometimes she's nude, or in some state of undress. Usually, there's evidence of sexual assault. Often, she's a prostitute.

 When I sat down to write my first novel, I chose the mystery genre with the express intent not to perpetuate this scenario. I didn't want to read about yet another woman's body in an alley, and I certainly wouldn't write about one. Now, two years after I released my first novel, the question takes on even greater meaning, as a probable real-life rapist was caught with his female victim, in an alley even, and nonetheless let off easy. 

 This isn't just politics, though. This is overall a craft concern. Writing cliches is boring work for the writer, and I would expect it to be a boring experience for readers, too. 

 I'm not saying writers shouldn't write--and readers shouldn't read--books with graphic violence in them, or that depict female victims. My books tackle sensitive, potentially trigger-inducing subjects: sexual repression, gay self-hatred, child-rape pornography, incest. But I went to great lengths not to glorify or portray these scenes and subjects gratuitously. I didn't want or need to contribute to the world's repository of violence porn.

 The line, admittedly, isn't always right there in black and white, a complexity I explore in Framed and Burning:

And there she was, in triplicate. His wan heroine, his redheaded lady-child. She wasn’t yet eighteen, as he’d tried to capture in the budding quality of her breasts under a white tank top. She had an unnatural thinness about her as well, as if slightly malnourished. The whole time he’d painted her, he felt as if he wanted to save her. That was the attempt in painting her, to save her and rid himself of her haunting eyes at the same time. But he felt strongly now that he had failed. And in his failure, he’d simply failed her.

 Mick, like the female members of his family, is a dreamslipper: He possesses the psychic ability to pick up other people's dreams. But while his sister and niece use the ability to solve crimes, Mick uses dreams as inspiration for his art. He reflects on the morality of this:

In the quiet of his studio, Mick walked over to the unfinished painting that was inspired by that dream of Cat’s. He remembered the shock on her face when she saw it. So much trouble, he thought. He reprimanded himself for what suddenly amounted to cheating, taking others’ ideas and making them his own in his art. Was it ethical? He thought about Candace telling him basically to butt out of her dreams. And he thought of the haunting look in the girl’s eyes in the triptych. And of his own limitations, just now with Rose.

Mick picked up a large brush, dipped it into a can of black paint, and crossed out the painting. Then he began to fill in with black everywhere the cross lines weren’t. Soon, he’d covered the canvas in nothing but black. The painting was gone.

 In Bound to the Truth, the third book in the trilogy, the female victim is found dead in a hotel room, bound and gagged. While beginning with, and lingering on, the image of her dead body would arguably have given me a reliable commercial hook, I resisted it. For me it was more important for readers to come to know and care about the woman who becomes the so-called "vic." So many hardboiled cop show characters shorten the word victim to further depersonalize. This is supposed to be part of their character development, something they do in order to desensitize themselves to the work that no one wants to do. But still. Every "vic" becomes an abstract, a sea of female parts in an alley. To be grabbed, laughed over, brutalized.

***

 The other perhaps curious choice I made with the quirky, cozy/suspense mashup that is the Dreamslippers Series has to do with magic.

 These stories tackle the supernatural in a very realistic, modern way. My grandmother-granddaughter PI duo don't carry guns; they solve crimes using their ability to slip into suspects' dreams, supplemented by a host of New Age practices, not to mention tried-and-true investigative work. 

 I'd read books in which amateur sleuths with psychic abilities snap their fingers to unlock doors but somehow don't sense when the killer is following them. As a reader, these contradictions seem silly and frustrating. They're magic mush. I like to think stranger things truly do exist, but if they are there, they're subtle, unreliable, and decidedly unfocused. So I imagined what it would be like to have a psychic ability that functioned according to real-world rules, acknowledged here in a scene from Bound to the Truth:

Grace flashed on the silly ninja clown, and it gave her an idea. “Is there a way you can get close enough to the Waters’s home to dreamslip with Sam?”

“I don’t know, Gran. I’ve thought about it. The security is pretty tight out there. Unlike some of the other cases we’ve had, I’m not sure Mercer Island is the kind of place where you can get away with sleeping in a car out on the street. There’s also the possibility that I might pick up his kids’ dreams instead, or his wife’s.”

“Remember what I taught you about popping out of dreams you don’t want to be in, and of connecting with your target.”

“Yes,” said Cat. “But this super hero power of ours sure has its limitations..."

 Cat does find a way to slip into this suspects' dreams, putting herself in a precarious spot in the process. Throughout the series, dreams help the duo solve three murders and bust a child-rape pornography ring. The dreams are helpful both for what they tell us about the villains--and for what they don't tell us.

 These books haven't made me the next J.K. Rowling, though I'm grateful for and proud of the accolades, the numerous 5-star reviews, and the award noms. I know from my years at the story helm of a game-publishing company that there's often a disconnect between what the audience complains about and asks for and what they actually purchase. All I can do is keep developing my craft for a blend of commercial technique and groundbreaking newnesses that pushes the envelop and attracts a larger audience. Because the biggest lesson from the game industry for me is this: If the games don't sell, we all go home. 

 Buy the books.

 Review the books.

 Follow me.

 Photo credit: Lisa Brunette.


What's the Motive? Nancy Slavin

Moorings

Today fiction author and poet Nancy Slavin talks about how she finds motive in words themselves, both their beauty and their pain. "The first step towards violence," she says, "often is words that make people, well, less than people: into objects, or animals, or body parts."

Just a quick warning: In order to illustrate this, she uses a few examples of hurtful words below.

Nancy Slavin:

The subject of today’s post is about motive--what motivates this individual writer to write a certain book. I feel the need to state and expound on the obvious: words motivate me. Sound, rhymes, sentences, metaphors, stories; all the magic that can ensue just because of twenty-six English letters. If I wasn’t a writer, I’d be a linguist. I’d learn more letters and languages. My favorite part of motherhood was when my child was learning to speak; my second favorite has been watching her learn to read. I’m still amazed that little dark marks on a white page can communicate whole ideas, conjure galaxies, and create the possibility of freedom and justice. 

My original writing training is in poetry; the fine tuning of words and sounds is deep in my heart. I happen to come from a family of mostly artists--a mother who paints, a photographer sister, and a father who is a graphic designer and a potter. I have a brother, too. He flies planes. For me, the artistic medium is words. So that’s the first motive, and I hope, if you’re a writer, that’s your first motive, too. Otherwise, perhaps, consider another medium, like paints or planes.

Because I love words, I am also fascinated by how poorly they get used and how often, especially in relationships (and really, all human interaction is in relationship, hello “friends” on Facebook). Poorly-used words was too often the experience in my childhood, as it is for lots of kids. The long-term witnessing of belittling, mean words, name-calling, and the silent treatment (the tense, tense absence of words), motivated me to work in the field of domestic and sexual violence. 

In my work for more than twenty years, I was a violence-prevention educator--I taught other people, mostly youth, but many adults too, how to use words to communicate feelings and needs in healthy rather than hurtful ways, words that created connection rather than division and wreckage. In my trainings, I facilitated a lot of exercises that asked people to consider their words--words that were cruel but often minimized as no big deal, and/or words that categorized another person into an “other” based on their gender, race, religion, class, sexual identification or orientation. I said some dreaded words out loud and wrote them on boards, and I discussed their origins: words like bitch, fag, nigger, and redneck. I did this work so students could learn the histories and weight of words they might casually say or hear or write on the back of a desk. Depending on if they were on the receiving or giving end, they might respond to those words with an upped ante of violence, towards another, or inwards at themselves. The first step towards violence often is words that make people, well, less than people: into objects, or animals, or body parts.

As a domestic violence worker, I heard all kinds of stories about abuse that left literal scars on people. But I tell you, many, many people also disclosed quite often how the words hurt the most--the words of being told they were no good, not worthy, deserved the abuse, that the abuse was their fault, and many versions on that theme. The words, they told me, were the hardest to shake. They kept hearing those words in their head, reverberating.

All of the above lays the foundation for the main question I explore in my creative work: how do we heal from violence? How do we stop hurtful words from reverberating in our minds? Ultimately, that question led me to create a character in my first novel, Moorings. She was a woman who’d escaped terrible domestic violence, but she’d become mean herself, even in safety. I was curious what continued healing might look like for her. And I also explore the question in my second novel, which is based on and written for many of the youth with whom I worked, who’d been told twelve ways to Sunday they were unlovable and unloved. How does a person stop hearing those words and start believing a new story about who he or she is? 

There are many novels that have explored domestic violence and the rewriting of your own story, or writing your way into a new one. The Color Purple, by Alice Walker, Black and Blue by Anna Quindlan, and for youth dealing with family violence, Bastard Out of Carolina by Dorothy Allison and The Prince of Tides by Pat Conroy all come to mind. Although it's poetry, Maya Angelou’s book Shaker, Why Don’t You Sing, and the poem “Caged Bird” that appears in that collection and stems from her important memoir, I Know Why the Caged Bird Sings, was a formative poem for me. I’m also a fan of the play Trifles, by Susan Glaspell. And since I’m working on my YA novel, my next book up to read is Speak, by contemporary author, Laurie Halse Anderson, which confronts the reality of sexual assault. 

I am motivated in my personal life to be a healthier person. I have come a long way in some areas, and, in other ways, I still have a long way to go. I use words to tell myself some fascinating stuff sometimes. But listening to the words I say out loud, and then writing the words down to revise my own story, is my path toward health and healing. See? The letters “h-e-a-l” are the first four letters of “health.” How cool is that? 

For an important talk on the power of words in relationship to violence, I recommend Jackson Katz’s TED talk on domestic violence and words and language.

October is Domestic Violence Awareness Month. Check out which communities near you have planned to raise awareness through the National Coalition to End Domestic Violence.

Review on Goodreads and Amazon.

Follow Nancy Slavin on Twitter.

  Nancy Slavin

Nancy Slavin has been a longtime English literature and writing instructor for a community college as well as a violence-prevention educator. She’s authored a collection of poems, Oregon Pacific (2015), and a novel, Moorings, (2013). More of her work can be found in Rain MagazineBarrelhousehip mama, Literary Mama, and Oregon Humanities Magazine. Her website is www.nancyslavin.com

Looking for other "What's the Motive?" articles? Here you are.

 


What's the Motive? Corrina Wycoff

Damascus House

O Street

Welcome to the inauguration of "What's the Motive?" In this regular blog series, guest authors discuss the motive behind their latest books. Maybe that’s the motive for murder in the traditional mystery sense, but writers will share some aspect of motive in their novels without spoiling the plot. For example, rather than focusing on the killer, what is the protagonist’s motive? This could also be the author’s motive for writing the book. Why this book? Why now? Contributors are free to explore “motive” in all of its connotations. 

Here Corrina Wycoff shares the motive behind all of her main characters, the "unattainable desire to outrun public failure." In this age of daily public online communications, it's one I'm sure many readers feel keenly.

Corrina Wycoff:

In 1980, at nine years old, I auditioned for Annie. I lived on the East Coast, and going to a cattle call Broadway audition was practically as common a rite of passage as a first kiss. I wasn’t a particularly good singer, but I was a creditably good mimic. My Andrea McArdle impression was decent enough to get me a lot further in the audition process than it should have, far enough that every kid in my neighborhood knew about it, far enough that when I didn’t get cast after two call-backs, my failure became an ongoing subject of playground gossip and cafeteria scorn. Years later, after personal devastations much worse than the Annie experience, I still occasionally thought about this ruined chance, about the happier roads that might have arisen from earlier roads, if only.

I’ve never written about my unsuccessful childhood stab at professional theatre, but the important part of the story can’t be found in its literal details—the suffocating crowd of young girls waiting outside the Alvin Theatre on 52nd Street, admitted inside by the dozen to stand on the black, dusty stage and to sing a few bars of “Tomorrow”; the choreography I was shown twice and then expected, to my horrified astonishment, to repeat; the polished, young performers waiting backstage with me, wearing brand new, hot pink OshKosh B’Gosh overalls and comparing their agents, their private tap dance lessons in Manhattan, and their resumes. However, those details, once fictionalized beyond recognition, have repeatedly become the scabs overlying the singular stinging wound at the psychological core of all my main characters. My characters’ primary motivation—like mine, it seems—is always the unattainable desire to outrun public failure, a hopeless quest to transfigure it into something, anything, less painful.

My first book, O Street, describes a character’s twenty-year attempt to escape the humiliating aftermath of having been, in childhood, the victim of a well-publicized sexual assault. My newly published second book, Damascus House, follows six characters, members of a fundamentalist Christian church, each trying, in different ways, to restore dignity after suffering a small, public scandal. Currently, I’m working on a third manuscript, still untitled, that revolves around a woman who, with decreasing success, tries to rationalize her failings as they become increasingly apparent to everyone who knows her. Although we live, now, in a post post-Freudian world, the idea of a surveillant superego still captivates me as a source of narrative tension, as do the (very human) methods by which characters try to avoid the judgment and contempt of that surveillant Other.

Playwright Harold Hayes explained, “The essence of drama is that man cannot walk away from the consequences of his own deeds.” I repeat this advice to my creative writing students, to remind them to establish necessary elements of character motivation, tension, and conflict in their fiction. When I’m writing, I repeat this advice to myself, too, with the caveat that people also cannot walk away from the aftermath of their own humiliations, no matter how assiduously they try.

Review Damascus House.

Review O Street.

Follow Corrina Wycoff via Amazon.

  Corrina Wycoff

Corrina Wycoff’s fiction and essays have appeared in journals, magazines, and anthologies. She is the author of two books of fiction, a linked story collection, O Street (2008, OV Books) and a recently released novel, Damascus House (Spuyten Duyvil Press). A single-mom-turned-empty-nester, she lives in Washington State, where she teaches English and Writing at Pierce College.


Vote for a Cover, Win a Free Book!

Six-Images-Layers

Which one of these covers fits the next novel in the Dreamslippers series best? With such awesome choices, we're having a hard time deciding. We hope you can help us out.

Here's the book description:

In Bound to the Truth, the multigenerational PIs with the ability to 'slip' into dreams are hired to investigate the murder of an up-and-coming Seattle architect. Did Nina Howell really fall under the spell of a domineering, conservative talk show host--as her wife claims? Find out as the dreamslippers chase down a killer while at the same time navigating the murky waters of the Seattle dating scene.

The challenge, as I put it to my brilliant cover designer, Monika Younger: While the novel includes elements of Seattle's kink culture, it's a mystery, not erotica, so we want to differentiate from those types of covers. There also needs to be continuity between the cover for this third book in the series and the first two:

CatintheFlock_thumb Framed-and-Burning_Thumb

But the continuity doesn't have to be perfect. Each book is different, so it's okay if there's a bit of a departure.

Here's the 'win' part: If the cover you voted for is chosen, you get a free ebook copy of Bound to the Truth when it releases this fall. One entry out of those winners also receives a signed print copy of the book.

So, are you ready to vote? If you need a sneak preview of the book first, here's the prologue from the current working draft.

Alrighty then! On to the choices.

#1:

  BOUND TO THE TRUTH1

#2:

BOUND TO THE TRUTH2

#3:

  BOUND TO THE TRUTH3

#4:

BOUND TO THE TRUTH4

#5:

BOUND TO THE TRUTH5

#6:

BOUND TO THE TRUTH6

Vote for your choice in the comments below or on Facebook, Twitter, etc., and feel free to argue your case! BUT - to make sure we have a way to contact you if you win, send us an email with your vote at this handy link.

By the way, reader votes synched up with our choices for the first two covers, so we obviously listen to what y'all have to say. We're looking forward to hearing what you think of these.

Thanks for playing!