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Rave Reviews, an Interview, and More in the Boxed Set Blog Tour!

Boxed set tour banner

The Dreamslippers Series Boxed Set + Bonus Story released in February. With this release, I decided to focus on an online, or "virtual" tour, since the boxed set is only available on ebook. I'm also happily slammed with game-writing projects this year and already had a commitment to speak at the Associated Writing Programs conference in D.C. around the date of the launch.

This time we included a giveaway, and 83 people signed up to win copies of all three novels in paperback, ebook, and audiobook, as well as the boxed set. Congrats to the winners!

The tour had three components: reviews, an interview, and spotlights.

Reviews

While not all book bloggers assign star ratings to the books they review, several on this tour did, with three coming in with 5-star reviews. The first one, for Framed and Burning, book two in the series, came from Anteria Writes:

Each character sees their dreamslipping ability as something different. Mitch could care less, Cat sees it as a curse that gets people killed, and Grace sees and uses it as a gift. Cat is the great-niece of Mitch, granddaughter to Grace. She is, of course, the youngest and least experienced using the dreamslipping and has had the worst experience with her gift, blaming it for the death of her childhood sweetheart. Mitch and Grace are siblings. They’ve each made their way in life, using their talents, natural and supernatural. And those talents have brought good and bad things to each of them.

Along with success we find jealousy, loathing, contempt….Mitch has the idea that there is plenty of room in the world for all art. But humans are inherently competitive and greedy. So they try to take down Mitch in his prime, but he wins out, becoming a coveted artist. Thus, begins the journey to find an accidental killer.

The story is woven perfectly to tell each person’s story in that person’s personality. We have the seriousness in Cat’s narratives, the eccentricity and grounding in Grace’s, and the disjointed, emotional feel of Mitch.

The nominations and awards this book has received were well-deserved.

The second 5-star review came from The Book Adventures of Emily, which has hosted the series in the past:

Cat in the Flock is super awesome! There is so much mystery and suspense! I've posted spotlights of this series, and it always piqued my interest. The dreamslippers are so amazing; I can't describe how much they fascinate me. Cat McCormick is such a great main character. She isn't cliche or confusing; she gets straight to the point, and I love following her on this road of mystery. The overall writing style of Cat in the Flock is super straight forward and enjoyable! I can really see the care and effort Ms. Brunette put into this book, and I am looking forward to reading the rest of the series.

Another reviewer, Book Fidelity, praised the book for the portrayal of recent college grad Cat McCormick as well:

Through some fantastic storytelling, we are plunged into this world of dreams and curiosity. Cat is wonderful and real in that she makes mistakes, but keeps moving forward. Also, the idea of detective work including psychic abilities is just plain awesome. I definitely recommend this book (and series) for fans of Kelley Armstrong, Patricia Brigs, and Karen Marie Moning. 

The blogger at Rosepoint Publishing gave the book 4 out of 5 stars and acknowledged, "Guessing whodunit isn’t so difficult. It’s how the protagonist gets us there, the maturity of her dreamslipping powers, and the peripheral characters that adds to an overall enjoyable read."

The most exciting 5-star review came from J Bronder Reviews, who has now posted on all three books in the series. The blogger writes, "This is a great series and one that I strongly recommend. I loved all three books and can’t wait to see what happens next."

Interview

I was happy to meet a new book blogger on this tour in Reeca's Pieces. The name of her blog made me smile, and I shared this anecdote with her: Back in grad school when I was studying for my MFA in fiction, I used to write short "flash" fiction pieces that would appear in between the longer stories in my short story collection. My classmates called these "Lisa's Pieces."

Reeca asked great questions about the inspiration for the series, which is not one thing but many. Here's the first: 

I read a lot of supernatural and psychic mysteries and interviewed four of Seattle’s top writers in the genre for Seattle Woman magazine. I was also a huge fan of the TV series Medium; I loved how psychic visions came to the protagonist in her dreams. I’ve always been an active dreamer and for many years suffered from PTSD-related nightmares, so dreams have held great significance for me.

Read the rest of the interview on Reeca's blog.

Spotlights

Three bloggers posted spotlights for the tour, including the link to the giveaway. A shout-out to The Paperback Princess; Books, Dreams, Life; and again, J Bronder Reviews.

A huge thank you to Sage's Blog Tours for hosting and to the book bloggers who give generously of their time, effort, and opinion to tell their readers about the books they love.

Buy links and details for the Boxed Set + Bonus Story are here. If you've read every book in the series, please take the time to review the boxed set online. I could really use the reviews to get the boxed set in front of more readers. Thank you!

Also, for those of you who are fans of the series, I'd love to hear from you in the comments below. If I continue to write the series, what would you like to see? Tell me if there's a particular character you're most interested in, any questions you have, and so on. If you've read the bonus story in the boxed set, I'd be interested in knowing if you'd like to read a whole novel devoted to Amazing Grace's early years.


Upcoming Appearance: Author Reading at Ferris State University

Ferris U flyer

Personal appearances are one part of the author life I enjoy immensely, as I get to leave the writing cave and talk in person with readers and potential readers. I especially like university talks, as it's always refreshing to speak to students. I'm inspired by their energy and am always impressed by their thoughtful questions. Last year I spent a week at the University of Florida as a guest lecturer in game design classes and speaker at a summit sponsored by the school's Digital Worlds Institute. Last fall for the launch of book three in the Dreamslippers Series, I spoke at Seattle University for the third time in three years. This February I presented on a panel at the Associated Writing Programs conference, attended by many students and writing faculty. And next month, I'll be at Ferris State University in Michigan as part of the Literature in Person series.

Ferris is distinguished by a small faculty-student ratio of 1:16, which means the courses are taught by professors, not graduate students. The university prides itself on its offering of in-demand majors, more than any other school in the state of Michigan. 

My host for the event is Dr. Deirdre Fagan, assistant professor in the Department of English, Literature, and World Languages. We met back in 2001 when I was in graduate school at the University of Miami, where she was a lecturer in the composition program. We lost touch for a time, but have reconnected through the magic of social media. She's a talented teacher and poet, and it's an honor to be her guest.

If you're near Big Rapids, MI, where the college is, please come by for the event, which is open to the public. Details in the image above. Besides the public reading on April 5th at 7 pm, I'll also be a guest in Deirdre's Creative Writing class that week, which is a private event.

A huge shout-out to Great Lakes Book & Supply, an independent local bookstore in Big Rapids. They will promote the event and stock my books as well.

Wish me luck at the reading and classroom visit, and I hope to see some of you in Big Rapids!


'Author of the Month' Interview

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Book blogger Cheryl Macciarelli chose me as Author of the Month for March, and as part of that, she published the below interview. I'm sharing it here on the blog so visitors and subscribers don't miss it in the frenzy of social media updates this month, as we're also running a Partners in Crime Tour. I love good questions, and "CMash" didn't disappoint.

Writing:

Do you draw from personal experiences and/or current events?

Yes, all of the above. But I wouldn’t call my books autobiographical. It’s surprising to me that I have to explain this, but I don’t actually have the ability to psychically pick up other people’s dreams. Still, this question comes up often when I read my work publicly!

What was the inspiration for this book?

This book was inspired in part by my rekindled love of genre fiction. Back in 2008, I interviewed top mystery writers for a Seattle Woman cover story. Reading their work reminded me of when I first fell in love with reading as a child, and that was genre fiction like Nancy Drew. Academia had beat this out of me, unfortunately, so it was wonderful to be drawn back to it as an adult. After all, being an adult means you’re allowed to read whatever you want! After the Seattle Woman cover story, by 2009, I’d joined the game industry as a writer full-time, and by 2011, I was working on the story design for primarily mystery games. That led to a pent-up need to create my own plot and characters, since a lot of game writing happens by committee.

Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?

I plot the entire novel out in a very rough format, with questions and multiple possibilities noted, writing this in marker directly on my wall, which I’ve painted in whiteboard paint. Then I begin to write, and I give myself permission to explore questions, try different paths, and deviate when necessary. So I guess I’m a hybrid writer. Several times I didn’t know a character would appear and act that way in a scene until I was in the midst of writing it.

Your routine when writing? Any idiosyncrasies?

I don’t have a routine. I probably should, but I have to flex my novel-writing time around game-writing projects, and those have harder deadlines. The only thing I really need besides uninterrupted time and quiet is to make use of my laptop’s “wifi off” function, which is a lifesaver.

If you could co-author a book, who would that writer be?

To continue reading, here's the full interview at CMash Reads.

Also, you'll see lots of opportunities to win free books and gift certificates running until April 2. Throw your hat in the ring!


'Girl' Books, Revisited

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A lot has been written about the current 'girl' book phenomenon (see here, here, and here for starters), but I thought it would be fun to imagine what those titles might be in a better world. Here we go...(slight NSFW warning)...

Girl, Uninterrupted

The Girl With the Fuck You Tattoo

Girl on the Luxury Train

Girl Flicking a Razor

Girls, But We Really Mean Women

The Woman Who Flew Into Space

A Woman's Story, Told by Herself

for women of color who committed murder when the rainbow was more than enuf

The Girl Who Spoke Her Mind

The Loudest Girl in the Room

The Girl Who Was Nobody's Slave

Such a Smart Girl

Shopowner

Girl with a Pearl Earring She Bought for Herself

The Woman's Guide to Being Your Own Damn Guide

The Girl Who Wore Whatever She Wanted That Day 

The Neither Good Nor Bad Girl

...and of course...

Here and Now Girl 

 ... Now add your own to the list in the comments below. Need help? Goodreads has a list of every 'girl'-titled book published.


Lisa Brunette Named 'Author of the Month'

Authorofthemonth

I'm honored to be named Author of the Month by book blogger CMash Reads, joining the company of Michael Baron, James Lepore, Charles Salzberg, and other award-winning, bestselling authors.

Today kicks off a month of features, interviews, and guest posts, not to mention giveaways and prizes, both as part of the Author of the Month feature and a Partners in Crime tour running concurrently. It all starts now with this review of Cat in the Flock, Book One in the Dreamslippers Series.

"The suspense in this book had me turning the pages," writes CMash. "The plot contains spirituality, betrayals, truths, lies, murder, and a rekindled love. The thought of the dreamslipping was intriguing. And a shocking ending."

CatInTheFlock

Tomorrow morning at 7 am PST, I'll be interviewed on Fran Lewis' BlogTalkRadio. Tune in to hear behind-the-book-cover info on the Dreamslippers Series and more.

The prize potential this month is through the roof, with two Amazon gift certificates and a number of audiobooks, ebooks, and paperbacks free to the winners. I hope you'll take advantage of the giveaways and join the conversations on the blogs. Good luck!

 


Upcoming Appearance: 'The Reporter and the Story' at AWP

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This week I'll be in D.C. presenting at the Associated Writing Programs Conference, now celebrating its fiftieth anniversary. AWP provides support, advocacy, resources, and community to nearly 50,000 writers, 550 college and university creative writing programs, and 150 writers’ conferences and centers. I've wanted to attend this conference since I was a creative writing student working toward my Master of Fine Arts degree back in 2000. But the demands and focus of my full-time career have always been higher priorities. So I'm thrilled to finally get the chance, 17 years later.

I'm honored to be included on a panel with four women whose bios will knock your socks off. Our topic: "The Reporter and the Story: How Journalism Can Inform, and Fund, a Literary Career."

While most days it seems I'm heavier on the inform part of this equation than the fund, I'm excited to share my experiences as a freelance journalist for twenty-plus years, from writing on the arts and literature back in my home town of St. Louis, to the bootstrap days with a big-time Seattle startup, to the regular feature articles I now write for a small-town newspaper. These real-life stories have always fed my fictional storytelling.

Here's the full panel description, followed by bios for each presenter. Check out their web sites--you're bound to discover a new favorite author on this list.

Description

Hemingway, Orwell, Dickens—all worked as journalists before becoming celebrated novelists. In addition to building your platform and paying the bills, working as a reporter can make you a better poet, novelist, or memoirist. Five journalists talk about how reporting on others drives them to create better fictional characters, how radio reporting has helped them develop their authorial voice, and how daily deadline gigs can lead to a career as a narrative nonfiction author.

Bios

Jessica Langlois

Jessica Langlois is a Los Angeles-based journalist, essayist, and educator. She writes about race, class and gender equity; grassroots arts and political movements; and California histories.

A frequent contributor to LA Weekly, she has also written news, features, and reviews for The Washington PostBitch: Feminist Response to Pop Culture, East Bay Express, KCET's Artbound, and Oakland Tribune. Her literary nonfiction has appeared in The Los Angeles TimesLos Angeles Review of Books, California Northern, American Literary Review, Travelers' Tales, and The Rumpus. More at www.jessicalanglois.com.

  Jenee PEERS Pix

Jeneé Darden has reported for National Public RadioTime magazineLos Angeles TimesEbonyMarketplaceHuffington Post, KQED, KPCC and the Southern Poverty Law Center's Teaching Tolerance magazine.  In 2005, she contributed reporting on the London 7/7 transit bombings for Time magazine’s Europe edition.

Jeneé has been interviewed/featured by BBCAccess HollywoodInside EditionNPRMarie ClaireDaily MailDaily BeastKTVUBlackGirlNerd.comBeyondBlackWhite.com, the book Swirling. She was mentioned in the hit FX miniseries The People v. O.J. Simpson. The daughter of former O.J. Simpson prosecutor Christopher Darden, Jeneé holds a BA in ethnic studies from UC San Diego and a master’s degree in journalism from the University of Southern California. More at www.cocoafly.com.

  Jenny Chen

Jenny J. Chen is an award-winning science journalist and multimedia producer. Her work has appeared in The Atlantic, NYTimes.com, NPR, Washington Post, Reader’s Digest, Vice, and many more.

In 2014 and 2015, she was awarded a PRX STEM grant to produce stories for NPR member stations across the country. In 2014, she received a grant from the D.C. Humanities Council to produce a radio documentary series on growing up mixed race in Washington, D.C. Jenny has also received numerous fellowships and awards to cover health, aging, minority issues, and climate change. She has spoken about journalism and the role of ethnic media at the Smithsonian Folklife festival. In another life, she has also had a play produced at Arena Stage and the Kennedy Center. More at www.jennychen.com.

Elizabeth Flock

Elizabeth Flock is a journalist based in Washington D.C., where she works as a reporter and producer at PBS NewsHour. She is currently working on a book, The Heart is a Shifting Sea: Love and Marriage in Mumbai, for Harper Collins (January 2018). Her reporting focuses on social issues, with a focus on the criminal justice system, protest movements and marriage and sexuality.

Elizabeth was a breaking news reporter at the Washington Post and staff writer at U.S. News and World Report. She has also written for the New York Times, the Village Voice, the AtlanticNew York Magazine, and the Chicago Tribune. More at www.lizflock.com.

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If you're attending AWP, feel free to get in touch. I'd love to meet up with you! And please come to our panel. It's on Friday, Feb. 10, from 3-4:15 pm


What's the Motive? Lily Iona Mackenzie

FLING

Readers of my Dreamslippers Series will undoubtedly recognize kindred spirits of Amazing Grace in Fling! Author Lily Iona Mackenzie talks about the real-life inspiration for her eccentric characters in today's What's the Motive post.

Lily Iona Mackenzie:

I began writing Fling! because I was curious about my mother’s mother, someone I had never met. Early in the 20th century, my grandfather, a former schoolmaster in Scotland’s highlands, immigrated to Calgary, Canada, hoping to find a better life there for himself and his family. Meanwhile, WWI broke out. A passenger ship was torpedoed, preventing his wife and five kids from joining him for seven years. When they did, my grandmother couldn’t adjust to the brutal winters or to her husband’s behavior. 

After being in Calgary for a year, my grandmother moved out, refusing to put up with my grandfather’s verbal and physical abuse. She found work as a housekeeper for a wealthy family. Soon, she and her boss became lovers, and he took her to Mexico City with him. When he returned, she didn’t. Some time later, my grandfather received a letter from a Mexican priest that she had died there.

Though I never met my grandmother, she was a strong, ghostly presence throughout my childhood. Who was this woman whose genes I shared? How had she found the courage in the early ‘20s to flee a difficult situation? And what did she do during those years in Mexico City? What motivated her to leave her kids and travel to Mexico, a country very different from what she had experienced in largely protestant Canada and Scotland? And what effect did her behavior have on those left behind, in particular her daughter and granddaughter?

These were the questions that sent me off on my quest to uncover this mysterious woman. I wanted to recreate what life might have been like for her once she left Canada. That impulse brought in a number of other characters that inhabit the novel. So while 90-year-old Bubbles and 57-year-old Feather are the main focus initially, very loosely based on my mother and myself, it’s Heather, my imagined grandmother, who is at the novel’s heart. 

When I started out, I planned to write a lyrical family saga. But Feather, an aging hippie, and her fun-loving mother Bubbles soon took over the narrative and brought their own distinctive humor with them, with plenty of hilarious moments as members of this family reunite in Mexico. 

Feather and Bubbles’ journey begins when Bubbles receives mail from the dead letter office in Mexico City, asking her to pick up her mother’s ashes, left there seventy years earlier and only now surfacing. A woman with a mission, and still vigorous, Bubbles convinces a reluctant Feather to take her to Mexico so she can recover the ashes and give her mother a proper burial. Both women have recently shed husbands and have a secondary agenda: they’d like a little action. And they get it.

But they also make unexpected discoveries in Mexico, the land where reality and magic co-exist. Feather gains a sense of who her mother really was. The Indian villagers mistake Bubbles for a well-known, ancient rain goddess, praying for her to bring rain so their land will thrive again. Feather, who’s been seeking “The Goddess” for years, eventually realizes what she’s overlooked.

Unlike most women her age, fun-loving Bubbles takes risks, believing she’s immortal. She doesn’t hold back in any way, eating heartily, lusting after strangers, her youthful spirit and innocence convincing readers that they’ve found the fountain of youth themselves in her. At ninety, she comes into her own, coming to age, proving it’s never too late to fulfill one’s dreams, one of the things I discovered from writing this novel.

For me, Fling! turned out to be a meditation on mothers, daughters, and art. It suggests that the fountain of youth is the imagination, and this is what all the characters discover in Mexico. It’s what Bubbles wants to bottle, but she doesn’t need to. She embodies it. The whole family does. And I’m hoping that my actual grandmother partook of it, too.

Review Fling! on Amazon and Goodreads.

Follow Lily Iona Mackenzie on Facebook or through her blog.

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Lily Iona MacKenzie has published poetry, short fiction, and essays in over 150 Canadian and American publications. Her poetry collection All This was published in October 2011. Her novel Fling! was published in July 2015. Bone Songs, another novel, will be published in 2017. Freefall: A Divine Comedy, will be released in 2018.


What's the Motive? Ellen King Rice

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Debut author Ellen King Rice explores the mysterious world of mushrooms in this "What's the Motive?" post. A former wildlife biologist, Rice discusses epigenetics and the genesis of her character Edna Morton, who one day begins to sprout feathers.

Ellen King Rice:

Proteins. That was my motive. Thank goodness for you, dear reader, I wasn’t interested in high fiber at all (your inner life of fiber is, please, Dear God, your business). For years I’ve been curious: why don’t we see people breaking out in feathers? Feathers, after all, are made of the protein keratin. We produce one type of keratin in our fingernails and hair, so why, oh why, couldn’t a ‘mature' lady break out in angelic feathers instead of coarse chin hairs?

From my years as a biologist, I knew that all life is in a state of constant experimentation. We also know that there are ancient pictographs showing people with wings. Is it possible that there have already been people with feathers? Could that be the origin of our angel stories? 

As I mulled over the idea of modern bodies changing to produce a new protein, I realized I would need a trigger for this new pathway. Peter Parker was bitten by a radioactive spider before changing into Spiderman. What could I use? 

One day I was making my tortuously slow ambulation out to the mailbox when I saw a flush of mushrooms peeking out from the undergrowth. Hmm. Could mushrooms trigger anything in a person? I went inside, mulling this idea. A few minutes of Internet searching and . . .  Holy Mother of God! Fungi are everywhere! (There are molds in the shower with you when you are naked and alone. Very creepy.) Not only are there millions of species of molds, yeasts, and mushrooms lurking everywhere, but some of the species absolutely have the ability to unspool dormant portions of human DNA. I had my trigger. 

I began writing The EvoAngel in 2011. It was a stop-and-go process because a very new science was unfolding daily in the news: epigenetics. All DNA for all species has the ability to respond to environmental changes--and the really gobsmacking amazing thing? Once a DNA section is activated or stored, that change can be passed down to subsequent generations. I was writing a gallop through the woods of the Pacific Northwest as a fun thing to do. The more I learned about epigenetics, the more I realized how important it is for everyone to understand this new science. 

Ever beat yourself up? Ever struggled to lose weight, be happy, quit drinking soda pop, or be less anxious? There can be a genetic aspect of each of these struggles--and, even more powerful to know, is that the responsible genetic switches can be jiggled from “on” to “off.” This is huge for mankind. It means that many things that have been regarded as “moral failings” are, instead, part of our cell structure. Furthermore, we don’t have to surrender to the situation. We can take charge and change--and we can do so in ways that will make our descendants healthier and stronger. 

Alas, some of the science is more than a little tedious (Go ahead. Try murmuring “DNA methylation at the Cytosine juncture” into the ears of your beloved and see if you garner anything more than snores.) If I was going to keep readers interest on the science of feathers, mushrooms and epigenetics I clearly needed...lots of sex. Oh, dear. Could I really manage that? Hmm. Villains could help. So might a large adorable dog. 

Buoyed by the reality that barnacles really do have an inflatable penis that is fifty times longer than the average barnacle body, I did my best to add in enough sex, villainy and puppy charm to keep the pages turning.

The end result is a story about an elderly mushroom hunter, Edna Morton, who has sprouted a feather. A trip to the local health clinic exposes her to an ambitious and aggressive physician who wants to take control of Edna and research this new biological oddity. The EvoAngel is a good gallop through the woods of the Pacific Northwest. It is part adventure, part science class, and totally fungi-friendly. My motive is to change the way you see your body and your world while making you laugh, gasp, and blink. All these things go well with a glass of wine and a slice of cheese, so prepare yourself and let’s begin...

Review The EvoAngel on Amazon.

Follow Ellen King Rice on Facebook.

Ellen King Rice photo

Ellen King Rice is a former wildlife biologist whose fieldwork was ended by a back injury. She has reinvented herself as a writer, artist, and chocolate tester. Besides Amazon, her book can be found in Olympia-area retailers Orca Books, Island Market, and Bay Mercantile. She hosts Mushroom Tuesdays on Facebook. See www.ellenkingrice.com for more.

 


The Play's the Thing: December Game Roundup

  Game roundup dec 16

Here are three games on my to-play list this winter, and I hope to bring you some of these developers as guests on the blog in the future, too. This month I'm looking at interactive fictional mysteries with a common theme, that of isolation and connection.

Firewatch by Campo Santo

Firewatch is a mystery set in the Wyoming wilderness, where your only emotional lifeline is the person on the other end of a handheld radio.

The year is 1989. 

You are a man named Henry who has retreated from your messy life to work as a fire lookout in the Wyoming wilderness. Perched atop a mountain, it's your job to find smoke and keep the wilderness safe. 

An especially hot, dry summer has everyone on edge. Your supervisor, a woman named Delilah, is available to you 

at all times over a small, handheld radio—and is your only contact with the world you've left behind. 

But when something strange draws you out of your lookout tower and into the world below, you'll explore a wild and unknown environment, facing questions and making interpersonal choices that can build or destroy the only meaningful relationship you have.

Lifeline: Silent Night by 3-Minute Games

The hearts and imaginations of countless players worldwide were captured when the original Lifeline took the App Store by storm and became the #1 Top Paid Game, and now Taylor needs your help again in Lifeline: Silent Night! Acclaimed author Dave Justus returns with a suspenseful new story that plays out in real time, delivering notifications throughout your day. Keep up as they come in, or catch up later when you’re free. You can even respond to Taylor directly from your Apple Watch or iPhone lock screen without launching into the app. Your choices shape the story as you play. Simple actions can have a profound effect. Complete any single path in the game and then go back and see what happens when you make a different choice. Lifeline: Silent Night is a deep, immersive story of survival and perseverance, and it’s up to you to save the White Star before it’s too late for its intrepid crew. The fate of Taylor, and the world, is in your hands!

The 39 Steps by The Story Mechanics

Prepare to experience the original man-on-the-run thriller in a completely new way. In this digital adaptation by The Story Mechanics, be transported back to 1914 London, where Richard Hannay finds himself framed for a murder he didn't commit. Now he must escape the Capital and stay alive long enough to solve the riddle of The 39 Steps. There are secrets to be discovered, locations to be explored and - above all - an incredible tale to be told in this ground-breaking interactive novel.

Merry Christmas! I wish you hours of joyful play.

 


The 'Bound to the Truth' Blog Tour

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 My big, fat book tour for Bound to the Truth had both an in-person leg and a virtual one, with guest posts, reviews, and spotlights on numerous blogs. Here's a rundown of the blog tour.

Reviews

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 Four bloggers so far have reviewed the book, rating it highly.

 The Book Adventures of Emily gave it five stars and raves: "Bound to the Truth is pretty fantastic! People with psychic abilities plus the fact they're investigators, um that's great! I'm really fascinated by this story, it's filled with action, suspense and a ton of mystery!"

 Over at Book Fidelity, the reviewer praised the characters specifically: "I found myself completely submerged in this story of intrigue and, honestly? apprehension. It is every bit a mystery, but with a twist. And, dear reader, you know how much I love 'my characters' in books, and this work is no different. they are an array of unique and as equally mysterious as the world around them." (4 stars)

 Another 5-star review came in from J Bronder Book Reviews, who wrote: "This is a great mystery with lots of action. Robin and Nina seem to have a perfect marriage from the outside, but inside there are cracks. I loved Cat, she is a strong woman and I loved following along as they had to dig deep to find the killer."

 Sage Adderley, my tour host, took time out of her busy schedule to review the book as well and had this to say: "The plot runs deep and the characters are both quirky and interesting. This is a total whodunit mystery that will keep you on edge until the very end!" 

Guest Posts

Like Me

 For this tour, I decided to offer guest posts as a way to give back to the awesome book bloggers who take time to read and promote indie books, almost always as a side gig or hobby on their own time. I know how exciting it is to host other writers on my own blog, so I wanted to share the love for that reason, too. 

 One thing I noticed across the series, beginning with that great Kirkus review for Cat in the Flock and continuing through Bound to the Truth, is that people often use the word "quirky" to describe the characters and scenarios. So I analyzed my obsession with quirk for The Editing Pen. Apparently the seeds for it were sown during my childhood.

  Regular readers of this blog know about my other obsessions: yoga and Nia. I talk about how and why I snuck these holistic practices into the Dreamslippers Series in this post for The Wordy Nerd

 I launched Bound to the Truth on the Friday after the presidential election. For The Attic Ghost, I wrote some thoughts related to all that.

 For fellow author Freda Hansburg's blog, I decided to focus on social media, since it's something people in just about every profession should know how to do well. While I have much room for improvement, I've seen enough success in this area to be able to offer advice to others. It comes down to three simple rules.

Spotlights

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 A couple of bloggers put Bound to the Truth in their spotlight sections. Mello & June, It's a Book Thang! had shown their love for the book earlier in the year for the cover reveal, and they came through again here at launch. Another spotlight came from Book, Dreams, Life

 Many thanks to the book bloggers who give generously of their time, space, and opinion, and especially to Sage's Blog Tours for hosting.

 


The Big, Fat Book Tour!

  Booknbrushlisa

 It's rare that authors are treated to headlining book tours these days, if there ever was a day when that happened. Especially as an indie, my marketing budget comes out of my own (very small) pocket. So there was no book tour for the first installment in the Dreamslippers Series, and for the second book, the tour was almost entirely virtual, meaning online-only.

 While this is all well and good economically speaking, I craved the opportunity to connect with readers in-person. We writers live a solitary existence, going through our days mainly alone, talking only to the cat. So when it's time to turn our book babies out into the world, it's only natural we'd want to interact with others.  

By the time I was ready to release the third book in the series, I'd built up enough momentum that in-person opportunities just showed up. Here's a run-down of what became my big, fat book tour for the release of Bound to the Truth.

Nia Jam to Benefit Standing Rock

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 I dance at a local studio, Embody, which has not only given me a beautiful new practice in Nia but a supportive community as well. Nia features prominently in Bound to the Truth, so when I found out there would be a Nia Jam and fundraiser, I donated five copies of the book, which were awarded at the event by raffle. Separate from the studio itself and hosted entirely by Nia teachers who gave generously of their time and talent, the jam raised more than $1300 for Standing Rock. We danced for two hours straight that night. I couldn't imagine a better way to celebrate the book's release date. It's exactly what Granny Grace would do.

Book 'n' Brush Author Event

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 Honestly, I can't say enough about how terrifically supportive the community here in Lewis County is. As an indie, I completely struck out trying to get my books into Seattle bookstores, even ones in my own neighborhood I'd frequented for a decade. But the owner and manager at Book 'n' Brush here in Chehalis have been enthusiastic supporters. They carry the whole Dreamslippers Series as well as the poetry collection, and in turn, I drive customers to the store whenever possible. It's a win-win. I felt honored to be included in their recent author event, along with others I've come to know, some of whom also have new books out.

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 Authors Julie McDonald Zander, Texie Gregory, Kyle Pratt (who wasn't part of the event but stopped in to buy books), and me.

 Book 'n' Brush is a gem of a store, anchoring downtown Chehalis. As the name suggests, they sell both art supplies and books, for a perfect mashup of creative pursuits. We had a great write-up in the local paper about the event, and The Chronicle also covered my book's release.

Human Response Network Masquerade Ball

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 My husband and I, incognito for a cause.

 A good amount of what you might call spiritual, humanitarian intention went into the Dreamslippers Series. I've written female-centered narratives peopled with a diverse spectrum of characters. I've tackled homophobia and tried to explore organized religion with humanity and compassion. I shed light on corruption in the art world and illuminated a corner of darkness that is the illegal child pornography industry. And finally, I celebrated sexual liberation and told the stories of those harmed by sexual abuse and repression. All while honoring the importance of plot and pacing, and I hope, without ever coming across as preachy. Everything I write is in service to the story.

 I always want to do more than this. I tied sales of Cat in the Flock to a donation to Jubilee Women's Center, a highly effective organization in Seattle that helps women transition out of homelessness and into independence. Here in Chehalis, I support the Human Response Network, which provides advocates for victims of domestic violence and sexual assault. The Masquerade Ball was the organization's first major fundraiser, done in an attempt to ramp up service in response to an overwhelming increase in requests for help.

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Copies of the books on auction.

Seattle University Talk 

 I've presented at Seattle University twice before, and it's always a pleasure to meet creative writing students there. This time, I discussed what it takes to get credits and bylines in three different arenas: books, games, and journalism. I related tales from the trenches in all three and managed not to bore them. While it feels odd to call myself a master of anything, the below slide did garner a few smiles.

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 The students asked great questions and seemed encouraged by my career transitions from one arena to another, AKA the survivor mentality that has kept me consistently employed. Props to the university bookstore for carrying the Dreamslippers Series in connection with the event, and to the creative writing program for their incredible hospitality.

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 Seattle U souvenirs: Reflections picked up for free in the campus chapel, and the student lit mag, Fragments.

 An Evening with the Authors at the Lewis County Historical Museum

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 The last in-person event on my schedule for this book launch was the only repeat for me, as I'd attended the same last year. Located in a former train depot, the museum features local history displays and a gift shop. The authors event is a great party and opportunity to meet other writers as well as new readers. Poetry seems to resonate best with this crowd.

 So there you have it: This is how we do things in indie land. My family and I hosted Thanksgiving at our house in the midst of this, so I'm hoping December is a bit less eventful? Or not. I really did enjoy myself. Welcome to all the new readers who stopped by my tables, came to the talk, or danced by my side. I'd love to hear from you in the comments below.


Sparklenuts, First Jobs, and NaNo

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 Sometimes I like to break from the long-form novel writing and try my hand at shorter pieces. It's also gratifying to see your work published in other venues, and to hopefully pick up new readers. It's been a busy fall, with the launch of Bound to the Truth coinciding with three short publications:

This Action Cannot Be Undone

 I had an idea in mind for a while to capture the drama of online connection and disconnection as told solely through Facebook notifications. I finally crafted a short piece, the work taking me longer than you'd think, given the length (poets, I know your struggle). I found a great home for "This Action Cannot Be Undone" at Argot Magazine--check out the cool layout. Since I'm involved in game design, and so many people are annoyed by game requests on FB, I made up a fictitious game called Crash Monkey Bonanza. Hence, the sparklenuts. One of my readers said "The monkeys have gone sparklenuts!" is like the best line ever. (Angel investors, if you'd like to see a proposal for this as a real game, let me know.)

 #MyFirstSevenJobs

 I felt inspired to write about my first seven jobs when the meme swept the Internets a couple of months ago, and Tues/Night was happy to oblige, including me in a roundup of posts on the subject. This one is 100 percent autobiographical, which felt strange and risky to me after writing fiction for so many years, both the novels and all that game writing, but there it is. Believe me, you can't make this @$%& up.

NaNoWriMo

 Regular readers of the blog know I'm not a huge fan of National Novel Writing Month. For me, what's needed much more is a National Novel Reading Month. You can see why in the stats I included in my article on NaNo for The Chronicle: In the nearly 20-year history of NaNo, only around 250 novels have been picked up by publishers and made it into print; whereas, last year alone, close to half a million writers participated. But! Wait! I challenged myself to find the validity and goodness in NaNo, and I'm proud of how that comes through in the piece. See for yourself.

 Please support these supporters of writing by clicking on the links and commenting on the pieces. Thanks, and have a great day!

 Image courtesy of Pixabay. No sparklenuts were harmed in the creation of this post.


An Interview with Award-Winning Author Qui Xiaolong

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Qiu Xiaolong was born in Shanghai, China. He is the author of the award-winning Inspector Chen series of mystery novels, Death of a Red Heroine (2000), A Loyal Character Dancer (2002), When Red Is Black (2004), A Case of Two Cities (2006), Red Mandarin Dress (2007), and The Mao Case (2009). He is also the author of two books of poetry translations, Treasury of Chinese Love Poems (2003) and Evoking T'ang (2007), and his own poetry collection, Lines Around China (2003). Qiu's books have sold over a million copies and have been published in twenty languages. He currently lives in St. Louis with his wife and daughter. 

Qui and I are old colleagues and friends. I served as a beta reader for his first novel before that was even a thing, and the two of us worked together teaching English at St. Louis Community College. During me recent trip to St. Louis, he told me about his interesting indie project, a poetry collection written in the voice of Inspector Chen, a character he's developed over the course of a multi-book series. Chen trained in poetry, and it informs his thoughts and is a compelling aspect of the series. But this is the first time the poems have been gathered into a collection.

Lisa: Poetry has been an integral part of your Inspector Chen series since the beginning. Why fuse these seemingly disparate genres—poetry and crime—into one?

Qui: To begin with, I love poetry, and I cannot but have my Inspector Chen love it, too. In an age with few people reading poetry, it's just my way of smuggling poetry into crime fiction. But it's also more than that; in classical Chinese novels, there're more poems than in my Inspector Chen novels, usually with a poem at the beginning of a chapter, and another at the end of it, and more with a new character being introduced. And I think it is justified for varying lyrical intensity in the narration--like the use of blank verse in a Shakespearean play, so it sort of carries on the Chinese tradition. But more importantly, at least so for myself, I want Inspector Chen to observe not only from a cop's perspective, but from a poet's as well. The two sometimes come into conflict, which may also make the character more complicated. 

Lisa: That’s really fascinating; I didn’t realize Chinese novels integrate the poetic form so much. And yes, I enjoy the two sides of Chen’s brain, poet and inspector. Together they lead him to a sort of third way of doing things that seems to be a negotiation between the two. There’s a lush, philosophical quality to his thoughts that make his perspective such a pleasure. I’m curious: What have readers said about this unique poetry/mystery mashup? I know we’ve talked about the differences between readers in the U.S. vs. your foreign readers. Are those abroad more receptive to reading poetry with their plots? 

Qui: I believe it’s something worth trying for a writer to write in the genre, but at the same time, to push the limit of it—if that’s what you call the unique poetry/mystery mashup. From what feedback I’ve gotten from my readers, I think they like it. Yes, we’ve talked about the differences between readers in the U.S. vs. readers elsewhere. For instance, Poems of Inspector Chen have been translated and published by my Italian and French publishers, and during my tour in France in October, one of the most rewarding experiences there was the discussion with 300 high school students in Lyon about that poetry collection, which they studied in class. But I want to add, readers here are also so enthusiastic about the poetry. During a recent conference sponsored by the Ahmanson family in L.A., for instance, the host offered the poetry collection to everybody attending the conference. A very large audience indeed. It’s just her way of supporting poetry and Inspector Chen, which I understand and appreciate. 

Lisa: With your background in literary poetry and fiction, what drew you to the detective genre in the first place?

Inspector Chen poems

Qui: I've always loved crime fiction. But the way I started writing in the genre was accidental. In the mid-nineties, I went back to China for a visit after staying in the States for seven or eight years. I was so impressed by the changes taking place there that I wanted to try my hand on a novel about the society in transition, but I had not written fiction before, so I had a hard time putting things together. Then the knowledge of the crime fiction genre came to my rescue, so to speak. I reshuffled the contents, and used the genre as a ready-made framework for what I wanted to say. In fact, when I submitted the manuscript for Death of a Red Heroine to my publisher, I was not even that sure it was a real crime novel. But my publisher liked it and wanted me to expand it into a series. So here I am, with book number ten of the Inspector Chen series coming out in French in September. But because of the accidental entry, you may still notice the sociological traces in all these books. 

Lisa: Wonderful—that explains so much. It’s interesting to hear you say your original plan was to write about society in transition. You weave this into the plots well, or rather, you deftly use plot as a vehicle for immersing your reader in that transitional society fully. It’s one of my favorite aspects of the series. How has that waxed and waned over the course of the series? You say now with ten there are still traces…

Qui: With so much happening in contemporary Chinese society, I’m capable of putting each Inspector Chen investigation in a specific social, political, cultural backdrop, in which the crime and the investigation are directly or indirectly commenting on it, and also commented on by the society in transition. For instances, Death of a Red Heroine against the backdrop of the split personality imposed on individuals living under an authoritarian regime, Red Mandarin Dress against that of the aftermath of the Cultural Revolution, Don’t Cry, Tai Lake against that of China’s ecological crisis, Enigma of China against that of governmental cyber control, and Shanghai Redemption against that of uncontrollable corruption under the one-party system… And with so much still happening there, Inspector Chen has a long way to go with a sociological perspective. After Becoming Inspector Chen, the manuscript I’m working on also has such a background focus on the lack of an independent legal system in China.  

Lisa: Let’s talk about your latest book, a collection of Inspector Chen’s poetry in one volume. It’s a brilliant, yet curious choice. Are there other models for what you’ve done, taking a fictional character and making him the “author” of a book of poetry? What made you decide to do this now?

Qui: For myself, it’s not exactly a curious choice. I don’t think I had any models in mind while compiling the collection, but I benefitted from the “mask” theory elaborated by Yeats. According to him, a poet could speak behind the mask of a character. And I found the experience truly liberating, for I could suddenly write about things familiar, relevant to the inspector, but not necessarily to me. It’s also experimental in exploration of the reversible interrelationship among the creating and the created in the process of fiction writing. 

Lisa: I’m also intrigued by your decision to self-publish this book of poetry. What has been your experience so far, as someone whose work has always been traditionally published—first with SoHo Press and now with St. Martin’s—stepping out into the wilds of publishing on your own?

Qui: The Poems of Inspector Chen was published traditionally in France and Italy. But I’m quite  aware of today’s difficult poetry market. For me, it’s a labor of love, but not necessarily so for every publisher, which I understand. About a year ago, I happened to talk to a friend about it, and he helped the project greatly with his expertise in the field of self-publishing. It’s really to his credit that the poetry collection came out here like that.    

Check out Qui Xiaolong's web site for book links and more.

Quiontour

 


What's the Motive? Chris Patchell

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For this installment of "What's the Motive?" suspense author Chris Patchell argues that motivation isn't enough when it comes to developing a sympathetic but compelling character. She's developed a formula to illustrate her writing approach.

Chris Patchell:

People are fascinating puzzles to solve. Why do people do the things they do? What motivates them? A dash of this, and you have a local hero. A dash of that, and you have a serial killer. The darker side of human nature has always sparked my curiosity, and maybe that’s why I write suspense.

Understanding a person’s motivations is a huge part of figuring out who they are. Having spent the majority of my professional life managing teams, I was always amazed to find that some of my top performers were driven by fear—the fear of rejection, the fear of failure. Fear can be a healthy motivator—it can compel us to be more prepared and work harder toward our goals, but fear can also inhibit or prevent us from getting what we want in life.

As an author, I’ve never liked my heroes bright and shiny, so in my latest suspense novel, In the Dark, I created an unlikely hero in Marissa Rooney. A single mother of two teenage girls with three failed marriages behind her, Marissa has a checkered past filled with menial jobs that allowed her just enough money to scrape by. When her daughter goes missing, Marissa’s motivation is clear. As parents, we’re instinctively hard-wired to want to protect our kids.

In crafting Marissa, though, I dug deeper into her character to expose not just her motivations, but her past experiences, her fears, and how they factored into her behavior. Motivation on its own is not enough. Two people may want the same thing, but they may go about getting it in very different ways. Let’s say two people want a new car. It’s expensive, and neither of these folks have the money. One person works hard and saves enough for a down payment while another person steals the car. Why?

Motivation + Experiences = Expected Behavior

Past experiences are the secret sauce in defining behavior. Some people have been taught that through hard work they can achieve their goals. Some people are taught to find short cuts. Others quit because their past failures have taught them that they can’t win. Some people don’t try at all.

As many of us do, Marissa equates the events of her life with who she is. Her past failures have instilled her with a whole host of fears. She’s afraid that she’s not good enough, smart enough, that all of her relationships are doomed. But most of all, she’s afraid that she will lose the only two good things she has in her life. Her daughters.

These fears drive Marissa throughout the story and cause her to make some interesting, and in some cases, awful choices. But the need to find her daughter is so powerful, it imbues her with an iron-clad will and the ability to withstand an enormous amount of pain in overcoming hellish obstacles to get what she wants.

In the end, Marissa finds what many of us find in our own lives when we face difficult, sometimes crippling circumstances: that she is stronger than she ever believed. 

If motivation is the engine that drives your characters through the heart of your story, crafting a set of powerful formative experiences is the chassis that sets the reader up for a deliciously bumpy ride.

Review In the Dark on Amazon.

Follow Chris Patchell on Twitter and Facebook.

AdobeBio 
Chris Patchell is the bestselling author of In the Dark and the Indie Reader Discovery Award-winning novel Deadly Lies. A tech worker by day and a writer by night, she pens gritty suspense novels set in the Pacific Northwest.


Join the Book Launch Party!

BOUND TO THE TRUTH thumb

 This Friday, Bound to the Truth releases across all ebook platforms and in print with select retailers. Consider this your invitation to join the launch party--either in person or virtually.

 In this third book in the Dreamslippers Series, Cat and Grace aren't sure they believe their client's claims about who killed up-and-coming Seattle architect Nina Howell. Did she really fall under the spell of a domineering, conservative talk show host? Bound to the Truth picks up with all three dreamslippers living under one roof in the Emerald City--and trying to date. The sexy theme gets readers up close and personal with Seattle's at times wacky sex-positive scene.

 Read more about Bound to the Truth and the first two books in the series here.

 Here's how to join the party.

Dance with Me

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photo credit: Regan House Photo

 Yeah, that's right. On release day, I'm attending a Nia Jam at Embody Studio in Centralia, where we'll dance the routine Soul. This holistic dance practice figures prominently in Bound to the Truth, and in honor of that, I'm giving away five signed print copies at the event. If you've never danced Nia before, never fear! It's designed so that anyone at any level can drop into a class anytime. For more information, see the event Facebook page. Proceeds benefit the Standing Rock Donation Fund.

Come to the Book Signing

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 The day after the book's worldwide release, I'll be in person to chat and sign books along with five other local authors at Book 'n' Brush in Chehalis, Wash., located at the mid-way point between Portland and Seattle. That's two hours from either city.

Here's a write-up in the local paper about the event. Come on by between 1-3 p.m. on Saturday, Nov. 12 if you can. I'd love to see you.

Tell Your Friends

Share

 Our marketing budget is small and based on word-of-mouth, which is the best way to market anyway. Here are a couple of ready-made social media posts you can copy and paste to help spread the word. Of course, writing something in your own voice is always best, but we like the easy-button, too.

Facebook Post

 Like strong female leads and a good mystery? Try Lisa Brunette's Dreamslippers Series. The third book releases this Friday, and all three books are only 99 cents till then! Link: http://www.catintheflock.com/dreamslippers-series.html

 Note: You can tag my author page if you want me to chime in: https://www.facebook.com/LisaBrunettePage1/   

Tweet

 I recommend the Dreamslippers Series by @lisa_brunette - book 3 releases this week - all books #99cents till then! http://tinyurl.com/oqmyvwy

 Other Social Media

 Post the book covers to your Pinterest page, Instagram a photo of a Dreamslippers book, share blog posts to Google+ and elsewhere. Feel free to tag or hashtag me, too. I live for the online connection.

Review the Books

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 It only takes a few minutes to post a book review online, but the support this provides an author could last a long time. Reviews are absolutely crucial to a book's success, and they make authors feel good, too. After all, the reason we go through all the trouble of publishing is to share our words with readers. When you review a book, we know we've reached you.

 All it takes is a star rating and a one- or two-sentence impression. If you don't like the books, please email me your thoughts. I'm always eager to improve and gobble up every bit of feedback. 

Hit the Buy Button

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 Seriously, 99 cents is a steal for 5-star, full-novel-length reads. All three ebooks are priced this low in honor of the third book's release, so get 'em while they're hot! You can give ebooks as gifts, too. The first two books are available in print, ebook, and audiobook, and you can pre-order the third on ebook to lock in the 99-cent deal. Print is also available, with audiobook coming soon.

Buy links for Amazon, Kobo, Barnes & Noble, iTunes, and more!

Thanks so much for your interest in and support of the Dreamslippers Series. It's been a wild ride putting out three novels in two years, and I'm the better writer for it.

 

 


An Interview with New York Times-Bestselling Author Robert Dugoni

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Robert Dugoni is the New York Times, Wall Street Journal and #1 Amazon bestselling author of the Tracy Crosswhite Series: My Sister's Grave, Her Final Breath, and A Clearing in the Woods. He is also the author of the critically acclaimed David Sloane series: The Jury Master, Wrongful Death, Bodily Harm, Murder One, and The Conviction. Dugoni has twice been nominated for the Harper Lee Award for Legal Fiction, was a 2015 International Thriller Writer's finalist for thriller of the year, and the 2015 winner of the Nancy Pearl Award for Fiction.

After I accosted approached him at a recent PNWA conference, he agreed to participate in this back-and-forth interview, which unfolded over several weeks, suspended briefly as we both took vacations. A fan of his Tracy Crosswhite series, I'm thrilled to bring Dugoni to my readers.

Lisa: I just finished reading My Sister’s Grave, and wow. You took a tremendous risk with your twist at the end. What compelled you to go that route? At what point in your process did you know that’s how it would end?

Bob: With this book I knew at the beginning. I really was playing with an old legal maxim which is at the start of the novel. I wanted to point out that a maxim is never 100 percent accurate. There’s a key moment in the book, after the reveal, where this is spelled out.

Lisa: The legal maxim first appears in the quote you use to open the book, right? From Sir William Blackstone, “Better that ten guilty persons escape than that one innocent suffer.” Tracy Crosswhite upholds this maxim, though, not to stop the suffering of an innocent man but out of a driven quest to find the truth. You portray her sharp instincts so well—that scientific truth-seeking is my favorite aspect of her character. Do you think of her as the hero of the novel? Or is someone else? I don’t want to give the ending away, but she has a counterpoint in the story, like yin and yang. Are there two heroes in your mind?

Bob: No, I really see her as the hero. She’s lived with this case for 10 years and had the courage to follow through on it when most others would have given up. She’s heroic in many ways. 

Lisa: Fair enough. Another risky aspect is writing in a different gender than your own. Tell me about the challenges of pulling this off.

Bob: First, I decided not to try to write from the perspective of a woman. I thought that would be a huge mistake. Instead, I wrote from the perspective of a person who has been wounded, trying to survive, day to day, with that wound. That’s a universal existence not dependent on gender. On the other hand, I have four sisters and a strong-willed mother. I’ve worked in a profession with a lot of strong-willed female attorneys.  I tried to draw from those experiences.

Lisa: What tipped you over to creating Tracy? She’s pretty badass all the way through, so kudos to you for the portrayal. At what point did you move from “that would be a huge mistake” to “this is the way I have to write this story”?

Bob: I never worried that it would be a mistake. Years ago I wrote the story Damage Control with the protagonist Dana Hill. I did the same thing. I never tried to write like a woman, just a person going through a difficult time in their life. Men and women are not the same, I recognize that, but I think in many ways we’re similar when it comes to the basic things in life we want and how hard we will fight to achieve those things.

Lisa: You mention in the acknowledgments section conversations with two researchers who gave you insights into the minds of sociopaths and psychopaths, but I note that your general idea for the novel preceded these conversations. Where did the idea come from, initially? Did knowing you were going to use that twist to show the maxim isn’t absolute mean you had in mind there would be a psychopath in the book from the beginning?

Bob: Actually, Tracy Crosswhite is a character in Murder One, a David Sloane novel. She has a very small part. When I was deciding to start a new series, I went through my old novels searching for a new lead character. She was really an unlikely choice, but she made me curious. I wanted to find out more about who she was and how she went from being a high school chemistry teacher to a homicide cop. I know that sounds odd, since I created her, but I really had to stop and explore who she was at her core. I do a lot of research, and it often comes up in a different book than intended, or in more than one book. Unlike some books, I knew in this book I wanted a psychopath because of the nature of the crime and the location and setting.

Lisa: I enjoyed the town as a sort of character in its own right in the story. Why is that important, both in terms of and separate from Sarah’s murder?

Bob: Because of what the police told me about a murder. They said a murder is rarely about one person. A murder impacts an entire family. When I mentioned she lived in a small town, they said the murder would impact the entire town. Everyone would know Sarah, and everyone would live life a bit differently after she disappeared. It’s a scary thought.

Lisa: What are your future plans for Tracy Crosswhite? How long will you keep the series going?

Bob: I’m just going to follow ideas that come to me. I’ll write Tracy stories until I feel as though I’ve exhausted her and I’m no longer excited to get up in the morning and continue on with her journey.  I’ve written four, and I’m a long way into book five. I really enjoy the people I’ve created to surrounded Tracy and my intent is to explore each of them.

 Check out Robert Dugoni's web site for videos, book links, and more.

Dugoni book stack


Why I Write What I Write: Going Against Violence Porn and Magic Mush

  Cruel_shoes

 One of the aspects of the mystery genre I appreciate least is the trope of violence against women. It's most obvious in the standard formula opening: A woman found dead, usually in an alley, maybe even a Dumpster. Sometimes she's nude, or in some state of undress. Usually, there's evidence of sexual assault. Often, she's a prostitute.

 When I sat down to write my first novel, I chose the mystery genre with the express intent not to perpetuate this scenario. I didn't want to read about yet another woman's body in an alley, and I certainly wouldn't write about one. Now, two years after I released my first novel, the question takes on even greater meaning, as a probable real-life rapist was caught with his female victim, in an alley even, and nonetheless let off easy. 

 This isn't just politics, though. This is overall a craft concern. Writing cliches is boring work for the writer, and I would expect it to be a boring experience for readers, too. 

 I'm not saying writers shouldn't write--and readers shouldn't read--books with graphic violence in them, or that depict female victims. My books tackle sensitive, potentially trigger-inducing subjects: sexual repression, gay self-hatred, child-rape pornography, incest. But I went to great lengths not to glorify or portray these scenes and subjects gratuitously. I didn't want or need to contribute to the world's repository of violence porn.

 The line, admittedly, isn't always right there in black and white, a complexity I explore in Framed and Burning:

And there she was, in triplicate. His wan heroine, his redheaded lady-child. She wasn’t yet eighteen, as he’d tried to capture in the budding quality of her breasts under a white tank top. She had an unnatural thinness about her as well, as if slightly malnourished. The whole time he’d painted her, he felt as if he wanted to save her. That was the attempt in painting her, to save her and rid himself of her haunting eyes at the same time. But he felt strongly now that he had failed. And in his failure, he’d simply failed her.

 Mick, like the female members of his family, is a dreamslipper: He possesses the psychic ability to pick up other people's dreams. But while his sister and niece use the ability to solve crimes, Mick uses dreams as inspiration for his art. He reflects on the morality of this:

In the quiet of his studio, Mick walked over to the unfinished painting that was inspired by that dream of Cat’s. He remembered the shock on her face when she saw it. So much trouble, he thought. He reprimanded himself for what suddenly amounted to cheating, taking others’ ideas and making them his own in his art. Was it ethical? He thought about Candace telling him basically to butt out of her dreams. And he thought of the haunting look in the girl’s eyes in the triptych. And of his own limitations, just now with Rose.

Mick picked up a large brush, dipped it into a can of black paint, and crossed out the painting. Then he began to fill in with black everywhere the cross lines weren’t. Soon, he’d covered the canvas in nothing but black. The painting was gone.

 In Bound to the Truth, the third book in the trilogy, the female victim is found dead in a hotel room, bound and gagged. While beginning with, and lingering on, the image of her dead body would arguably have given me a reliable commercial hook, I resisted it. For me it was more important for readers to come to know and care about the woman who becomes the so-called "vic." So many hardboiled cop show characters shorten the word victim to further depersonalize. This is supposed to be part of their character development, something they do in order to desensitize themselves to the work that no one wants to do. But still. Every "vic" becomes an abstract, a sea of female parts in an alley. To be grabbed, laughed over, brutalized.

***

 The other perhaps curious choice I made with the quirky, cozy/suspense mashup that is the Dreamslippers Series has to do with magic.

 These stories tackle the supernatural in a very realistic, modern way. My grandmother-granddaughter PI duo don't carry guns; they solve crimes using their ability to slip into suspects' dreams, supplemented by a host of New Age practices, not to mention tried-and-true investigative work. 

 I'd read books in which amateur sleuths with psychic abilities snap their fingers to unlock doors but somehow don't sense when the killer is following them. As a reader, these contradictions seem silly and frustrating. They're magic mush. I like to think stranger things truly do exist, but if they are there, they're subtle, unreliable, and decidedly unfocused. So I imagined what it would be like to have a psychic ability that functioned according to real-world rules, acknowledged here in a scene from Bound to the Truth:

Grace flashed on the silly ninja clown, and it gave her an idea. “Is there a way you can get close enough to the Waters’s home to dreamslip with Sam?”

“I don’t know, Gran. I’ve thought about it. The security is pretty tight out there. Unlike some of the other cases we’ve had, I’m not sure Mercer Island is the kind of place where you can get away with sleeping in a car out on the street. There’s also the possibility that I might pick up his kids’ dreams instead, or his wife’s.”

“Remember what I taught you about popping out of dreams you don’t want to be in, and of connecting with your target.”

“Yes,” said Cat. “But this super hero power of ours sure has its limitations..."

 Cat does find a way to slip into this suspects' dreams, putting herself in a precarious spot in the process. Throughout the series, dreams help the duo solve three murders and bust a child-rape pornography ring. The dreams are helpful both for what they tell us about the villains--and for what they don't tell us.

 These books haven't made me the next J.K. Rowling, though I'm grateful for and proud of the accolades, the numerous 5-star reviews, and the award noms. I know from my years at the story helm of a game-publishing company that there's often a disconnect between what the audience complains about and asks for and what they actually purchase. All I can do is keep developing my craft for a blend of commercial technique and groundbreaking newnesses that pushes the envelop and attracts a larger audience. Because the biggest lesson from the game industry for me is this: If the games don't sell, we all go home. 

 Buy the books.

 Review the books.

 Follow me.

 Photo credit: Lisa Brunette.


What's the Motive? Nancy Slavin

Moorings

Today fiction author and poet Nancy Slavin talks about how she finds motive in words themselves, both their beauty and their pain. "The first step towards violence," she says, "often is words that make people, well, less than people: into objects, or animals, or body parts."

Just a quick warning: In order to illustrate this, she uses a few examples of hurtful words below.

Nancy Slavin:

The subject of today’s post is about motive--what motivates this individual writer to write a certain book. I feel the need to state and expound on the obvious: words motivate me. Sound, rhymes, sentences, metaphors, stories; all the magic that can ensue just because of twenty-six English letters. If I wasn’t a writer, I’d be a linguist. I’d learn more letters and languages. My favorite part of motherhood was when my child was learning to speak; my second favorite has been watching her learn to read. I’m still amazed that little dark marks on a white page can communicate whole ideas, conjure galaxies, and create the possibility of freedom and justice. 

My original writing training is in poetry; the fine tuning of words and sounds is deep in my heart. I happen to come from a family of mostly artists--a mother who paints, a photographer sister, and a father who is a graphic designer and a potter. I have a brother, too. He flies planes. For me, the artistic medium is words. So that’s the first motive, and I hope, if you’re a writer, that’s your first motive, too. Otherwise, perhaps, consider another medium, like paints or planes.

Because I love words, I am also fascinated by how poorly they get used and how often, especially in relationships (and really, all human interaction is in relationship, hello “friends” on Facebook). Poorly-used words was too often the experience in my childhood, as it is for lots of kids. The long-term witnessing of belittling, mean words, name-calling, and the silent treatment (the tense, tense absence of words), motivated me to work in the field of domestic and sexual violence. 

In my work for more than twenty years, I was a violence-prevention educator--I taught other people, mostly youth, but many adults too, how to use words to communicate feelings and needs in healthy rather than hurtful ways, words that created connection rather than division and wreckage. In my trainings, I facilitated a lot of exercises that asked people to consider their words--words that were cruel but often minimized as no big deal, and/or words that categorized another person into an “other” based on their gender, race, religion, class, sexual identification or orientation. I said some dreaded words out loud and wrote them on boards, and I discussed their origins: words like bitch, fag, nigger, and redneck. I did this work so students could learn the histories and weight of words they might casually say or hear or write on the back of a desk. Depending on if they were on the receiving or giving end, they might respond to those words with an upped ante of violence, towards another, or inwards at themselves. The first step towards violence often is words that make people, well, less than people: into objects, or animals, or body parts.

As a domestic violence worker, I heard all kinds of stories about abuse that left literal scars on people. But I tell you, many, many people also disclosed quite often how the words hurt the most--the words of being told they were no good, not worthy, deserved the abuse, that the abuse was their fault, and many versions on that theme. The words, they told me, were the hardest to shake. They kept hearing those words in their head, reverberating.

All of the above lays the foundation for the main question I explore in my creative work: how do we heal from violence? How do we stop hurtful words from reverberating in our minds? Ultimately, that question led me to create a character in my first novel, Moorings. She was a woman who’d escaped terrible domestic violence, but she’d become mean herself, even in safety. I was curious what continued healing might look like for her. And I also explore the question in my second novel, which is based on and written for many of the youth with whom I worked, who’d been told twelve ways to Sunday they were unlovable and unloved. How does a person stop hearing those words and start believing a new story about who he or she is? 

There are many novels that have explored domestic violence and the rewriting of your own story, or writing your way into a new one. The Color Purple, by Alice Walker, Black and Blue by Anna Quindlan, and for youth dealing with family violence, Bastard Out of Carolina by Dorothy Allison and The Prince of Tides by Pat Conroy all come to mind. Although it's poetry, Maya Angelou’s book Shaker, Why Don’t You Sing, and the poem “Caged Bird” that appears in that collection and stems from her important memoir, I Know Why the Caged Bird Sings, was a formative poem for me. I’m also a fan of the play Trifles, by Susan Glaspell. And since I’m working on my YA novel, my next book up to read is Speak, by contemporary author, Laurie Halse Anderson, which confronts the reality of sexual assault. 

I am motivated in my personal life to be a healthier person. I have come a long way in some areas, and, in other ways, I still have a long way to go. I use words to tell myself some fascinating stuff sometimes. But listening to the words I say out loud, and then writing the words down to revise my own story, is my path toward health and healing. See? The letters “h-e-a-l” are the first four letters of “health.” How cool is that? 

For an important talk on the power of words in relationship to violence, I recommend Jackson Katz’s TED talk on domestic violence and words and language.

October is Domestic Violence Awareness Month. Check out which communities near you have planned to raise awareness through the National Coalition to End Domestic Violence.

Review on Goodreads and Amazon.

Follow Nancy Slavin on Twitter.

  Nancy Slavin

Nancy Slavin has been a longtime English literature and writing instructor for a community college as well as a violence-prevention educator. She’s authored a collection of poems, Oregon Pacific (2015), and a novel, Moorings, (2013). More of her work can be found in Rain MagazineBarrelhousehip mama, Literary Mama, and Oregon Humanities Magazine. Her website is www.nancyslavin.com

Looking for other "What's the Motive?" articles? Here you are.

 


What's the Motive? Rebecca Slitt

Psyhigh-s_color_v2

In this regular blog series, guest authors discuss the motive behind their latest books--or in this case, games. Maybe that’s the motive for murder in the traditional mystery sense, but writers will share some aspect of motive in their works without spoiling the plot. For example, rather than focusing on the killer, what is the protagonist’s motive? This could also be the author’s motive for writing the story. Why this story? Why now? Contributors are free to explore “motive” in all of its connotations. 

When it comes to Interactive Fiction, where reader choice matters, motive is a little more up-for-grabs. If you were a nerdy kid like me in the 80s, you remember Choose Your Own Adventure books, with multiple endings and reader choice all the way through. This form enjoys a vibrant life online today, as in Rebecca Slitt's Psy High.

Rebecca Slitt:

What’s the motive in Psy High? It’s whatever you decide it is.

Psy High is an interactive novel: on the border between a book and a game. As in all of the titles from Choice of Games, you the reader direct the action at every turn: you decide what the main character does and why. Not only that, but you get to choose the main character’s name, gender, orientation, personality, and goals. 

The story in Psy High is a mixture of mystery, romance, and supernatural elements, inspired by “Veronica Mars” and “Buffy the Vampire Slayer.” You play a teenager with psychic powers – clairvoyance and telepathy – who uses their gifts to solve mysteries. When an old friend asks you to investigate why your classmates are acting strangely, you discover a plot that could put the whole school at risk. You have to maneuver around your teachers, parents, and even your friends while using your magical abilities to uncover the truth – not to mention going to class, trying out for the drama club play, and finding a date for the prom.

The culprit has their own motive, but you figure that out – along with the culprit’s identity – fairly early. The more complicated question is: what's your motive? When you discover what's really going on in your high school, what do you do about it, and why? 

Maybe you’re motivated by altruism: you want to do what will help the most people. That’s a noble goal, but it’s not always easy to figure out how to reach it. What helps one person might hurt another.

Maybe you’re motivated by affection: you see how all of these issues are affecting your friends and want to help them. Maybe you want to help your boyfriend or girlfriend, or do whatever it takes to make them happy, or just spend as much time with them as possible. The prom is coming up, after all, and what could be more important than that?

Maybe you’re motivated by power. There’s plenty of power to be had, both magical and otherwise, and plenty of secrets to uncover. Do you care about that more than you care about your classmates? More than going to college? More than anything?

Maybe you’re motivated by a desire to fit in. In high school, what’s worse than being different? You can try to reject your magical power, act like every other kid, keep your head down, study, and try to lead a perfectly ordinary life. 

Or, maybe you think that the villain isn't such a villain after all. Maybe you realize that you share their motive: you think that their plan will make the school a better place, not worse. That’s possible, too. You can team up with them and use your magic to help them.

What this all means is that you get to choose the kind of story that you’re participating in. It can be a story about love conquering all: You can find your true love and draw on the strength of that bond to triumph over whatever challenges come your way. It can be a story about discovering deeper truths about yourself and the world: learning what you truly care about, what your values are, and how far you’ll go to defend them. It can be a story about rebellion: breaking every rule, fighting the power wherever you find it, showing the world that you’re your own person. It can even be a story about failure: No matter how strong or noble your motives are, there’s no guarantee that you’ll succeed – so if you fail, what meaning will you draw from that?

There are dozens of stories to be told inside the mystery of Psy High, each with its own motive. You get to choose which story you want to tell.

Download and review Psy High.

Follow Rebecca Slitt on Twitter.

  RLS photo

Rebecca Slitt is an academic-turned-game-designer who uses her knowledge of medieval history to make sure that dragon battles follow the principles of chivalry and time travelers go to the right places in medieval London. She is an editor and author for Choice of Games, and has contributed to the tabletop RPGs Timewatch and Noirlandia

 


The Goodness of Gathering

SWWC cookie

It's tempting, when you're freelancing or otherwise working from a home office, to become a hermit. You're finally free of the crowded bus; you no longer have to endure the cutthroat competition for the microwave at lunchtime. Even pants are optional.

But after you've soaked up scrumptious solitude for a good while, you start to crave communication. Someone to bounce ideas off of. Alternative answers to the questions you ponder silently every day. 

That's where writing conferences come in. As a writer, editor, and teacher with 25 years' experience, I've attended many conferences over my career, and I always learn something new at each one. At this year's Southwest Washington Writers Conference, there was plenty to absorb, from the art of cover design to the craft of villainy.

Kyle_cookie

Author Kyle Pratt, who presented at the conference, with his mug on a cookie.

Having recently completed a cover vote-a-thon, I found Gorham Printing rep Kathy Campbell's presentation on cover design very interesting. I hadn't realized that male readers prefer blue covers or that Millennials have a thing for vintage photos from the 60s and 70s. (Hmm... wonder what that's all about... ).

Memoirist Jennifer Lauck's presentation served for me as the perfect follow-up to Annie Dillard's The Writing Life, which I'd re-read right before the conference. Both Lauck and Dillard present a vision of the writing life that requires strong commitment, a dedication to the work, and an active reading practice. I loved Lauck's advice to read a book looking specifically for a particular aspect of structure, such as where and how to turn a scene or develop a character.

  Kyle_carolyn_me

Author Carolyn McCray, me, and Kyle.

I felt more in the mood for craft discussions over business talk, but when I read Carolyn McCray's bio, I realized I couldn't miss her showdown with Kyle Pratt over whether or not to publish exclusively with Amazon. The two presented equally compelling models for how to make it as an indie writer. They've both achieved great success but with radically different approaches.

Which brings me to this: There are so many different ways to be a writer. Sure, you can get advice and take a lot of rules to heart, but the writing life is as wide open as the sky. For example, there's writer Terri Read, who's published more than 40 books with Harlequin since 1993. She thinks of writing in terms of layers of cake, and her process is very structured, to the point of adhering to a set formula. Another conference presenter, Jill Williamson, takes a less structured approach with her self-described "weird books." She devoted her whole talk to villains, pointing out cliches and arguing that "the best villains are the ones readers actually like."

  Kyle_pat

Speaking of villains, get a load of these two. Just kidding - Kyle* and Pat are my fellow members of the Lewis County Writers Guild.

The most rewarding aspect of attending conferences is the opportunity to meet other writers. While there are always plenty of published and veteran authors in attendance, most of the people I meet are noobs just dipping a toe into the writing waters for the first time. So if you're holding back because you don't think you're experienced enough, let go of that right now. I hope to see you at the next one.

*I realize from the pics here it looks like I'm stalking Kyle Pratt. But I'm not. At least I don't think so. I think it's just that we're both becoming less camera-shy. ;)