Today we released the 'game novel' I wrote and designed with Daily Magic, and the game is now featured on the App Store! Here we are in the top running under 'New Games We Love' ~
If you're following me as a fan of the Dreamslippers Series, you've probably noticed I've been slipping more and more of my game writing and designing work into this here blog content. I love writing stories across the two mediums of books and games, and I think writing in both spaces makes me stronger in each.
I promise you that if you enjoyed the Dreamslippers, you'll love my writing in games, too. Case in point, Sender Unknown: The Woods, an interactive novel in the mystery/thriller genre, which releases this summer.
Now, onto the next game-related bit of news: I'm excited to announce I'll be speaking at Casual Connect Seattle at the end of this month as part of the 21st Century Leadership & Power in Diversity Symposium, which kicks off the conference on July 31. The symposium was organized by Women in Games and Contagious Creativity in conjunction with the Casual Games Association's United in Diversity Initiative. It's a full day to explore topics in diversity, leadership, and professional growth in the video game and digital media industries.
My talk focuses on "Indie Pioneers! The Path Less Traveled." I will discuss the ins and outs of transitioning from leadership at a major game publisher to fending for myself as an indie writer and game designer. Lindsay Peck from Imagos Softworks and Robin Hunicke of Funomena will join me on the panel. (Lindsay might be a ghost, though):
Casual Connect is the major industry conference for casual games, offering "inspiration from the most respected thought leaders in the games industry." I'm one of 250 speakers over 9 tracks representing the leaders in the next generation of games. Studios represented include makers of your favorite casual games: Candy Crush, Cooking Dash, Kim Kardashian Hollywood, Wheel of Fortune, Bejeweled, any of the HOPA titles you've played from Big Fish, and more. That means people will be there from Playtika, Glu, King, Scopely, FlowPlay, GSN Games, Viveport, Resolution Games, ConveneVR, SkyDance Interactive, Against Gravity, and of course, my one-person studio, Sky Harbor. Here's my speaker bio, by the way.
If you're attending the con, please stop by the panel, or feel free to reach out to me by email using this handy link. I'd love to meet up with you. Otherwise, wish me luck!
Seattle, WA--June 26, 2017--IndieBRAG announced today that Bound to the Truth, the third book in Lisa Brunette's Dreamslippers Series, was chosen to receive the indieBRAG medallion. A mark of excellence in the self-publishing industry, the medallion is awarded only to 20 to 25 percent of books submitted for the award. Lisa Brunette has received a medallion for all three books in the Dreamslippers Series to date.
“We’re thrilled to award a third medallion to Lisa Brunette,” said indieBRAG President Geri Clouston. “Bound to the Truth stood out to our reviewers in particular for the excellent writing style--the author’s distinctive voice, with its pleasing, evocative rhythm--and for the polish and attention to professional copyediting.”
IndiBRAG, LLC has brought together a large group of readers, both individuals and members of book clubs, located throughout the United States and in ten other countries around the globe. All ebooks are subjected to a rigorous selection process. This entails an initial screening to ensure that the author’s work meets certain minimum standards of quality and content. IndieBRAG reserves the right to reject an ebook during this initial screening assessment for any reason. If it passes this preliminary assessment, it is then read by a selected group of members drawn from their global reader team. In both the initial screening phase and, if appropriate, the subsequent group evaluation phase, each book is judged against a comprehensive list of relevant literary criteria.
"It's an honor to have had all three books chosen for the medallion," said Lisa Brunette. "The Dreamslippers Series is quirky, genre-crossing, and female-centric, which made it a tough sell for traditional publishing. But indieBRAG readers have shown that the self-publishing arena is the perfect place for experienced writers like me to take chances and experiment."
Bound to the Truth is the latest novel in the bestselling, award-winning Dreamslippers Series, which features a grandmother/granddaughter PI duo who use their psychic dream ability to solve crimes. In Bound to the Truth, their client thinks she knows who the killer is, but Cat and Amazing Grace don’t believe her. Did Nina Howell really fall under the spell of a domineering, conservative talk show host? The case brings powerful new developments in Cat’s dreamslipping skill as she works to find the answer.
Bound to the Truth received rave reviews from bloggers across the indie community. “I found myself completely submerged in this story of intrigue," said Book Fidelity. J Bronder Book Reviews, which has given all three books in the series high praise, said, “I loved following along as they had to dig deep to find the killer.”
About the indieBRAG Medallion
BRAGMedallion.com is owned and operated by indieBRAG, LLC, a privately held organization that has brought together a large group of readers, both individuals and members of book clubs, located throughout the United States and in ten other countries around the globe. The word “indie” refers to self-published books, while B.R.A.G. is an acronym for Book Readers Appreciation Group. The name “indieBRAG” and the B.R.A.G. logos are trademarks of indieBRAG, LLC. The B.R.A.G. Medallion is a certification trademark owned and controlled by indieBRAG, LLC.
About Author Lisa Brunette
Lisa Brunette writes books and games. All three books in her bestselling Dreamslippers Series have won indieBRAG medallions, and the second book was also named a finalist for the Nancy Pearl Book Award and nominated for a RONE Award. Brunette’s game-writing credits include hundreds of titles, played by worldwide audiences in the millions, for Big Fish and other publishers. New games Unknown Sender: The Woods and Matchington Mansion both release in 2017. She also has a long list of bylines as a journalist, short-story writer, and poet. Her work has appeared in the Seattle Post-Intelligencer, Seattle Woman, Poets & Writers, and elsewhere.
I begin most days by drawing a tarot card. It's part of my spiritual practice to think about the current challenge or lesson and draw a card that, when it's all working well, gives me insight. One day last week, I drew The Devil.
This can be an alarming card to have pop up in a reading, thanks to the bad rap the hooved one gets in Christian-influenced culture. I'm many decades away from the colorful images of El Diablo that illustrated my Catholic children's bible, and it still gives me pause. These days, I see the world less in terms of good vs. evil and as more of a continuum. But The Devil in a one-card reading is cause to sit up and pay attention nonetheless.
The deck I currently use is the Ghetto Tarot, created by talented photographer Alice Smeets, who based it on the 1909 work of another artist, Pamela Colman-Smith. There's a lot to love about Ghetto Tarot. First, it's a photographic representation of each card in the traditional deck, of which most people are familiar, and set entirely in the Haitian ghetto. The images are stunning and powerful, showing how the themes in the traditional deck resonate well in a culture outside that tradition. Second, this deck uniquely embraces the darker side of the tarot. Smeets offers her argument:
We tend to concentrate on the light aspects of the seemingly more positive cards and are afraid of the apparently negative cards such as Death, the Devil, and the Tower ... That's because we are conditioned by our society, our parents, and our teachers to categorize the negative as bad, instead of helpful. Many of us fear pain instead of welcoming it. But every negative situation is an opportunity to grow and learn, while every positive situation has the potential to spin out of control.
The deck plays on "shadow" as well as "light," with each card in the deck possessing both sides. The Devil's shadow side can be "acting against your convictions." The "light" is "finding and accepting your dark side."
Drawing The Devil would have been reason enough for me to mull over the idea of finding and accepting my dark side, but sometimes the Divine hits you over the head with things that seem to have extra importance.
The same day I drew The Devil, I went to the library to pick up a book I'd requested through interlibrary loan. I had learned of the book from a review and either hadn't seen or didn't remember the cover, which is this:
Yeah, I know. Pretty interesting coincidence. The book is a provocative read, all right, challenging everything I've believed about my parents' generation. Maybe that was the lesson of the day: To go there, to push my thinking into a dark place again. The book sort of chose me, along with a few others on class in society--after this in my stack are White Trash and Poor But Proud. It's all research for an in-progress novel based on a real-life murder.
My previous work is a lot of light: the Dreamslippers Series. Back in 2012 when I began to write those stories, I started to take my first book in a darker direction, and the result is that I relapsed into PTSD nightmares, which I'd been free of for some time. So I backed away from that and wrote a cozy-ish series about a 70-something yogi named Amazing Grace instead.
But of course, some of the darkness seeped in. It's called conflict, and you can't have a story without it, especially if your sleuths are solving murders. Besides murder, I also tackled anti-gay violence, racism, murderous jealousy, BDSM, child pornography, and incest. So, yeah. Even when I've got my head turned toward the light, the darkness fringes. At the corners, at least.
I'd been content to relegate it to the edges. But this Devil showing up in my life with such force made me wonder. A recent bout of writer's block specific to the aforementioned novel-in-progress came to mind. Maybe the block had to do with suppressing the dark side? Not wanting to go where I sense this story will make me go? And if I had any doubt, scanning through my email the same day of the two devil-related incidents above dispelled it, as one subject line in particular jumped out at me:
Writer, give in to your dark side
The email came from one of my favorite follows, Colleen M. Story's Writing and Wellness Blog. And lo and behold, the entire newsletter was devoted to this "dark side" issue, and specifically for writers. The articles? Here you go:
The email was illustrated with another devil:
At this point, I'm like, OK, OK! Dark side! Got it! Thanks, Spirit! Paying attention now, I promise!
Didn't I already know this?
Over the winter, my stepson turned us onto a movie he loved called Inside Out. It's a Pixar animated film, brilliantly done, and the gist of it is that [spoiler alert] the character you think is the hero, the one who's relentlessly positive, actually turns out to be the villain. At least of a kind. The movie does a remarkable job of illustrating how terrifically bad it is to suppress feelings because they're "negative." The filmmakers consulted psychologists in making the film. I highly recommend it for anyone who's convinced--or is tired of those who are convinced--that positivity is the only way to go, all the time. You're welcome.
There's a real benefit to healthy expressions of negativity. If someone's wronged or harmed you, swallowing your anger or outrage could actually make you feel complicit in their act, an enabler to your own victimization. Denial, sugar-coating the truth, false positivity--none of these things serve us well.
But there's a balance to it.
One of many dead manuscripts I have in a drawer is something I finished back in 2007 called Meat: A Memoir. I gave it to the agent I had at the time, and, based on the title, she had high hopes. (She described me at a party once as "very talented and very intense.") She loved the short story collection she was then shopping around to publishers. But Meat? "I couldn't get through it," she told me.
It was all darkness, with very little light.
So that's my challenge, as both a writer and a human being. To integrate my shadow and light sides, to allow them to coexist without judgment, suppression, or imbalance.
But how do you do that? Here are five ways I strike the balance:
- Be honest about your feelings. This starts with your own awareness: If something's bothering you, check in to see what exactly it is. Take a moment to get present; close your eyes; see what bubbles up. Writing can be a very powerful discovery tool as well. Sometimes I'll free-write about my project if I've got writer's block. This story is difficult right now because...
- Don't guilt or shame yourself into forced happiness. It's OK to feel angry, disappointed, sad, depressed... feel all the feelings. A spiritual leader I know once advised that sometimes, lying on the couch and sucking your thumb is exactly the right response to the situation. This goes for fictional characters, too. My best writing comes when I "torture" my characters and let them respond in very human ways.
- Don't guilt or shame yourself into silence. Talking about the darkness can help bring it into the light. I once had a writing teacher say that Shakespeare's work continues to resonate to this day because most of the characters are speaking at moments of high crisis. This is where the best fiction lies.
- Don't let anyone else guilt or shame you into silence. Whenever I get to the point where I feel someone is just not capable of hearing me, I stop the conversation and find other ways to express myself. Truths can be uncomfortable, and when they threaten status quo, there can be a tendency to silence the truth-bearer. But silencing someone is a power play that comes from insecurity. This goes for writing groups, too. If someone's critiquing your work in a way that feels silencing, it might be time to reevaluate whether the critique is constructive or even helpful.
- Don't wallow. If you find you've been wading in the darkness for some time, and you're far past the point of gaining insight from it, then it's time to get up off the couch and rejoin the world. But even then, don't do the things people want you to do but rather what brings you happiness. That goes for the writing, too. Like my dead manuscript example above, an all-dark world doesn't actually make for good storytelling. Without the victory, conflict can feel relentless and suffocating.
What it comes down to is your shadow side and your dark side actually need each other.
Thanks to Alice Smeets for her lovely Ghetto Tarot and Colleen M. Story for her insightful essays. I hope you'll check out their work.
On a recent trip to Seattle, I asked my husband to ask me a question, any question. This is a good way to keep things interesting in a long relationship, as you learn something new every time, even if you've been together for years and think you've heard each other's stories already. He asked, "Of all your journalistic articles, which one do you think is your best?" Funny thing, I didn't even have to think about it.
It's been almost a decade now since I wrote for the new media web site Crosscut. A for-profit startup back then, the skeleton crew of publishers and editors had high ambition that we were going to save journalism. Of course, that was a tall order during a time of massive newsroom layoffs, many papers across the country swallowed up by larger entities or simply folding. But Crosscut is a thriving non-profit now, and I moved on to writing games and books.
During those heady years of '07 to '09, I served as deputy editor and wrote more than 60 articles for Crosscut. Two of them stand out as my best, or at least my favorite, as it's hard to be objective about one's own writing. They're both travel pieces, which surprises me, as I'm not particularly well-traveled, although I've certainly lived in a lot of places. Both express a joy for local travel in and around Seattle. I share them with you now to help inspire your own travel to the Emerald City, my beloved home for a decade. Both excursions are still do-able today; Agua Verde is alive and well, as is Kalaloch, though I suspect they've since swanked the place up.
A newcomer goes kayaking
Six years in the Northwest and I’d never set butt in a kayak. Not that this should be that surprising. I know people who’ve been here for 20 years and haven’t so much as touched a kayak’s plastic skin. A friend of mine in her 30s who’s lived here all her life hasn’t been on a floating vessel of any kind except for the bridges and ferries.
But I used to edit Fishermen’s News, a gig that gave me access to 100-year-old halibut schooners and 100-foot ocean trawlers. I live in Ballard, where one sees intrepid kayakers come through the locks on a regular basis. There was no excuse.
On the kind of freakishly warm, sunny day in late September that makes Seattleites feel as if they’re getting away with something illicit, the hub and I went down to Agua Verde Paddle Club to brave the waters of Portage Bay.
| Kayakers look free, but they look awfully vulnerable, too.
At the check-in counter, they make you sign a release form. There’s nothing like a release form to up the anxiety meter. Not that I was feeling anxious. OK, a little. The kayaks are small and sit atop the surface of the water, and the ships passing by are very large in comparison. Kayakers look free, but they look awfully vulnerable, too. My kayaking experience thus far in 36 years of existence was limited to the waters off Miami, which were warm as a bath, and a basin in the Florida Keys where the water was actually hot. This Puget Sound water is so cold, I can’t stand to be in it further up than my knees, during the hottest part of the summer — you know, that one week in August when you partially break a sweat.
To say that I had a healthy regard for the realities of the situation would be euphemistically accurate. To say that I had a perhaps paranoiac fear of the water wouldn’t be inaccurate...
[Continue reading at Crosscut.]
It's stormy, and the Pacific coast beckons
Seventy-three miles long but just a few miles wide, the ocean beaches of Olympic National Park in Washington have been — miraculously — left wild. There are no fried fish stands, no motels; no one beckons you to parasail or buy a hot dog. You are not to drive your car along the beach as is done with scandalous complacency just 20 miles or so to the south. To get to most of Olympic’s beaches, you must be willing to work, to walk in sturdy shoes for some time, and to climb a bluff or two, perhaps pulling yourself along by the fixed ropes provided for your safety. You must pay attention to the changing tides, as the beach may be for hundreds of feet decidedly walkable when you wake up in the morning, the sand seeming to stretch with flat, mirror-like grace to the far retreating surf, only to, by afternoon, disappear under the swirl and toss of water against the base of a bluff. The beach is there, and then it’s not.
| The beach is there, and then it’s not.
Visitors flock to Olympic National Park in ever increasing numbers — visitation grew 10 percent this past year over last – but a trip during off-season is a good way to avoid crowds and experience the beach in its wildest state. The hub and I stayed at Kalaloch Lodge over a three-day weekend in late fall, when the lodge had ample vacancy, and we nearly had the beach to ourselves, especially after sunset.
The Quinault word “kalaloch” means “a good place to land,” and that utilitarian mindset still characterizes it. Kalaloch Lodge is no high-end resort; nor is it a gem in the national park lodge tradition. Disabuse yourself of any vision that includes a massage, stone fireplace, 300-thread-count sheets, or complimentary cotton robe. The accommodations are old-school and basic. Not rustic – you’ll find showers, alarm clocks, and coffee makers in most rooms. But you won’t find a TV, phone, or wi-fi. The furnishings and decor are several decades out of date, and that’s not such a bad thing...
[Continue reading at Crosscut.]
I hope your travels are full of wonder and discovery. Happy Memorial Day!
All photos by me, with the driftwood image appearing previously on Crosscut. Want to read more of my articles for Crosscut? Visit the author page.
Those of you who know me as author of the Dreamslippers Series might've missed that I also write games. With nearly a decade of game work under my belt, I'm something of a know-it-all when it comes to games, at least the story portion of them, and at least games with fairly accessible controls, such as your Wii or iPad. I guess you could say these are "casual" games--although what that means keeps changing. Let's just say I have never written for the type of game that is like what most people think of (usually disparagingly) when they think of video games: anything with a lot of blood and gore in which shooting/killing is the "play." Not that there's anything wrong with those, as some represent the finest storytelling in the medium. But the games I've worked on have been much more mainstream, the gameplay focused on solving mysteries and puzzles, using deduction and intrigue, and standard interactions such as "match three in a row."
For five years, I served as a sort of story consultant for Big Fish, where my team of narrative designers and I critiqued and edited games designed by studios all over the world. We dedicated ourselves to helping our partner developers make the stories in each game as compelling as they could possibly be. One of those partners was Russian studio Daily Magic Productions, which is how I first met Marianna Vallejo, pictured above.
As narrative designer on most of Daily Magic's games for Big Fish, I helped design and edit the Dark Dimensions, Sable Maze, Ominous Objects, and other series, so Marianna and I have in effect been working on games together since 2011. Flash forward to last fall, when we met to talk about working together as independents on something different than the hidden-object puzzle adventure games we made for years.
Different, yes, but also building on what we know how to do well: tell stories in games, integrating the narrative with the puzzle play for the enhancement of both, and ultimately, the player's highest enjoyment.
Marianna and I were on the same page about what interests us in games and where we think they can go. We decided to make one together, and it releases this summer. I can't wait to tell you more about it! For now, here's the trailer:
Get the Entire Dreamslippers Series on Ebook for 75% Off
It's May and still raining here in the Pacific Northwest, which probably explains why we're such a readerly culture. Nothing says "stay home and read a book" like nine months of near-continuous grey skies. So to ease you in this time of need, we've slashed the price on the Dreamslippers Series boxed set by 75%. That means you can get the entire award-winning series plus the bonus story for only $2.99.
- Answers that all-consuming question, What if you could slip into the dreams of a killer?
- The Dreamslippers are a family of private investigators who solve crime using their ability to see the dreams of others
- For mystery lovers who like a bit of realistic psychic flavor in their whodunits
- Gay and trans-friendly, with a diverse cast of characters
- Respectful to Christians and conservatives, not that those two things have to go together (a shout-out to liberal Christians and conservative atheists!)
- Features a grandmother/granddaughter duo, and they have lots of conversations that don't focus on men or dating
- Still, they get their romance on, too, so plenty of hotness, even at Granny Grace's age
- Winner of the indieBRAG medallion, finalist for the Nancy Pearl Book Award, and nominated for a RONE Award
The sale applies to the boxed set, which is on ebook only and available pretty much wherever ebooks are sold, for any device in any format.
Pass this on to your friends! Word-of-mouth sells more books than anything else. And do post a review of the boxed set when you're done reading, whether doing so made you into a committed fan or not. While book one in the series, Cat in the Flock, is up to 75 reviews now on Amazon, we don't have any yet for the boxed set, so potential readers are missing out on Grace and the gang. :( That's just how this works.
Also... exciting news! We're in talks with Hollywood representatives about interest in adapting the Dreamslippers Series to film/TV. Stay tuned...
The Dreamslippers Series Boxed Set + Bonus Story released in February. With this release, I decided to focus on an online, or "virtual" tour, since the boxed set is only available on ebook. I'm also happily slammed with game-writing projects this year and already had a commitment to speak at the Associated Writing Programs conference in D.C. around the date of the launch.
This time we included a giveaway, and 83 people signed up to win copies of all three novels in paperback, ebook, and audiobook, as well as the boxed set. Congrats to the winners!
The tour had three components: reviews, an interview, and spotlights.
While not all book bloggers assign star ratings to the books they review, several on this tour did, with three coming in with 5-star reviews. The first one, for Framed and Burning, book two in the series, came from Anteria Writes:
Each character sees their dreamslipping ability as something different. Mitch could care less, Cat sees it as a curse that gets people killed, and Grace sees and uses it as a gift. Cat is the great-niece of Mitch, granddaughter to Grace. She is, of course, the youngest and least experienced using the dreamslipping and has had the worst experience with her gift, blaming it for the death of her childhood sweetheart. Mitch and Grace are siblings. They’ve each made their way in life, using their talents, natural and supernatural. And those talents have brought good and bad things to each of them.
Along with success we find jealousy, loathing, contempt….Mitch has the idea that there is plenty of room in the world for all art. But humans are inherently competitive and greedy. So they try to take down Mitch in his prime, but he wins out, becoming a coveted artist. Thus, begins the journey to find an accidental killer.
The story is woven perfectly to tell each person’s story in that person’s personality. We have the seriousness in Cat’s narratives, the eccentricity and grounding in Grace’s, and the disjointed, emotional feel of Mitch.
The nominations and awards this book has received were well-deserved.
The second 5-star review came from The Book Adventures of Emily, which has hosted the series in the past:
Cat in the Flock is super awesome! There is so much mystery and suspense! I've posted spotlights of this series, and it always piqued my interest. The dreamslippers are so amazing; I can't describe how much they fascinate me. Cat McCormick is such a great main character. She isn't cliche or confusing; she gets straight to the point, and I love following her on this road of mystery. The overall writing style of Cat in the Flock is super straight forward and enjoyable! I can really see the care and effort Ms. Brunette put into this book, and I am looking forward to reading the rest of the series.
Another reviewer, Book Fidelity, praised the book for the portrayal of recent college grad Cat McCormick as well:
Through some fantastic storytelling, we are plunged into this world of dreams and curiosity. Cat is wonderful and real in that she makes mistakes, but keeps moving forward. Also, the idea of detective work including psychic abilities is just plain awesome. I definitely recommend this book (and series) for fans of Kelley Armstrong, Patricia Brigs, and Karen Marie Moning.
The blogger at Rosepoint Publishing gave the book 4 out of 5 stars and acknowledged, "Guessing whodunit isn’t so difficult. It’s how the protagonist gets us there, the maturity of her dreamslipping powers, and the peripheral characters that adds to an overall enjoyable read."
The most exciting 5-star review came from J Bronder Reviews, who has now posted on all three books in the series. The blogger writes, "This is a great series and one that I strongly recommend. I loved all three books and can’t wait to see what happens next."
I was happy to meet a new book blogger on this tour in Reeca's Pieces. The name of her blog made me smile, and I shared this anecdote with her: Back in grad school when I was studying for my MFA in fiction, I used to write short "flash" fiction pieces that would appear in between the longer stories in my short story collection. My classmates called these "Lisa's Pieces."
Reeca asked great questions about the inspiration for the series, which is not one thing but many. Here's the first:
I read a lot of supernatural and psychic mysteries and interviewed four of Seattle’s top writers in the genre for Seattle Woman magazine. I was also a huge fan of the TV series Medium; I loved how psychic visions came to the protagonist in her dreams. I’ve always been an active dreamer and for many years suffered from PTSD-related nightmares, so dreams have held great significance for me.
Read the rest of the interview on Reeca's blog.
A huge thank you to Sage's Blog Tours for hosting and to the book bloggers who give generously of their time, effort, and opinion to tell their readers about the books they love.
Buy links and details for the Boxed Set + Bonus Story are here. If you've read every book in the series, please take the time to review the boxed set online. I could really use the reviews to get the boxed set in front of more readers. Thank you!
Also, for those of you who are fans of the series, I'd love to hear from you in the comments below. If I continue to write the series, what would you like to see? Tell me if there's a particular character you're most interested in, any questions you have, and so on. If you've read the bonus story in the boxed set, I'd be interested in knowing if you'd like to read a whole novel devoted to Amazing Grace's early years.
Personal appearances are one part of the author life I enjoy immensely, as I get to leave the writing cave and talk in person with readers and potential readers. I especially like university talks, as it's always refreshing to speak to students. I'm inspired by their energy and am always impressed by their thoughtful questions. Last year I spent a week at the University of Florida as a guest lecturer in game design classes and speaker at a summit sponsored by the school's Digital Worlds Institute. Last fall for the launch of book three in the Dreamslippers Series, I spoke at Seattle University for the third time in three years. This February I presented on a panel at the Associated Writing Programs conference, attended by many students and writing faculty. And next month, I'll be at Ferris State University in Michigan as part of the Literature in Person series.
Ferris is distinguished by a small faculty-student ratio of 1:16, which means the courses are taught by professors, not graduate students. The university prides itself on its offering of in-demand majors, more than any other school in the state of Michigan.
My host for the event is Dr. Deirdre Fagan, assistant professor in the Department of English, Literature, and World Languages. We met back in 2001 when I was in graduate school at the University of Miami, where she was a lecturer in the composition program. We lost touch for a time, but have reconnected through the magic of social media. She's a talented teacher and poet, and it's an honor to be her guest.
If you're near Big Rapids, MI, where the college is, please come by for the event, which is open to the public. Details in the image above. Besides the public reading on April 5th at 7 pm, I'll also be a guest in Deirdre's Creative Writing class that week, which is a private event.
A huge shout-out to Great Lakes Book & Supply, an independent local bookstore in Big Rapids. They will promote the event and stock my books as well.
Wish me luck at the reading and classroom visit, and I hope to see some of you in Big Rapids!
Book blogger Cheryl Macciarelli chose me as Author of the Month for March, and as part of that, she published the below interview. I'm sharing it here on the blog so visitors and subscribers don't miss it in the frenzy of social media updates this month, as we're also running a Partners in Crime Tour. I love good questions, and "CMash" didn't disappoint.
Do you draw from personal experiences and/or current events?
Yes, all of the above. But I wouldn’t call my books autobiographical. It’s surprising to me that I have to explain this, but I don’t actually have the ability to psychically pick up other people’s dreams. Still, this question comes up often when I read my work publicly!
What was the inspiration for this book?
This book was inspired in part by my rekindled love of genre fiction. Back in 2008, I interviewed top mystery writers for a Seattle Woman cover story. Reading their work reminded me of when I first fell in love with reading as a child, and that was genre fiction like Nancy Drew. Academia had beat this out of me, unfortunately, so it was wonderful to be drawn back to it as an adult. After all, being an adult means you’re allowed to read whatever you want! After the Seattle Woman cover story, by 2009, I’d joined the game industry as a writer full-time, and by 2011, I was working on the story design for primarily mystery games. That led to a pent-up need to create my own plot and characters, since a lot of game writing happens by committee.
Do you start with the conclusion and plot in reverse or start from the beginning and see where the story line brings you?
I plot the entire novel out in a very rough format, with questions and multiple possibilities noted, writing this in marker directly on my wall, which I’ve painted in whiteboard paint. Then I begin to write, and I give myself permission to explore questions, try different paths, and deviate when necessary. So I guess I’m a hybrid writer. Several times I didn’t know a character would appear and act that way in a scene until I was in the midst of writing it.
Your routine when writing? Any idiosyncrasies?
I don’t have a routine. I probably should, but I have to flex my novel-writing time around game-writing projects, and those have harder deadlines. The only thing I really need besides uninterrupted time and quiet is to make use of my laptop’s “wifi off” function, which is a lifesaver.
If you could co-author a book, who would that writer be?
To continue reading, here's the full interview at CMash Reads.
Also, you'll see lots of opportunities to win free books and gift certificates running until April 2. Throw your hat in the ring!
A lot has been written about the current 'girl' book phenomenon (see here, here, and here for starters), but I thought it would be fun to imagine what those titles might be in a better world. Here we go...(slight NSFW warning)...
The Girl With the Fuck You Tattoo
Girl on the Luxury Train
Girl Flicking a Razor
Girls, But We Really Mean Women
The Woman Who Flew Into Space
A Woman's Story, Told by Herself
for women of color who committed murder when the rainbow was more than enuf
The Girl Who Spoke Her Mind
The Loudest Girl in the Room
The Girl Who Was Nobody's Slave
Such a Smart Girl
Girl with a Pearl Earring She Bought for Herself
The Woman's Guide to Being Your Own Damn Guide
The Girl Who Wore Whatever She Wanted That Day
The Neither Good Nor Bad Girl
...and of course...
Here and Now Girl
... Now add your own to the list in the comments below. Need help? Goodreads has a list of every 'girl'-titled book published.
I'm honored to be named Author of the Month by book blogger CMash Reads, joining the company of Michael Baron, James Lepore, Charles Salzberg, and other award-winning, bestselling authors.
Today kicks off a month of features, interviews, and guest posts, not to mention giveaways and prizes, both as part of the Author of the Month feature and a Partners in Crime tour running concurrently. It all starts now with this review of Cat in the Flock, Book One in the Dreamslippers Series.
"The suspense in this book had me turning the pages," writes CMash. "The plot contains spirituality, betrayals, truths, lies, murder, and a rekindled love. The thought of the dreamslipping was intriguing. And a shocking ending."
Tomorrow morning at 7 am PST, I'll be interviewed on Fran Lewis' BlogTalkRadio. Tune in to hear behind-the-book-cover info on the Dreamslippers Series and more.
The prize potential this month is through the roof, with two Amazon gift certificates and a number of audiobooks, ebooks, and paperbacks free to the winners. I hope you'll take advantage of the giveaways and join the conversations on the blogs. Good luck!
This week I'll be in D.C. presenting at the Associated Writing Programs Conference, now celebrating its fiftieth anniversary. AWP provides support, advocacy, resources, and community to nearly 50,000 writers, 550 college and university creative writing programs, and 150 writers’ conferences and centers. I've wanted to attend this conference since I was a creative writing student working toward my Master of Fine Arts degree back in 2000. But the demands and focus of my full-time career have always been higher priorities. So I'm thrilled to finally get the chance, 17 years later.
I'm honored to be included on a panel with four women whose bios will knock your socks off. Our topic: "The Reporter and the Story: How Journalism Can Inform, and Fund, a Literary Career."
While most days it seems I'm heavier on the inform part of this equation than the fund, I'm excited to share my experiences as a freelance journalist for twenty-plus years, from writing on the arts and literature back in my home town of St. Louis, to the bootstrap days with a big-time Seattle startup, to the regular feature articles I now write for a small-town newspaper. These real-life stories have always fed my fictional storytelling.
Here's the full panel description, followed by bios for each presenter. Check out their web sites--you're bound to discover a new favorite author on this list.
Hemingway, Orwell, Dickens—all worked as journalists before becoming celebrated novelists. In addition to building your platform and paying the bills, working as a reporter can make you a better poet, novelist, or memoirist. Five journalists talk about how reporting on others drives them to create better fictional characters, how radio reporting has helped them develop their authorial voice, and how daily deadline gigs can lead to a career as a narrative nonfiction author.
Jessica Langlois is a Los Angeles-based journalist, essayist, and educator. She writes about race, class and gender equity; grassroots arts and political movements; and California histories.
A frequent contributor to LA Weekly, she has also written news, features, and reviews for The Washington Post, Bitch: Feminist Response to Pop Culture, East Bay Express, KCET's Artbound, and Oakland Tribune. Her literary nonfiction has appeared in The Los Angeles Times, Los Angeles Review of Books, California Northern, American Literary Review, Travelers' Tales, and The Rumpus. More at www.jessicalanglois.com.
Jeneé Darden has reported for National Public Radio, Time magazine, Los Angeles Times, Ebony, Marketplace, Huffington Post, KQED, KPCC and the Southern Poverty Law Center's Teaching Tolerance magazine. In 2005, she contributed reporting on the London 7/7 transit bombings for Time magazine’s Europe edition.
Jeneé has been interviewed/featured by BBC, Access Hollywood, Inside Edition, NPR, Marie Claire, Daily Mail, Daily Beast, KTVU, BlackGirlNerd.com, BeyondBlackWhite.com, the book Swirling. She was mentioned in the hit FX miniseries The People v. O.J. Simpson. The daughter of former O.J. Simpson prosecutor Christopher Darden, Jeneé holds a BA in ethnic studies from UC San Diego and a master’s degree in journalism from the University of Southern California. More at www.cocoafly.com.
Jenny J. Chen is an award-winning science journalist and multimedia producer. Her work has appeared in The Atlantic, NYTimes.com, NPR, Washington Post, Reader’s Digest, Vice, and many more.
In 2014 and 2015, she was awarded a PRX STEM grant to produce stories for NPR member stations across the country. In 2014, she received a grant from the D.C. Humanities Council to produce a radio documentary series on growing up mixed race in Washington, D.C. Jenny has also received numerous fellowships and awards to cover health, aging, minority issues, and climate change. She has spoken about journalism and the role of ethnic media at the Smithsonian Folklife festival. In another life, she has also had a play produced at Arena Stage and the Kennedy Center. More at www.jennychen.com.
Elizabeth Flock is a journalist based in Washington D.C., where she works as a reporter and producer at PBS NewsHour. She is currently working on a book, The Heart is a Shifting Sea: Love and Marriage in Mumbai, for Harper Collins (January 2018). Her reporting focuses on social issues, with a focus on the criminal justice system, protest movements and marriage and sexuality.
Elizabeth was a breaking news reporter at the Washington Post and staff writer at U.S. News and World Report. She has also written for the New York Times, the Village Voice, the Atlantic, New York Magazine, and the Chicago Tribune. More at www.lizflock.com.
If you're attending AWP, feel free to get in touch. I'd love to meet up with you! And please come to our panel. It's on Friday, Feb. 10, from 3-4:15 pm.
Readers of my Dreamslippers Series will undoubtedly recognize kindred spirits of Amazing Grace in Fling! Author Lily Iona Mackenzie talks about the real-life inspiration for her eccentric characters in today's What's the Motive post.
Lily Iona Mackenzie:
I began writing Fling! because I was curious about my mother’s mother, someone I had never met. Early in the 20th century, my grandfather, a former schoolmaster in Scotland’s highlands, immigrated to Calgary, Canada, hoping to find a better life there for himself and his family. Meanwhile, WWI broke out. A passenger ship was torpedoed, preventing his wife and five kids from joining him for seven years. When they did, my grandmother couldn’t adjust to the brutal winters or to her husband’s behavior.
After being in Calgary for a year, my grandmother moved out, refusing to put up with my grandfather’s verbal and physical abuse. She found work as a housekeeper for a wealthy family. Soon, she and her boss became lovers, and he took her to Mexico City with him. When he returned, she didn’t. Some time later, my grandfather received a letter from a Mexican priest that she had died there.
Though I never met my grandmother, she was a strong, ghostly presence throughout my childhood. Who was this woman whose genes I shared? How had she found the courage in the early ‘20s to flee a difficult situation? And what did she do during those years in Mexico City? What motivated her to leave her kids and travel to Mexico, a country very different from what she had experienced in largely protestant Canada and Scotland? And what effect did her behavior have on those left behind, in particular her daughter and granddaughter?
These were the questions that sent me off on my quest to uncover this mysterious woman. I wanted to recreate what life might have been like for her once she left Canada. That impulse brought in a number of other characters that inhabit the novel. So while 90-year-old Bubbles and 57-year-old Feather are the main focus initially, very loosely based on my mother and myself, it’s Heather, my imagined grandmother, who is at the novel’s heart.
When I started out, I planned to write a lyrical family saga. But Feather, an aging hippie, and her fun-loving mother Bubbles soon took over the narrative and brought their own distinctive humor with them, with plenty of hilarious moments as members of this family reunite in Mexico.
Feather and Bubbles’ journey begins when Bubbles receives mail from the dead letter office in Mexico City, asking her to pick up her mother’s ashes, left there seventy years earlier and only now surfacing. A woman with a mission, and still vigorous, Bubbles convinces a reluctant Feather to take her to Mexico so she can recover the ashes and give her mother a proper burial. Both women have recently shed husbands and have a secondary agenda: they’d like a little action. And they get it.
But they also make unexpected discoveries in Mexico, the land where reality and magic co-exist. Feather gains a sense of who her mother really was. The Indian villagers mistake Bubbles for a well-known, ancient rain goddess, praying for her to bring rain so their land will thrive again. Feather, who’s been seeking “The Goddess” for years, eventually realizes what she’s overlooked.
Unlike most women her age, fun-loving Bubbles takes risks, believing she’s immortal. She doesn’t hold back in any way, eating heartily, lusting after strangers, her youthful spirit and innocence convincing readers that they’ve found the fountain of youth themselves in her. At ninety, she comes into her own, coming to age, proving it’s never too late to fulfill one’s dreams, one of the things I discovered from writing this novel.
For me, Fling! turned out to be a meditation on mothers, daughters, and art. It suggests that the fountain of youth is the imagination, and this is what all the characters discover in Mexico. It’s what Bubbles wants to bottle, but she doesn’t need to. She embodies it. The whole family does. And I’m hoping that my actual grandmother partook of it, too.
Lily Iona MacKenzie has published poetry, short fiction, and essays in over 150 Canadian and American publications. Her poetry collection All This was published in October 2011. Her novel Fling! was published in July 2015. Bone Songs, another novel, will be published in 2017. Freefall: A Divine Comedy, will be released in 2018.
Debut author Ellen King Rice explores the mysterious world of mushrooms in this "What's the Motive?" post. A former wildlife biologist, Rice discusses epigenetics and the genesis of her character Edna Morton, who one day begins to sprout feathers.
Ellen King Rice:
Proteins. That was my motive. Thank goodness for you, dear reader, I wasn’t interested in high fiber at all (your inner life of fiber is, please, Dear God, your business). For years I’ve been curious: why don’t we see people breaking out in feathers? Feathers, after all, are made of the protein keratin. We produce one type of keratin in our fingernails and hair, so why, oh why, couldn’t a ‘mature' lady break out in angelic feathers instead of coarse chin hairs?
From my years as a biologist, I knew that all life is in a state of constant experimentation. We also know that there are ancient pictographs showing people with wings. Is it possible that there have already been people with feathers? Could that be the origin of our angel stories?
As I mulled over the idea of modern bodies changing to produce a new protein, I realized I would need a trigger for this new pathway. Peter Parker was bitten by a radioactive spider before changing into Spiderman. What could I use?
One day I was making my tortuously slow ambulation out to the mailbox when I saw a flush of mushrooms peeking out from the undergrowth. Hmm. Could mushrooms trigger anything in a person? I went inside, mulling this idea. A few minutes of Internet searching and . . . Holy Mother of God! Fungi are everywhere! (There are molds in the shower with you when you are naked and alone. Very creepy.) Not only are there millions of species of molds, yeasts, and mushrooms lurking everywhere, but some of the species absolutely have the ability to unspool dormant portions of human DNA. I had my trigger.
I began writing The EvoAngel in 2011. It was a stop-and-go process because a very new science was unfolding daily in the news: epigenetics. All DNA for all species has the ability to respond to environmental changes--and the really gobsmacking amazing thing? Once a DNA section is activated or stored, that change can be passed down to subsequent generations. I was writing a gallop through the woods of the Pacific Northwest as a fun thing to do. The more I learned about epigenetics, the more I realized how important it is for everyone to understand this new science.
Ever beat yourself up? Ever struggled to lose weight, be happy, quit drinking soda pop, or be less anxious? There can be a genetic aspect of each of these struggles--and, even more powerful to know, is that the responsible genetic switches can be jiggled from “on” to “off.” This is huge for mankind. It means that many things that have been regarded as “moral failings” are, instead, part of our cell structure. Furthermore, we don’t have to surrender to the situation. We can take charge and change--and we can do so in ways that will make our descendants healthier and stronger.
Alas, some of the science is more than a little tedious (Go ahead. Try murmuring “DNA methylation at the Cytosine juncture” into the ears of your beloved and see if you garner anything more than snores.) If I was going to keep readers interest on the science of feathers, mushrooms and epigenetics I clearly needed...lots of sex. Oh, dear. Could I really manage that? Hmm. Villains could help. So might a large adorable dog.
Buoyed by the reality that barnacles really do have an inflatable penis that is fifty times longer than the average barnacle body, I did my best to add in enough sex, villainy and puppy charm to keep the pages turning.
The end result is a story about an elderly mushroom hunter, Edna Morton, who has sprouted a feather. A trip to the local health clinic exposes her to an ambitious and aggressive physician who wants to take control of Edna and research this new biological oddity. The EvoAngel is a good gallop through the woods of the Pacific Northwest. It is part adventure, part science class, and totally fungi-friendly. My motive is to change the way you see your body and your world while making you laugh, gasp, and blink. All these things go well with a glass of wine and a slice of cheese, so prepare yourself and let’s begin...
Review The EvoAngel on Amazon.
Follow Ellen King Rice on Facebook.
Ellen King Rice is a former wildlife biologist whose fieldwork was ended by a back injury. She has reinvented herself as a writer, artist, and chocolate tester. Besides Amazon, her book can be found in Olympia-area retailers Orca Books, Island Market, and Bay Mercantile. She hosts Mushroom Tuesdays on Facebook. See www.ellenkingrice.com for more.
Here are three games on my to-play list this winter, and I hope to bring you some of these developers as guests on the blog in the future, too. This month I'm looking at interactive fictional mysteries with a common theme, that of isolation and connection.
Firewatch by Campo Santo
Firewatch is a mystery set in the Wyoming wilderness, where your only emotional lifeline is the person on the other end of a handheld radio.
The year is 1989.
You are a man named Henry who has retreated from your messy life to work as a fire lookout in the Wyoming wilderness. Perched atop a mountain, it's your job to find smoke and keep the wilderness safe.
An especially hot, dry summer has everyone on edge. Your supervisor, a woman named Delilah, is available to you
at all times over a small, handheld radio—and is your only contact with the world you've left behind.
But when something strange draws you out of your lookout tower and into the world below, you'll explore a wild and unknown environment, facing questions and making interpersonal choices that can build or destroy the only meaningful relationship you have.
Lifeline: Silent Night by 3-Minute GamesThe hearts and imaginations of countless players worldwide were captured when the original Lifeline took the App Store by storm and became the #1 Top Paid Game, and now Taylor needs your help again in Lifeline: Silent Night! Acclaimed author Dave Justus returns with a suspenseful new story that plays out in real time, delivering notifications throughout your day. Keep up as they come in, or catch up later when you’re free. You can even respond to Taylor directly from your Apple Watch or iPhone lock screen without launching into the app. Your choices shape the story as you play. Simple actions can have a profound effect. Complete any single path in the game and then go back and see what happens when you make a different choice. Lifeline: Silent Night is a deep, immersive story of survival and perseverance, and it’s up to you to save the White Star before it’s too late for its intrepid crew. The fate of Taylor, and the world, is in your hands!
The 39 Steps by The Story Mechanics
Prepare to experience the original man-on-the-run thriller in a completely new way. In this digital adaptation by The Story Mechanics, be transported back to 1914 London, where Richard Hannay finds himself framed for a murder he didn't commit. Now he must escape the Capital and stay alive long enough to solve the riddle of The 39 Steps. There are secrets to be discovered, locations to be explored and - above all - an incredible tale to be told in this ground-breaking interactive novel.
Merry Christmas! I wish you hours of joyful play.
My big, fat book tour for Bound to the Truth had both an in-person leg and a virtual one, with guest posts, reviews, and spotlights on numerous blogs. Here's a rundown of the blog tour.
Four bloggers so far have reviewed the book, rating it highly.
The Book Adventures of Emily gave it five stars and raves: "Bound to the Truth is pretty fantastic! People with psychic abilities plus the fact they're investigators, um that's great! I'm really fascinated by this story, it's filled with action, suspense and a ton of mystery!"
Over at Book Fidelity, the reviewer praised the characters specifically: "I found myself completely submerged in this story of intrigue and, honestly? apprehension. It is every bit a mystery, but with a twist. And, dear reader, you know how much I love 'my characters' in books, and this work is no different. they are an array of unique and as equally mysterious as the world around them." (4 stars)
Another 5-star review came in from J Bronder Book Reviews, who wrote: "This is a great mystery with lots of action. Robin and Nina seem to have a perfect marriage from the outside, but inside there are cracks. I loved Cat, she is a strong woman and I loved following along as they had to dig deep to find the killer."
Sage Adderley, my tour host, took time out of her busy schedule to review the book as well and had this to say: "The plot runs deep and the characters are both quirky and interesting. This is a total whodunit mystery that will keep you on edge until the very end!"
For this tour, I decided to offer guest posts as a way to give back to the awesome book bloggers who take time to read and promote indie books, almost always as a side gig or hobby on their own time. I know how exciting it is to host other writers on my own blog, so I wanted to share the love for that reason, too.
One thing I noticed across the series, beginning with that great Kirkus review for Cat in the Flock and continuing through Bound to the Truth, is that people often use the word "quirky" to describe the characters and scenarios. So I analyzed my obsession with quirk for The Editing Pen. Apparently the seeds for it were sown during my childhood.
Regular readers of this blog know about my other obsessions: yoga and Nia. I talk about how and why I snuck these holistic practices into the Dreamslippers Series in this post for The Wordy Nerd.
I launched Bound to the Truth on the Friday after the presidential election. For The Attic Ghost, I wrote some thoughts related to all that.
For fellow author Freda Hansburg's blog, I decided to focus on social media, since it's something people in just about every profession should know how to do well. While I have much room for improvement, I've seen enough success in this area to be able to offer advice to others. It comes down to three simple rules.
A couple of bloggers put Bound to the Truth in their spotlight sections. Mello & June, It's a Book Thang! had shown their love for the book earlier in the year for the cover reveal, and they came through again here at launch. Another spotlight came from Book, Dreams, Life.
Many thanks to the book bloggers who give generously of their time, space, and opinion, and especially to Sage's Blog Tours for hosting.
It's rare that authors are treated to headlining book tours these days, if there ever was a day when that happened. Especially as an indie, my marketing budget comes out of my own (very small) pocket. So there was no book tour for the first installment in the Dreamslippers Series, and for the second book, the tour was almost entirely virtual, meaning online-only.
While this is all well and good economically speaking, I craved the opportunity to connect with readers in-person. We writers live a solitary existence, going through our days mainly alone, talking only to the cat. So when it's time to turn our book babies out into the world, it's only natural we'd want to interact with others.
By the time I was ready to release the third book in the series, I'd built up enough momentum that in-person opportunities just showed up. Here's a run-down of what became my big, fat book tour for the release of Bound to the Truth.
Nia Jam to Benefit Standing Rock
I dance at a local studio, Embody, which has not only given me a beautiful new practice in Nia but a supportive community as well. Nia features prominently in Bound to the Truth, so when I found out there would be a Nia Jam and fundraiser, I donated five copies of the book, which were awarded at the event by raffle. Separate from the studio itself and hosted entirely by Nia teachers who gave generously of their time and talent, the jam raised more than $1300 for Standing Rock. We danced for two hours straight that night. I couldn't imagine a better way to celebrate the book's release date. It's exactly what Granny Grace would do.
Book 'n' Brush Author Event
Honestly, I can't say enough about how terrifically supportive the community here in Lewis County is. As an indie, I completely struck out trying to get my books into Seattle bookstores, even ones in my own neighborhood I'd frequented for a decade. But the owner and manager at Book 'n' Brush here in Chehalis have been enthusiastic supporters. They carry the whole Dreamslippers Series as well as the poetry collection, and in turn, I drive customers to the store whenever possible. It's a win-win. I felt honored to be included in their recent author event, along with others I've come to know, some of whom also have new books out.
Authors Julie McDonald Zander, Texie Gregory, Kyle Pratt (who wasn't part of the event but stopped in to buy books), and me.
Book 'n' Brush is a gem of a store, anchoring downtown Chehalis. As the name suggests, they sell both art supplies and books, for a perfect mashup of creative pursuits. We had a great write-up in the local paper about the event, and The Chronicle also covered my book's release.
Human Response Network Masquerade Ball
My husband and I, incognito for a cause.
A good amount of what you might call spiritual, humanitarian intention went into the Dreamslippers Series. I've written female-centered narratives peopled with a diverse spectrum of characters. I've tackled homophobia and tried to explore organized religion with humanity and compassion. I shed light on corruption in the art world and illuminated a corner of darkness that is the illegal child pornography industry. And finally, I celebrated sexual liberation and told the stories of those harmed by sexual abuse and repression. All while honoring the importance of plot and pacing, and I hope, without ever coming across as preachy. Everything I write is in service to the story.
I always want to do more than this. I tied sales of Cat in the Flock to a donation to Jubilee Women's Center, a highly effective organization in Seattle that helps women transition out of homelessness and into independence. Here in Chehalis, I support the Human Response Network, which provides advocates for victims of domestic violence and sexual assault. The Masquerade Ball was the organization's first major fundraiser, done in an attempt to ramp up service in response to an overwhelming increase in requests for help.
Copies of the books on auction.
Seattle University Talk
I've presented at Seattle University twice before, and it's always a pleasure to meet creative writing students there. This time, I discussed what it takes to get credits and bylines in three different arenas: books, games, and journalism. I related tales from the trenches in all three and managed not to bore them. While it feels odd to call myself a master of anything, the below slide did garner a few smiles.
The students asked great questions and seemed encouraged by my career transitions from one arena to another, AKA the survivor mentality that has kept me consistently employed. Props to the university bookstore for carrying the Dreamslippers Series in connection with the event, and to the creative writing program for their incredible hospitality.
Seattle U souvenirs: Reflections picked up for free in the campus chapel, and the student lit mag, Fragments.
An Evening with the Authors at the Lewis County Historical Museum
The last in-person event on my schedule for this book launch was the only repeat for me, as I'd attended the same last year. Located in a former train depot, the museum features local history displays and a gift shop. The authors event is a great party and opportunity to meet other writers as well as new readers. Poetry seems to resonate best with this crowd.
So there you have it: This is how we do things in indie land. My family and I hosted Thanksgiving at our house in the midst of this, so I'm hoping December is a bit less eventful? Or not. I really did enjoy myself. Welcome to all the new readers who stopped by my tables, came to the talk, or danced by my side. I'd love to hear from you in the comments below.
Sometimes I like to break from the long-form novel writing and try my hand at shorter pieces. It's also gratifying to see your work published in other venues, and to hopefully pick up new readers. It's been a busy fall, with the launch of Bound to the Truth coinciding with three short publications:
This Action Cannot Be Undone
I had an idea in mind for a while to capture the drama of online connection and disconnection as told solely through Facebook notifications. I finally crafted a short piece, the work taking me longer than you'd think, given the length (poets, I know your struggle). I found a great home for "This Action Cannot Be Undone" at Argot Magazine--check out the cool layout. Since I'm involved in game design, and so many people are annoyed by game requests on FB, I made up a fictitious game called Crash Monkey Bonanza. Hence, the sparklenuts. One of my readers said "The monkeys have gone sparklenuts!" is like the best line ever. (Angel investors, if you'd like to see a proposal for this as a real game, let me know.)
I felt inspired to write about my first seven jobs when the meme swept the Internets a couple of months ago, and Tues/Night was happy to oblige, including me in a roundup of posts on the subject. This one is 100 percent autobiographical, which felt strange and risky to me after writing fiction for so many years, both the novels and all that game writing, but there it is. Believe me, you can't make this @$%& up.
Regular readers of the blog know I'm not a huge fan of National Novel Writing Month. For me, what's needed much more is a National Novel Reading Month. You can see why in the stats I included in my article on NaNo for The Chronicle: In the nearly 20-year history of NaNo, only around 250 novels have been picked up by publishers and made it into print; whereas, last year alone, close to half a million writers participated. But! Wait! I challenged myself to find the validity and goodness in NaNo, and I'm proud of how that comes through in the piece. See for yourself.
Please support these supporters of writing by clicking on the links and commenting on the pieces. Thanks, and have a great day!
Image courtesy of Pixabay. No sparklenuts were harmed in the creation of this post.
Qiu Xiaolong was born in Shanghai, China. He is the author of the award-winning Inspector Chen series of mystery novels, Death of a Red Heroine (2000), A Loyal Character Dancer (2002), When Red Is Black (2004), A Case of Two Cities (2006), Red Mandarin Dress (2007), and The Mao Case (2009). He is also the author of two books of poetry translations, Treasury of Chinese Love Poems (2003) and Evoking T'ang (2007), and his own poetry collection, Lines Around China (2003). Qiu's books have sold over a million copies and have been published in twenty languages. He currently lives in St. Louis with his wife and daughter.
Qui and I are old colleagues and friends. I served as a beta reader for his first novel before that was even a thing, and the two of us worked together teaching English at St. Louis Community College. During me recent trip to St. Louis, he told me about his interesting indie project, a poetry collection written in the voice of Inspector Chen, a character he's developed over the course of a multi-book series. Chen trained in poetry, and it informs his thoughts and is a compelling aspect of the series. But this is the first time the poems have been gathered into a collection.
Lisa: Poetry has been an integral part of your Inspector Chen series since the beginning. Why fuse these seemingly disparate genres—poetry and crime—into one?
Qui: To begin with, I love poetry, and I cannot but have my Inspector Chen love it, too. In an age with few people reading poetry, it's just my way of smuggling poetry into crime fiction. But it's also more than that; in classical Chinese novels, there're more poems than in my Inspector Chen novels, usually with a poem at the beginning of a chapter, and another at the end of it, and more with a new character being introduced. And I think it is justified for varying lyrical intensity in the narration--like the use of blank verse in a Shakespearean play, so it sort of carries on the Chinese tradition. But more importantly, at least so for myself, I want Inspector Chen to observe not only from a cop's perspective, but from a poet's as well. The two sometimes come into conflict, which may also make the character more complicated.
Lisa: That’s really fascinating; I didn’t realize Chinese novels integrate the poetic form so much. And yes, I enjoy the two sides of Chen’s brain, poet and inspector. Together they lead him to a sort of third way of doing things that seems to be a negotiation between the two. There’s a lush, philosophical quality to his thoughts that make his perspective such a pleasure. I’m curious: What have readers said about this unique poetry/mystery mashup? I know we’ve talked about the differences between readers in the U.S. vs. your foreign readers. Are those abroad more receptive to reading poetry with their plots?
Qui: I believe it’s something worth trying for a writer to write in the genre, but at the same time, to push the limit of it—if that’s what you call the unique poetry/mystery mashup. From what feedback I’ve gotten from my readers, I think they like it. Yes, we’ve talked about the differences between readers in the U.S. vs. readers elsewhere. For instance, Poems of Inspector Chen have been translated and published by my Italian and French publishers, and during my tour in France in October, one of the most rewarding experiences there was the discussion with 300 high school students in Lyon about that poetry collection, which they studied in class. But I want to add, readers here are also so enthusiastic about the poetry. During a recent conference sponsored by the Ahmanson family in L.A., for instance, the host offered the poetry collection to everybody attending the conference. A very large audience indeed. It’s just her way of supporting poetry and Inspector Chen, which I understand and appreciate.
Lisa: With your background in literary poetry and fiction, what drew you to the detective genre in the first place?
Qui: I've always loved crime fiction. But the way I started writing in the genre was accidental. In the mid-nineties, I went back to China for a visit after staying in the States for seven or eight years. I was so impressed by the changes taking place there that I wanted to try my hand on a novel about the society in transition, but I had not written fiction before, so I had a hard time putting things together. Then the knowledge of the crime fiction genre came to my rescue, so to speak. I reshuffled the contents, and used the genre as a ready-made framework for what I wanted to say. In fact, when I submitted the manuscript for Death of a Red Heroine to my publisher, I was not even that sure it was a real crime novel. But my publisher liked it and wanted me to expand it into a series. So here I am, with book number ten of the Inspector Chen series coming out in French in September. But because of the accidental entry, you may still notice the sociological traces in all these books.
Lisa: Wonderful—that explains so much. It’s interesting to hear you say your original plan was to write about society in transition. You weave this into the plots well, or rather, you deftly use plot as a vehicle for immersing your reader in that transitional society fully. It’s one of my favorite aspects of the series. How has that waxed and waned over the course of the series? You say now with ten there are still traces…
Qui: With so much happening in contemporary Chinese society, I’m capable of putting each Inspector Chen investigation in a specific social, political, cultural backdrop, in which the crime and the investigation are directly or indirectly commenting on it, and also commented on by the society in transition. For instances, Death of a Red Heroine against the backdrop of the split personality imposed on individuals living under an authoritarian regime, Red Mandarin Dress against that of the aftermath of the Cultural Revolution, Don’t Cry, Tai Lake against that of China’s ecological crisis, Enigma of China against that of governmental cyber control, and Shanghai Redemption against that of uncontrollable corruption under the one-party system… And with so much still happening there, Inspector Chen has a long way to go with a sociological perspective. After Becoming Inspector Chen, the manuscript I’m working on also has such a background focus on the lack of an independent legal system in China.
Lisa: Let’s talk about your latest book, a collection of Inspector Chen’s poetry in one volume. It’s a brilliant, yet curious choice. Are there other models for what you’ve done, taking a fictional character and making him the “author” of a book of poetry? What made you decide to do this now?
Qui: For myself, it’s not exactly a curious choice. I don’t think I had any models in mind while compiling the collection, but I benefitted from the “mask” theory elaborated by Yeats. According to him, a poet could speak behind the mask of a character. And I found the experience truly liberating, for I could suddenly write about things familiar, relevant to the inspector, but not necessarily to me. It’s also experimental in exploration of the reversible interrelationship among the creating and the created in the process of fiction writing.
Lisa: I’m also intrigued by your decision to self-publish this book of poetry. What has been your experience so far, as someone whose work has always been traditionally published—first with SoHo Press and now with St. Martin’s—stepping out into the wilds of publishing on your own?
Qui: The Poems of Inspector Chen was published traditionally in France and Italy. But I’m quite aware of today’s difficult poetry market. For me, it’s a labor of love, but not necessarily so for every publisher, which I understand. About a year ago, I happened to talk to a friend about it, and he helped the project greatly with his expertise in the field of self-publishing. It’s really to his credit that the poetry collection came out here like that.
Check out Qui Xiaolong's web site for book links and more.