By Lisa Brunette
Our house turns 115 this year, and that's something to celebrate. Built in the year of the iconic St. Louis World's Fair, she's a solid, sturdy old gal with a few frills and flounces that tell you her history. Let me give you a tour.
The first thing you notice are the ball finials flanking the front porch. They're original to the house; in the above photo you can see them in relation to a hot air balloon, as I took it last fall during the Great Forest Park Balloon Race. The finials are definitely conversation-starters. Recently I was out front conducting spring yard cleanup and a passerby started talking to me about them as if she were continuing a conversation we'd left off previously. They're painted white to match the white vinyl siding, and let me speak on that topic for a moment. We hate the vinyl siding, though it's conveniently maintenance-free, and the porch itself is recycled plastic. Since we can't paint either of those, the big white house will remain so, but the wooden ball finials can be painted, and painted they shall be, along with the front door, which for now is brown.
Yeah, there's a lot of brown in the Dragon Flower Farmhouse. If this were the brown of wood, either left natural or stained, we wouldn't mind at all. But it's brown paint.
Someone--a previous owner or perhaps the contractor who flipped the place--streak-painted brown on top of a dark (and from the looks of it, ancient) wood stain. The overall effect isn't good.
We think this persistent brown paint situation is partly why we were able to get the house for a good deal in a neighborhood that has strongly appreciated since the real estate recovery. Since there are no windows on one whole side of the downstairs due to the close proximity to the neighboring four-family flat, and the hardwood floors are also a dark hue, the brown paint makes for a dim living room experience.
It's everywhere on the first floor, except for the kitchen, thank goodness. Some of the previous reno upgrades were good choices, as kitchens really make or break a home.
A pic I snapped during our viewing tour, so not our decor, but the dark floor is a great contrast to the white here.
The other reasons we got a good deal? 1) We purchased in November, when the market starts to cool, 2) the basement showed signs of serious leaking, 3) there are train tracks across the street (we see this as a plus, honestly, but others might not), and 4) there's an apartment balcony overlooking the yard, which I've already discussed here a lot when talking about the big fence project.
Besides the potential for a good deal, which was really important to us when buying a house here in (late) middle age, the house captured us with her charm. Her issues could be solved. But the period details and overall great shape she was in despite her age drew us in. My husband said, "This feels like an old farmhouse," and that was it.
You already know about the outside victories--the fence and the French drain. We haven't had a lot of time for the inside, but honestly, we're lucky in that there's not that much to do, and we've already begun to tackle the brown problem. Here are before and afters of the front door and living room windows.
Before... And after!
And after! Yippee! Side note: The drapes are better, too, because they're no longer high-watering at the sill. But we hung them just a bit too low. I'd rather see them just "kiss" the floor.
Other than that, we've been enjoying decorating both generally and for the holidays. The old girl lends herself well to holiday decor, and even though that's not something I did very much during my long sojourn in the Pacific Northwest, I've picked it back up here in the Midwest and might have even gone a little bit berserk (at least by my standards) this past Christmas.
My decorating style is what you might call "eclectic." I love mixing old and new, and I love color. Apparently, I can never get enough turquoise, and orange is firmly in my wheelhouse. I once painted the entire exterior of my house orange, back when I lived in Tacoma. I never could figure out why people insisted on drab house paint when the drool-y grey skies made me ache for something more vibrant. The coup de gras was the sunburst pattern on the mid-century modern ranch home's garage door.
This might not be your cup of tea, but I still think it looks fab. And check out the thrift store lantern I repurposed with copper paint and a bamboo pole!
My husband Anthony is present in all of the home decorating decisions. He often comes up with spot-on solutions I can't see. I believe our styles have come together and melded into a new version that is very collaborative. One of my pet peeves is going into someone's home and seeing one half of the couple totally absent in the decorating presentation. Usually with hetero couples, that's the guy. It's not always her fault; dudes tend to check out when it comes to how to make a home. But I've also seen the male vibe completely squelched by too much lady vision. Maybe it's cool; he's got the man room and doesn't really care, but I think it's a little sad? I just prefer to engage with the person I'm planning a life with and really make a life together. My ex-husband (of the orange house era above) and I did this, too. He's an artist, and in his case it meant taking some colorful risks that didn't always work out, like that time we painted a ceiling slate grey and the walls marigold yellow. :) But that's OK. You gotta try, right?
My current evolution is considerably more restrained, as evidenced by this pop of orange in the stairwell.
Anthony and I are a much more mature (and, um, compatible) couple, and the Dragon Flower Farmhouse reflects that. He's encouraged my more historic, classic, antique-loving side, and I've opened him up to exciting color combinations and a general modern aesthetic. I love introducing a few more pieces with a fantasy feel to appeal to my beloved gamer geek, such as an antique brass candlestick shaped like a cobra or an original ink print of a raven queen. I won't insist on anything he totally vetoes, and he will defer to my judgment about design rules when they're important.
This pink-themed mantel in the photo below is one triumphant example, as it's built around a painting his mother, A. Grace, bequeathed us when she died. The '60s glass holding feathers is from a thrift store, and it bears Anthony's sun sign, Capricorn. There's the cobra candlestick I gave him for his birthday, which, second-hand, cost me less than $45, but I've seen it in a pair on eBay for $500. The green vase was an antique mall find and is signed by the sculptor, and the mounted print block on the far right I got for about $10 on clearance at World Market. The green bowl is a great example of Japanese kintsugi, a treasured gift from Anthony, and the small chest is his. We found the conch shell buried in our backyard, and the pink bloom grew in the front. While I'm styling the mantel according to design tips and principles, what's important to me is the meaning of each piece.
Speaking of design rules... I feel it's only right to pay tribute to my rule muse, Emily Henderson. I've been fangirling this amazing designer for a few years now, and the bit of balance and good styling you do see in the photos above are to her credit. It's not that I was a total design dweeb before I discovered EHD, but good rules of thumb can really make a difference, explaining, for example, how to style a mantel, the proper way to hang curtains, or what height to place your art. I'm much more into color than Henderson is (she hates orange!), and I at first rejected her blue-trending aesthetic, but everything she says makes so much sense. When I make a point to follow her rules, I get great results. I've even started introducing more blue into my life and am considering painting the dining room some blue hue. It helps that it's one of Anthony's favorite colors.
I first came across the EHD blog through a search for images of "gold" used in a bedroom. I'd found a mint-condition mid-century modern laundry hamper in an amazing gold lamé-like material but didn't quite know how to make it work. Here's the EHD photo that stopped me in my tracks at the time.
Image credit, David Tsay for Emily Henderson.
I tried to use this as an inspiration on my much, much more limited budget. I think the biggest stumbling block was the lack of funds for those gorgeous gold silk drapes. Faux silk wouldn't work because it's unlined and too sheer, and the light-blocking compromise I made ended up looking more mustard-y than the gold I was shooting for. And tragically, the gold hamper that started the whole thing was a casualty in our big move from Washington state to Missouri in the fall of 2017. The best-laid plans... But that's OK. I still liked the room.
It was fun to play a bit with pattern, from the drapes to the artwork to the etchings on that lovely vintage 60s Italian lamp.
It's all good. I didn't want an exact copy of EHD's room anyway and had been using it mainly for inspiration, which is how I feel about the interior design world as a whole. I like to learn the rules and take inspiration from everywhere but then decide for myself what I can do, given my budget, and what I want to do for my own enjoyment.
UPDATE: I sent a draft of this piece to EHD, and team member Velinda Hellen (loved her tiny kitchen makeover) sent me a nice note back, saying:
Thanks so much for sharing images of your home. You've done a beautiful job.
I was surprised to get a reply at all, as I'm sure they receive like billions of emails a day, so that was a graceful, nice thing to have happened. I'm still blushing from the compliment!
We've rearranged rooms to accommodate a home office since I took these photos, so it's changed yet again. I'll show those later on.
Thanks for sticking with us here as we plant a butt-root in Midwestern soil. We've both had pretty nomadic existences as adults, so we're looking forward to feelings of permanency and seeing the long-term fruits of our labors, both inside and outside.
Where does your design inspiration come from? Please share your favorite blogs, websites, books, and other sources below! We're always looking for more.
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