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What's the Motive? Chris Patchell on Deception Bay

Deception_Bay_Cover

I'm happy to bring back the popular "What's the Motive" series here on the blog. Author of pulse-pounding thrillers, Chris Patchell goes well outside her own comfort zone with her latest novel, Deception Bay.

Here's Chris Patchell:

My fifth novel, Deception Bay, is about mystery writer Austin Martell, who is called away from his life in New York to return to his hometown on Whidbey Island when he hears that his mother has suffered an accident. It doesn’t take long for Austin to find out that his mother’s accident may have been something more ominous. Austin soon finds himself in the center of a real-life murder investigation, with a killer who will do the unthinkable to keep the truth from getting out.

Here’s a bit of what’s in store for my readers…

The boat pitches and he loses his footing as he scrambles toward the cabin’s opening. He grabs hold of the ladder and climbs down into the darkness below. The water is already thigh-deep—as heavy as wet cement as he struggles toward the red light.

The radio.

Teeth chattering, he drives his legs forward, gathering the last bit of strength. Stumbling. Reaching. Grasping until he makes it. He tears the radio microphone from its perch. Thumbs the button. He screams the words out in a torrent of panic hoping somebody will hear.

“Mayday! Mayday! Mayday! This is the Dreamcatcher. We’re three miles east of Deception Bay. We are sinking. Repeat. We are sinking.”

And that’s just the beginning…

What’s the Motive?

There I was, heads-down working on my next psychological thriller, when one of my author friends pinged me on Facebook with an idea. She and a few of her other author friends were putting together a boxed set of romantic suspense stories. Would I be interested in joining the fun? As an author, it’s good to stretch your wings and try something outside of your comfort zone, so I stopped what I was doing and gave my good friend Fiona Quinn a call. 

Not only is Fiona a good author, but like me, she has a keen eye for business. We chatted about the project, and it didn’t take me long to decide that this was an opportunity I didn’t want to miss. The boxed set Love Under Fire has been a whirlwind kind of a project. There are 20 authors besides me who have written original stories for the set.

Working with so many talented authors has been a fun and instructive experience. But what makes this project extra special, is that we’ve teamed up with a 503(c) organization called Pets for Vets. My dog, Sasha, was a rescue from a high-kill shelter. She was a mom at a puppy mill who was never properly socialized, and when she was finished delivering puppies, they dumped her. She’s a sweet little Yorkie just brimming with anxiety from living in a box for so many years. She’s a total nutter, and I couldn’t ask for a more loyal friend. What I love about Pets for Vets is that they pair shelter animals up with Veterans in need of support animals. It is a total win-win.

Pets4Vets

This project presented some unique challenges for me as a writer.

  1. There was a word count limit! Not to say that I’m pathologically long-winded, but my novels usually weigh in ~98,000 words. Deception Bay came in just under 60,000 words. While this may be easy for some authors, for me, this was no easy feat. I had to cut sub-plots and slash sections to stay within my limit. In doing so, I learned a valuable lesson that every writer should know—keep only what matters.
  2. The protagonist for the book, Austin Martell, is smart, funny, and a little on the narcissistic side. Smart and narcissistic? No problem, I’ve got that covered. But funny… I think I’m capable of being funny in person. I mean, if you and I are having a conversation, I may be able to come up with a witty line or two, but doing it on paper… That’s a whole other thing. Some days funny is a foreign language, and it takes time to layer humor into a scene. Then there are those magical days when as Jim Rennie from Under the Dome would say, you’re just “feeling it” and being funny comes naturally. Those days are pure gold, and I made the most of them when editing this book.
  3. And then there’s romance… Typically, I write hard-core suspense, so this story had me exploring my “softer side.” I’m really excited about the result. While Deception Bay is a departure from the dark suspense my fans are used to getting from me, I think they’re really going to love this story. The humor in the book is offset by some wicked intense scenes, and when Austin falls for the one woman who seems immune to his charms… Well… It makes for some pretty fun reading.

Challenges aside, writing this story was a labor of love. I started writing it a few years back. It was the thing I wrote when I was between other things, and though I loved the characters and the premise for the story, it didn’t fit in with my other books, so I set it aside. I never could fully shake the story though. Every now and then, I would pull it out and tinker with it. There were days when I would be hunched over my laptop giggling to myself while I was editing because spending time in Austin’s head was an awesome place to be. I hope readers agree. 

AdobeBio 
Chris Patchell is the bestselling author of In the Dark and the Indie Reader Discovery Award-winning novel Deadly Lies. A tech worker by day and a writer by night, she pens gritty suspense novels set in the Pacific Northwest.

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Read the Dublin Murder Squad Series to Learn Character Design

3 Dublin MS Novels
French saved me from mystery genre burnout.

I used to read a wider range of books, and by that I mean I used to be much more forgiving as a reader. But as my reading and writing tastes have grown sharper, I've become a lot more discriminating. I'll start a book and give up on it if it's not working for me or can't compete with any number of extremely well written games or books or TV shows I have at the ready. I bet many of you are no different. After all, we're not going to read another standard mystery with all the tropes (tough-guy detective, a slaughtered female body found on page one) when we can watch Ruth Langmore successfully wrestle with her "white-trash" identity in Ozark.

One of the writers who's best captured my attention--and held it--is Tana French.

Faithfulplace_us
Other images this page, source: www.tanafrench.com

When I picked up Faithful Place in 2016, I was pretty jaded, as a reader. I'd spent the previous five years reviewing, critiquing, and in some cases, rewriting hundreds--yes, hundreds--of mostly mystery-themed story games. During that time, I read a lot of mystery novels, everything from cozies to thrillers to classics. Before that, I'd interviewed four Northwest mystery authors for a Seattle Woman cover story. In 2016 I was nearing the end of my own mystery series--the Dreamslippers--inspired by the supernatural mystery games and books I'd enjoyed. By the time I stumbled upon Faithful Place in a used bookstore, I was in danger of becoming burnt out on the genre.

But Frank Mackey's riveting first-person voice reignited my love of mystery to a white-hot point. From the stunning open paragraph, I was hooked:

In all your life, only a few moments matter. Mostly you never get a good look at them except in hindsight, long after they've zipped past you: the moment when you decided whether to talk to that girl, slow down on the blind bend, stop and find that condom. I was lucky, I guess you could call it. I got to see one of mine face-to-face, and recognize it for what it was. I got to feel the riptide pull of my life spinning around me, one winter night, while I waited in the dark at the top of Faithful Place.

Full disclosure: I'm Irish enough to have had a grandfather with flaming red hair and who knew all the old drinking songs. Alas, he lived thousands of miles away from my military family and then passed away when I was only five, so I never learned any of his songs. But it's possible there's a cadence in the Dublin Murder Squad that appeals to me on some visceral, perhaps even genetic, level.

But I don't think you need to have a family tree that includes names like Sisley McKay and Skeets Larue in order for French's characters to resonate with you. They're incredibly well developed, authentic narrators who even when problematic gain your sympathy. 

Curiously, each Dublin Murder Squad novel was written from a different character's point of view. After reading just a few of the books in the series, you start to get a 360-degree look at the squad, as each character views his or her work from a unique perspective.

Inthewoods_us

The debut novel in the series--In the Woods--follows Detective Rob Ryan, a murder squad veteran who becomes undone by a case he pushes to investigate despite its connection to a cold case from his past; as a child, he survived what appeared to be a grisly attack. Though the brilliant novel averages at a bewildering four stars on Amazon--it deserves five!--it earned praise from the likes of NPR Correspondent Nancy Pearl, "A well-written, expertly plotted thriller," and The New York Times Book Review's Marilyn Stasio, who says, "Even smart people who should know better will be able to lose themselves in these dark woods." With a bit of elitism at work in the praise, Stasio nails French's literary writing quality, which should appeal to even readers who perhaps don't normally succumb to the allure of genre fiction.

These characters feel both fresh and authentic in part because they constantly thwart cliché expectation. Though French's debut centers on a detective driven to solve not just the case before him but the case in the past connected to his own deepest trauma, he remains (or at least tries to remain) detached, even matter-of-fact about it:

Contrary to what you might assume, I did not become a detective on some quixotic quest to solve my childhood mystery. I read the file once, that first day, late on my own in the squad room with my desk lamp the only pool of light (forgotten names setting echoes flicking like bats around my head as they testified in faded Biro that Jamie had kicked her mother because she didn't want to go to boarding school, that "dangerous-looking" teenage boys spent evenings hanging around at the edge of the wood, that Peter's mother once had a bruise on her cheekbone), and then never looked at it again.

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Broken Harbor's Scorcher Kennedy bursts into the reader's consciousness with a thrilling bravado that could be mistaken for typical tough-guy talk, if it weren't for the fact that the case ends up dismantling him in ways he can't possibly foresee:

Some of the lads can't handle kids, which would be fair enough except that, forgive me for asking, if you can't cope with nasty murders then what the hell are you doing on the Murder Squad? I bet Intellectual Property Rights would love to have your sensitive arse onboard. I've handled babies, drownings, rape-murders and a shotgun decapitation that left lumps of brain crusted all over the walls, and I sleep just fine, as long as the job gets down. Someone has to do it. If that's me, then at least it's getting done right.

Rob Ryan, Frank Mackey, and even Scorcher Kennedy must all three reconcile evidence in the present with memories of the past, though none of them look through rose-colored glasses at the past, nor are they scarred by it any more than they are affected by what's happening to them now. In this way French turns tried-and-true mystery fodder on its head, making the characters and their lives in the here and now the driver of the plot. You want to know what happened in the past, yes, but if you reach the end of the novel, and the past still hasn't revealed itself, it doesn't really matter. You've come to know the character fully, suffered and died and been resurrected with him, whether he finds the answers or not.

Thetrespasser

Perhaps French's greatest character design achievement is that of Antoinette Conway in the latest book in the series, The Trespasser. Conway's character is an achievement not because she's the most compelling of the series but because she thwarts our expectations best. A woman is a rarity on the Dublin Murder Squad, and of course the target of sexual harassment and hazing. Though tough beyond belief--she can physically defend herself against a stalker, she plays hardcore video games to unwind, and she does not believe in romantic love--Conway wrestles with a narrative of distrust that threatens to tear her away from a vocation for which she has a passion like no other. 

The Associated Press says, "Tana French is irrefutably one of the best crime fiction writers out there," and I have to agree. For me she surpasses other faves--Gillian Flynn, Sophie Hannah--and the ones whose popularity I can't grok (I'm looking at you, Megan Abbott). I'm four novels into the six-book series and can't wait to dive into the other two. Interestingly, French's most recent publication is a standalone, The Witch Elm. It looks wonderfully compelling, but I do wonder if the Dublin Murder Squad will go on, or if French herself has had a bit of burnout.

If you've read French, tell me what you think of her work below. If not, does this make you want to become a DMS fan? I think game writers and book authors alike can learn a lot from her exemplary character development.

Author_photo
Tana French.

What Would You Like to Read on the Blog?

 

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Image courtesy of Pixabay.

It's been a while--since January, actually--since I've posted on the blog, and for that I apologize.

Long story short, I've struggled with what amounted to two full-time jobs for the past year, since I took that visiting professorship at Webster University, AND AT THE SAME TIME, MY INDIE GAME STUDIO BLEW UP. Don't get me wrong; this is a good problem to have these days. But when your priority list exceeds the number of hours in a given week, some things need to drop off, and sadly, this blog was one of them. 

But I've missed it. And you--its reason for being. As I look ahead to hopefully a more life-balanced rest of the year, I'm mulling over what this blog should and shouldn't be, and I'd love to get your opinion. So I created a survey.

It's short. Survey Monkey tells me you can take it in two minutes. If you've got two minutes to spare, please weigh in on the types of topics and guests you'd like to see on the blog.

The survey is completely anonymous. I'm not collecting any data on who fills it out or when or why or what your first-born child's name is, I promise. I will analyze the results in the aggregate and pay attention to any "other" comments you've written, no names or strings attached.

And if you'd rather share your opinion in the comment section below this post, feel free. The survey asks general questions about reading and gaming habits and interests, and then basically asks what you'd like to see here on the blog in the future. I'm all ears. Thank you!

In case you missed that survey link above, here's a button! Go ahead and push it! Or click on it! Just go there!

 

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'Bound to the Truth' Wins indieBRAG, Third in a Row for Author Lisa Brunette

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Seattle, WA--June 26, 2017--IndieBRAG announced today that Bound to the Truth, the third book in Lisa Brunette's Dreamslippers Series, was chosen to receive the indieBRAG medallion. A mark of excellence in the self-publishing industry, the medallion is awarded only to 20 to 25 percent of books submitted for the award. Lisa Brunette has received a medallion for all three books in the Dreamslippers Series to date.

“We’re thrilled to award a third medallion to Lisa Brunette,” said indieBRAG President Geri Clouston. “Bound to the Truth stood out to our reviewers in particular for the excellent writing style--the author’s distinctive voice, with its pleasing, evocative rhythm--and for the polish and attention to professional copyediting.”

IndiBRAG, LLC has brought together a large group of readers, both individuals and members of book clubs, located throughout the United States and in ten other countries around the globe. All ebooks are subjected to a rigorous selection process. This entails an initial screening to ensure that the author’s work meets certain minimum standards of quality and content. IndieBRAG reserves the right to reject an ebook during this initial screening assessment for any reason. If it passes this preliminary assessment, it is then read by a selected group of members drawn from their global reader team. In both the initial screening phase and, if appropriate, the subsequent group evaluation phase, each book is judged against a comprehensive list of relevant literary criteria.

"It's an honor to have had all three books chosen for the medallion," said Lisa Brunette. "The Dreamslippers Series is quirky, genre-crossing, and female-centric, which made it a tough sell for traditional publishing. But indieBRAG readers have shown that the self-publishing arena is the perfect place for experienced writers like me to take chances and experiment."

Bound to the Truth is the latest novel in the bestselling, award-winning Dreamslippers Series, which features a grandmother/granddaughter PI duo who use their psychic dream ability to solve crimes. In Bound to the Truth, their client thinks she knows who the killer is, but Cat and Amazing Grace don’t believe her. Did Nina Howell really fall under the spell of a domineering, conservative talk show host? The case brings powerful new developments in Cat’s dreamslipping skill as she works to find the answer. 

Cover JPG w Brag Medallion Thumb

Bound to the Truth received rave reviews from bloggers across the indie community. “I found myself completely submerged in this story of intrigue," said Book Fidelity. J Bronder Book Reviews, which has given all three books in the series high praise, said, “I loved following along as they had to dig deep to find the killer.”

About the indieBRAG Medallion

BRAGMedallion.com is owned and operated by indieBRAG, LLC, a privately held organization that has brought together a large group of readers, both individuals and members of book clubs, located throughout the United States and in ten other countries around the globe. The word “indie” refers to self-published books, while B.R.A.G. is an acronym for Book Readers Appreciation Group. The name “indieBRAG” and the B.R.A.G. logos are trademarks of indieBRAG, LLC. The B.R.A.G. Medallion is a certification trademark owned and controlled by indieBRAG, LLC.

About Author Lisa Brunette

Lisa Brunette writes books and games. All three books in her bestselling Dreamslippers Series have won indieBRAG medallions, and the second book was also named a finalist for the Nancy Pearl Book Award and nominated for a RONE Award. Brunette’s game-writing credits include hundreds of titles, played by worldwide audiences in the millions, for Big Fish and other publishers. New games Unknown Sender: The Woods and Matchington Mansion both release in 2017. She also has a long list of bylines as a journalist, short-story writer, and poet. Her work has appeared in the Seattle Post-Intelligencer, Seattle Woman, Poets & Writers, and elsewhere.

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How to Embrace Your Dark Side Without Getting Lost

 

The-Devil
From the Ghetto Tarot by Alice Smeets.

I begin most days by drawing a tarot card. It's part of my spiritual practice to think about the current challenge or lesson and draw a card that, when it's all working well, gives me insight. One day last week, I drew The Devil.

This can be an alarming card to have pop up in a reading, thanks to the bad rap the hooved one gets in Christian-influenced culture. I'm many decades away from the colorful images of El Diablo that illustrated my Catholic children's bible, and it still gives me pause. These days, I see the world less in terms of good vs. evil and as more of a continuum. But The Devil in a one-card reading is cause to sit up and pay attention nonetheless.

The deck I currently use is the Ghetto Tarot, created by talented photographer Alice Smeets, who based it on the 1909 work of another artist, Pamela Colman-Smith. There's a lot to love about Ghetto Tarot. First, it's a photographic representation of each card in the traditional deck, of which most people are familiar, and set entirely in the Haitian ghetto. The images are stunning and powerful, showing how the themes in the traditional deck resonate well in a culture outside that tradition. Second, this deck uniquely embraces the darker side of the tarot. Smeets offers her argument:

We tend to concentrate on the light aspects of the seemingly more positive cards and are afraid of the apparently negative cards such as Death, the Devil, and the Tower ... That's because we are conditioned by our society, our parents, and our teachers to categorize the negative as bad, instead of helpful. Many of us fear pain instead of welcoming it. But every negative situation is an opportunity to grow and learn, while every positive situation has the potential to spin out of control.

The deck plays on "shadow" as well as "light," with each card in the deck possessing both sides. The Devil's shadow side can be "acting against your convictions." The "light" is "finding and accepting your dark side." 

Drawing The Devil would have been reason enough for me to mull over the idea of finding and accepting my dark side, but sometimes the Divine hits you over the head with things that seem to have extra importance.

The same day I drew The Devil, I went to the library to pick up a book I'd requested through interlibrary loan. I had learned of the book from a review and either hadn't seen or didn't remember the cover, which is this:

  Generation of Sociopaths cover

Yeah, I know. Pretty interesting coincidence. The book is a provocative read, all right, challenging everything I've believed about my parents' generation. Maybe that was the lesson of the day: To go there, to push my thinking into a dark place again. The book sort of chose me, along with a few others on class in society--after this in my stack are White Trash and Poor But Proud. It's all research for an in-progress novel based on a real-life murder.

My previous work is a lot of light: the Dreamslippers Series. Back in 2012 when I began to write those stories, I started to take my first book in a darker direction, and the result is that I relapsed into PTSD nightmares, which I'd been free of for some time. So I backed away from that and wrote a cozy-ish series about a 70-something yogi named Amazing Grace instead.

But of course, some of the darkness seeped in. It's called conflict, and you can't have a story without it, especially if your sleuths are solving murders. Besides murder, I also tackled anti-gay violence, racism, murderous jealousy, BDSM, child pornography, and incest. So, yeah. Even when I've got my head turned toward the light, the darkness fringes. At the corners, at least.

I'd been content to relegate it to the edges. But this Devil showing up in my life with such force made me wonder. A recent bout of writer's block specific to the aforementioned novel-in-progress came to mind. Maybe the block had to do with suppressing the dark side? Not wanting to go where I sense this story will make me go? And if I had any doubt, scanning through my email the same day of the two devil-related incidents above dispelled it, as one subject line in particular jumped out at me:

Writer, give in to your dark side

The email came from one of my favorite follows, Colleen M. Story's Writing and Wellness Blog. And lo and behold, the entire newsletter was devoted to this "dark side" issue, and specifically for writers. The articles? Here you go:

 The email was illustrated with another devil:

Devil girl

At this point, I'm like, OK, OK! Dark side! Got it! Thanks, Spirit! Paying attention now, I promise!

But ugh.

Didn't I already know this? 

Over the winter, my stepson turned us onto a movie he loved called Inside Out. It's a Pixar animated film, brilliantly done, and the gist of it is that [spoiler alert] the character you think is the hero, the one who's relentlessly positive, actually turns out to be the villain. At least of a kind. The movie does a remarkable job of illustrating how terrifically bad it is to suppress feelings because they're "negative." The filmmakers consulted psychologists in making the film. I highly recommend it for anyone who's convinced--or is tired of those who are convinced--that positivity is the only way to go, all the time. You're welcome.

There's a real benefit to healthy expressions of negativity. If someone's wronged or harmed you, swallowing your anger or outrage could actually make you feel complicit in their act, an enabler to your own victimization. Denial, sugar-coating the truth, false positivity--none of these things serve us well. 

But there's a balance to it.

One of many dead manuscripts I have in a drawer is something I finished back in 2007 called Meat: A Memoir. I gave it to the agent I had at the time, and, based on the title, she had high hopes. (She described me at a party once as "very talented and very intense.") She loved the short story collection she was then shopping around to publishers. But Meat? "I couldn't get through it," she told me.

It was all darkness, with very little light.

So that's my challenge, as both a writer and a human being.  To integrate my shadow and light sides, to allow them to coexist without judgment, suppression, or imbalance.

But how do you do that? Here are five ways I strike the balance:

  1. Be honest about your feelings. This starts with your own awareness: If something's bothering you, check in to see what exactly it is. Take a moment to get present; close your eyes; see what bubbles up. Writing can be a very powerful discovery tool as well. Sometimes I'll free-write about my project if I've got writer's block. This story is difficult right now because...
  2. Don't guilt or shame yourself into forced happiness. It's OK to feel angry, disappointed, sad, depressed... feel all the feelings. A spiritual leader I know once advised that sometimes, lying on the couch and sucking your thumb is exactly the right response to the situation. This goes for fictional characters, too. My best writing comes when I "torture" my characters and let them respond in very human ways.
  3. Don't guilt or shame yourself into silence. Talking about the darkness can help bring it into the light. I once had a writing teacher say that Shakespeare's work continues to resonate to this day because most of the characters are speaking at moments of high crisis. This is where the best fiction lies.
  4. Don't let anyone else guilt or shame you into silence. Whenever I get to the point where I feel someone is just not capable of hearing me, I stop the conversation and find other ways to express myself. Truths can be uncomfortable, and when they threaten status quo, there can be a tendency to silence the truth-bearer. But silencing someone is a power play that comes from insecurity. This goes for writing groups, too. If someone's critiquing your work in a way that feels silencing, it might be time to reevaluate whether the critique is constructive or even helpful.
  5. Don't wallow. If you find you've been wading in the darkness for some time, and you're far past the point of gaining insight from it, then it's time to get up off the couch and rejoin the world. But even then, don't do the things people want you to do but rather what brings you happiness. That goes for the writing, too. Like my dead manuscript example above, an all-dark world doesn't actually make for good storytelling. Without the victory, conflict can feel relentless and suffocating. 

What it comes down to is your shadow side and your dark side actually need each other.

Thanks to Alice Smeets for her lovely Ghetto Tarot and Colleen M. Story for her insightful essays. I hope you'll check out their work.

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