Framed and Burning Feed

Roundup: Arena Bricks, SLU Spotlight, Dreamslippers Series Features

Arena brick

This past Saturday we had a spare moment to catch our breaths and wound up at a place called Architectural Artifacts St. Louis. I follow them on Instagram (@architecturalartifactsstl), where I'd found out they had a crate of bricks salvaged from the St. Louis Arena, unearthed after 20 years.

Built in 1929 and demolished 70 years later, the St. Louis Arena was a sport and concert venue, a place where memories were made. The Blues hockey team played there, so I suspect many of the folks picking up a brick of their own are motivated by the current Stanley Cup playoff. I'm not a huge hockey fan, but even I can appreciate the fervor; the Blues haven't been in the Stanley Cup finals since 1970, haven't won since 1967, and this is the fourth time in history they've made it this far. All over the city, there are signs saying, "Let's Go, Blues!"

But my motivation for combing though the array of blue, yellow, and orange Arena bricks and choosing one to take home was different.

Arena bricks

In 1980s St. Louis, The Arena was the place to see a rock concert.

I saw Whitesnake and Poison there, and both L.A. Guns and Guns 'n Roses. I crushed on Joe Elliott when Def Leppard played at The Arena "in the round" in 1988. My boyfriend and I were close enough to marvel over Richard Allen's deft skill in playing the drums with one arm and both feet. Next came Mötley Crüe's Dr. Feelgood tour in 1989. Tommy Lee's drum kit extended out over the crowd, turned him upside-down, and spun. Yeah. I'd played in the rhythm section of my grade school band, so you could say the drummers stood out to me for that reason, but they certainly had their own draw.

I regret missing KISS when my parents grounded me for what I protested at the time were unfair reasons: When my boyfriend and I went to The Arena to get tickets, he parked in neighboring Forest Park to save on the parking fee, and we returned to find the windows on the car broken, his expensive stereo system gutted, huge baseball bat-sized holes in the sides of his Grand Prix. Dealing with a police report and taping up the windows against the cold winter air, we returned home well past curfew, and the grounding was my punishment.

In 1999 when The Arena was imploded, I walked from where I lived just a few blocks away to watch it. I still remember the birds emerging from holes in the ceiling the second the detonation went off.

As many of you know, I've moved back to St. Louis after 20 years away, so this brick marks that occasion for me, too.

While picking up the brick was my main goal, my husband and I also just wanted to check out the salvage finds at Architectural Artifacts. We hope to add some choice pieces as focal points and sculptures as we create Dragon Flower Farm. We have dibbs on a couple of items, like these triangular tiles, large-scale letter blocks, and a sphinx.

Triangles
Want.
Me
I think I would prefer "We."
Sphinx
Recovered from an elementary school. The church that bought the building didn't want the Egyptian icon. AASTL has two of them, the other in a bit better shape.

Speaking of getting in touch with one's roots... this year marks my 25th reunion from college (undergrad). As part of the reunion observances and festivities, SLU is creating spotlights on alumni and publishing them in the alumni email newsletters. I mourn the loss of one important professor in particular, so I focused on her for my spotlight:

SLU spotlight

In other news, my yogi detective series, the Dreamslippers Series, has received a couple of features, the first from indieBRAG, as all three books in the series won that institution's medallion, awarded to only the top 20 percent of books submitted. May was mystery month, so the series was included in that.

Mystery spotlight

The series was also included in a roundup wiki of top 10 paranormal mystery series, with a video intro here, the Dreamslippers reel starting at 4:04.

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'Bound to the Truth' Wins indieBRAG, Third in a Row for Author Lisa Brunette

A Christmas Gift to My Fellow Missourians

Partners in Crime Spring '17: The 21-Blog Salute!


A Christmas Gift to My Fellow Missourians

IndieMO

I'm pleased to announce that all three books in the Dreamslippers Series have been inducted into the Indie Missouri program, a collection of books from local indie authors available exclusively on the BiblioBoard Library mobile and web platform. This collection is available to patrons of participating libraries across the state.

It's an honor to be included in such a great program. I'm all in favor of any effort to broaden the offerings beyond what is controlled by the New York-focused traditional publishing establishment. What's found to be exciting and important to those of us in this "flyover" state might not always match what plays in New York.

Speaking of which, the first book in the series, Cat in the Flock, takes place in the bi-state area of Missouri and Illinois around St. Louis, where I lived from about junior high to early adulthood, the place I've returned to live now.

Tap or click the book covers below to find each book in the Indie Missouri list. Merry Christmas, and happy reading!

BRAG medallion ebook CAT IN THE FLOCK

Framed and Burning w Medallion

BOUND TO THE TRUTH 1400x2240 indieBRAG

 


The End of the Dream(slippers): Year in Review

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Image courtesy of Pixabay.

When I set out to write the Dreamslippers series back in 2012, the self-publishing business was still bright, shiny, and promising.

Still, I wasn't sure if I'd go that route. I had to be convinced, and I was, in the end--by research that showed you had a better chance of making a living as a fiction writer if you went indie. Around a very demanding day job, it took me two years to write the first book. During that time, I shopped it around to agents and editors in traditional publishing, and I had an incredible amount of interest--just no follow-through. I worked on the book, getting a ton of feedback from alpha and beta readers--as well as some of those agents--and revising over and over. It wasn't my first book; I'd had an agent back in 2005 who shopped a short-story collection around. I'd honed my skill since then and felt confident about the manuscript. I talked to a lot of people, authors and agents and marketers and others. It seemed to make the most sense to take a leap into self-publishing.

Cat in the Flock performed well, enough to warrant further attention. A celebrity Hollywood director reached out to me about rights, I was interviewed by the Seattle Weekly, and I won my first indieBRAG medallion. This despite a homemade book cover and struggles with Amazon's category algorithms, which plunked the book in "pet noir" because of the title. 'Cat' referred to the protagonist's nickname, a shortening of her full name, Cathedral. There are no felines in the book.

FINAL COVER ART CATINTHEFLOCK

The original cover for Cat in the Flock.

Perhaps most important to me, the book was reviewed well by people whose opinions I trusted. The writers Jon Talton, Mary Daheim, and Corrina Wycoff all contributed praiseful blurbs. None other than the venerable Kirkus Reviews called it "a mystery with an unusual twist and quirky settings; an enjoyable surprise for fans of the genre."

According to some successful indie authors I've talked to, what I should have done right then was release two more books that year and keep going as fast as I could.

But I didn't. Writing and releasing Cat around the day job (and my own wedding, by the way) had been exhausting. So instead, I took a poetry manuscript out of a drawer and published that, too. Half the poems in Broom of Anger had already appeared in literary journals, and for some of them, I'd won awards. I was curious to see how it would do.

Broom of anger

It probably won't surprise you to learn that sales were pretty much non-existent. Poetry is a tough enough sell for traditionals, and self-published poetry, no matter the quality of the work nor the stature of the authors contributing blurbs, is a non-starter.

But I persevered. My husband and I had a change in our living situation when he was offered an opportunity to steer a grant at a small college in a small town... And the semi-rural life held appeal for us both. I stepped down from my management position at the day job and dropped to four days per week, which I would work remotely, from the small town. I hoped this would provide more time for the novel series.

I'd published Cat in late July of 2014 and followed it with Framed and Burning in the fall of 2015. From first draft to release, it took me nine months.

There's a lot that goes into self-publishing that takes up time. You could think of an iceberg, how you see only 1/3rd of it, the part above the water. The other 2/3rds of being an indie is everything ranging from reviewing voice actor demos for your audiobook to formatting the actual manuscript to writing a marketing plan. Most of it has nothing to do with the actual writing.

Framed and Burning garnered a good deal of critical success, most notably as a finalist for the Nancy Pearl Book Award. A huge fan of the celebrity librarian, I was awash with honor over that nomination. But the top prize went to a traditional author who already had a long list of such awards. I won a second indieBRAG and was nominated for a RONE Award, but sales were just okay.

FRAMED AND BURNING IndieBRAG 2

I'd worked diligently to professionalize my novel-writing business, forming an LLC and hiring professional editors, a book cover artist, marketing consultants, and so on. I researched social media, tried to get good at it, and bootstrapped as much as I could, making lovely connections in my small town, where people still treat writers as if we're at least minor celebrities.

Meanwhile, I'd made the decision to exit from the day job. It had been a heady, exhilarating, and at times, challenging, five years. I'd created a narrative design team, basically a group of game storytelling experts, and together we raised the bar on storytelling in the company's collector's edition games. Passionate about game storytelling, I wanted to continue to write and design games, but a no-compete clause in my contract kept me from any work that could be construed as "materially similar" for a blackout period of one year. So I tried my hand at some new genres, such as Smash Squad for WG Cells, and I wrote about games for several publications and my own blog.

And I continued to write novels. I released the third book in the series the week of the presidential election in 2016. 

The country was in upheaval with Trump's victory, and no one paid any attention to Bound to the Truth. I won a third indieBRAG for it, though. The medallion represents the top 10 percent in independent publishing, so it's a strong achievement, especially considering the volume of self-published works. I still think it's the best book in the series, but it launched to dismal sales and never recovered.

Brokenhearted, I had long conversations with two successful authors--one indie and the other a hybrid of traditional and indie--who both proclaimed the self-publishing bubble had burst. The hybrid author has gone back to 100 percent traditional. The indie is aggressively pursuing a career in scriptwriting, which she believes is the next big opportunity.

I pulled back on investment in the Dreamslippers series and made due with one final pro cover, for the boxed set. After a year, it's still sitting on Amazon without a single review, and sales have been poor. It's tough, because I know some indies who are still making an all right living. But they tend to serve niches (such as a Christian apocalyptic writer) that are ignored by New York publishing. They also usually have military pensions or are kept financially afloat by their spouses' incomes. 

Boxed set

But frankly, it would have surprised me if I'd been able to make a living on indie books alone. I'd already survived the collapse of the journalism industry, and I understand that we are in the throes of a digital revolution that places primacy on the visual. I approached the entire enterprise with the idea that it was a huge experiment, and a gamble. While there are many things I might have done differently, on the whole, I learned a lot, acquired new skills and further honed old ones, and grew as a writer. The result is an award-winning novel series to my credit and scores of articles written by and about me and my work.

On balance, I'm glad I tried to become a full-time novelist, though commercial success proved to be an elusive beast. 

What continues to do extremely well for me is my work in games.

The one-year blockout from my no-compete clause ended in February 2017, and it was as if the floodgates opened. Without having to actually look for any work, it has consistently found me. By spring, I was already at full-time capacity, writing and designing games for Daily Magic, an old partner of mine from the day job, as well as a few studios new to me that were trying innovative game formats. 

I wrote and co-designed what could be considered a "game novel" or "interactive novel" called Sender Unknown: The Woods. It released in the "New Games We Love" section of the App Store and has been a top 10 in several categories. Gamezebo calls it "the next leap forward in mobile." Another writing/co-designing title for me, Matchington Mansion, has pretty much blown the doors off mobile with its popularity. I'm just now finishing up a "visual novel" for Pixelberry Studios, and it will release in March of this year. Additionally, I'm at work on a project for GSN Games, releasing in early 2018, and in talks with Jam City, a studio I've admired for some time. I'm also designing and writing levels for G5's hit game, Survivors: The Quest.

Loading Screen

It was into this exciting vortex that Webster University entered last summer, and with it, an opportunity to return to my roots--in two ways. One, as a professor of games and game design, as visiting faculty for the 2017-18 school year. Two, in St. Louis, where I'm, as we say, "from."

Some of you know I used to teach English at Pierce College, back in the early 2000s. I had tenure but left to pursue a writing career on my agent's recommendation and because I struggled to pay off my student loans on that faculty income. But I feel the classroom never really left me; I was destined to return and had already as a guest-lecturer at University of Florida and Seattle University.

My family is here in the area, on both sides of the river. I earned my bachelor's degree at Saint Louis University, and I cut teeth early in my career as a writer for the St. Louis Science Center and various city publications. I wasn't born here, having grown up a child of the Air Force with its mandate of frequent moves, but I attended part of junior high and all of high school in Illinois and still think of the Lou as "home." 

Honestly, I wasn't sure I could take on full-time faculty duties with the game work ramping up so quickly. But I hit it off with the faculty there, and it became an opportunity not to pass up. I knew of Webster University's strong reputation, and since the program is new and in need of leadership, there's a chance to put my stamp on something that could be key to the success of not just the school but the whole St. Louis region. What impresses me most is the seed of entrepreneurship being sown here by a small but quickly growing local game industry.

I've had to say no to some work, which is regrettable, but I feel reborn in the classroom. Teaching game design is in many ways a dream-come-true, and a fitting transition from all that dreamslipping.

Game-design

Image courtesy of Webster Today.

So here I am at year end, a novelist, game designer, and teacher. All the best to you in the New Year, and I'd love to hear from you by email or in the comments below.


'Bound to the Truth' Wins indieBRAG, Third in a Row for Author Lisa Brunette

Small brag medallion transparent

Seattle, WA--June 26, 2017--IndieBRAG announced today that Bound to the Truth, the third book in Lisa Brunette's Dreamslippers Series, was chosen to receive the indieBRAG medallion. A mark of excellence in the self-publishing industry, the medallion is awarded only to 20 to 25 percent of books submitted for the award. Lisa Brunette has received a medallion for all three books in the Dreamslippers Series to date.

“We’re thrilled to award a third medallion to Lisa Brunette,” said indieBRAG President Geri Clouston. “Bound to the Truth stood out to our reviewers in particular for the excellent writing style--the author’s distinctive voice, with its pleasing, evocative rhythm--and for the polish and attention to professional copyediting.”

IndiBRAG, LLC has brought together a large group of readers, both individuals and members of book clubs, located throughout the United States and in ten other countries around the globe. All ebooks are subjected to a rigorous selection process. This entails an initial screening to ensure that the author’s work meets certain minimum standards of quality and content. IndieBRAG reserves the right to reject an ebook during this initial screening assessment for any reason. If it passes this preliminary assessment, it is then read by a selected group of members drawn from their global reader team. In both the initial screening phase and, if appropriate, the subsequent group evaluation phase, each book is judged against a comprehensive list of relevant literary criteria.

"It's an honor to have had all three books chosen for the medallion," said Lisa Brunette. "The Dreamslippers Series is quirky, genre-crossing, and female-centric, which made it a tough sell for traditional publishing. But indieBRAG readers have shown that the self-publishing arena is the perfect place for experienced writers like me to take chances and experiment."

Bound to the Truth is the latest novel in the bestselling, award-winning Dreamslippers Series, which features a grandmother/granddaughter PI duo who use their psychic dream ability to solve crimes. In Bound to the Truth, their client thinks she knows who the killer is, but Cat and Amazing Grace don’t believe her. Did Nina Howell really fall under the spell of a domineering, conservative talk show host? The case brings powerful new developments in Cat’s dreamslipping skill as she works to find the answer. 

Cover JPG w Brag Medallion Thumb

Bound to the Truth received rave reviews from bloggers across the indie community. “I found myself completely submerged in this story of intrigue," said Book Fidelity. J Bronder Book Reviews, which has given all three books in the series high praise, said, “I loved following along as they had to dig deep to find the killer.”

About the indieBRAG Medallion

BRAGMedallion.com is owned and operated by indieBRAG, LLC, a privately held organization that has brought together a large group of readers, both individuals and members of book clubs, located throughout the United States and in ten other countries around the globe. The word “indie” refers to self-published books, while B.R.A.G. is an acronym for Book Readers Appreciation Group. The name “indieBRAG” and the B.R.A.G. logos are trademarks of indieBRAG, LLC. The B.R.A.G. Medallion is a certification trademark owned and controlled by indieBRAG, LLC.

About Author Lisa Brunette

Lisa Brunette writes books and games. All three books in her bestselling Dreamslippers Series have won indieBRAG medallions, and the second book was also named a finalist for the Nancy Pearl Book Award and nominated for a RONE Award. Brunette’s game-writing credits include hundreds of titles, played by worldwide audiences in the millions, for Big Fish and other publishers. New games Unknown Sender: The Woods and Matchington Mansion both release in 2017. She also has a long list of bylines as a journalist, short-story writer, and poet. Her work has appeared in the Seattle Post-Intelligencer, Seattle Woman, Poets & Writers, and elsewhere.

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How to Spend a Rainy Weekend: Dreamslipping!

Get the Entire Dreamslippers Series on Ebook for 75% Off

Boxed Set Dreamslippers WIDE

It's May and still raining here in the Pacific Northwest, which probably explains why we're such a readerly culture. Nothing says "stay home and read a book" like nine months of near-continuous grey skies. So to ease you in this time of need, we've slashed the price on the Dreamslippers Series boxed set by 75%. That means you can get the entire award-winning series plus the bonus story for only $2.99. 

Series highlights:

  • Answers that all-consuming question, What if you could slip into the dreams of a killer? 
  • The Dreamslippers are a family of private investigators who solve crime using their ability to see the dreams of others
  • For mystery lovers who like a bit of realistic psychic flavor in their whodunits
  • Gay and trans-friendly, with a diverse cast of characters
  • Respectful to Christians and conservatives, not that those two things have to go together (a shout-out to liberal Christians and conservative atheists!)
  • Features a grandmother/granddaughter duo, and they have lots of conversations that don't focus on men or dating
  • Still, they get their romance on, too, so plenty of hotness, even at Granny Grace's age
  • Winner of the indieBRAG medallion, finalist for the Nancy Pearl Book Award, and nominated for a RONE Award

The sale applies to the boxed set, which is on ebook only and available pretty much wherever ebooks are sold, for any device in any format. 

Pass this on to your friends! Word-of-mouth sells more books than anything else. And do post a review of the boxed set when you're done reading, whether doing so made you into a committed fan or not. While book one in the series, Cat in the Flock, is up to 75 reviews now on Amazon, we don't have any yet for the boxed set, so potential readers are missing out on Grace and the gang. :( That's just how this works.

Also... exciting news! We're in talks with Hollywood representatives about interest in adapting the Dreamslippers Series to film/TV. Stay tuned...